Culture
Culture
Culture
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D r a m a t i c A r t s<br />
Olympic dramatic arts included<br />
various types of scenic productions,<br />
both in relation to genre, size and<br />
scope. Norway’s best directors<br />
were hired, primarily from the<br />
major institutional theatres.<br />
International directors were also<br />
commissioned, and the end result involved a combination of<br />
professionals and amateurs.<br />
The performances in this part of the cultural programme<br />
had a total production cost of more than NOK 30 million. Most<br />
of this was paid for by sponsors. LOOC’s costs was NOK 4.5<br />
million.<br />
About 95% of the performances were first-time<br />
performances.<br />
Theatre productions were primarily staged at the large<br />
theatres in Oslo, with LOOC deciding the playing dates.<br />
T h e a t r e :<br />
T h e N a t i o n a l T h e a t r e<br />
Peer Gynt, by Henrik Ibsen, directed by Yokyo Ninagawa<br />
World premier, 11 February 1994<br />
Cooperating partners: Point Tokyo Ltd., Thelma Holt Ltd.,<br />
Royal Shakespeare Company, LOOC<br />
Byggmester Solness, by Henrik Ibsen,<br />
directed by Stein Winge<br />
Premier, 26 January 1994<br />
Maria Q. by Cecilie Løveids,<br />
directed by Ketil Bang Hansen<br />
Premier 15 January 1994<br />
T h e N o r w e g i a n T h e a t r e , O s l o<br />
Draumkvedet, directed by Bentein Baardson<br />
Premier, 19 January 1994<br />
This well-known Norwegian ballad from the middle ages has<br />
influenced many a Norwegian artist. The Olympic