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D r a m a t i c A r t s<br />

Olympic dramatic arts included<br />

various types of scenic productions,<br />

both in relation to genre, size and<br />

scope. Norway’s best directors<br />

were hired, primarily from the<br />

major institutional theatres.<br />

International directors were also<br />

commissioned, and the end result involved a combination of<br />

professionals and amateurs.<br />

The performances in this part of the cultural programme<br />

had a total production cost of more than NOK 30 million. Most<br />

of this was paid for by sponsors. LOOC’s costs was NOK 4.5<br />

million.<br />

About 95% of the performances were first-time<br />

performances.<br />

Theatre productions were primarily staged at the large<br />

theatres in Oslo, with LOOC deciding the playing dates.<br />

T h e a t r e :<br />

T h e N a t i o n a l T h e a t r e<br />

Peer Gynt, by Henrik Ibsen, directed by Yokyo Ninagawa<br />

World premier, 11 February 1994<br />

Cooperating partners: Point Tokyo Ltd., Thelma Holt Ltd.,<br />

Royal Shakespeare Company, LOOC<br />

Byggmester Solness, by Henrik Ibsen,<br />

directed by Stein Winge<br />

Premier, 26 January 1994<br />

Maria Q. by Cecilie Løveids,<br />

directed by Ketil Bang Hansen<br />

Premier 15 January 1994<br />

T h e N o r w e g i a n T h e a t r e , O s l o<br />

Draumkvedet, directed by Bentein Baardson<br />

Premier, 19 January 1994<br />

This well-known Norwegian ballad from the middle ages has<br />

influenced many a Norwegian artist. The Olympic

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