2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
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Page 12: “Transformed Gods –<br />
Classical Sculptures from the Museo<br />
del Prado on View in <strong>Dresden</strong>”<br />
The special exhibition<br />
”Golden Dragon – White Eagle”<br />
in the State Rooms of the<br />
Residenzschloss<br />
SPECIAL EXH I B ItIONS I N<br />
DRESDEN, SAXONY AN D<br />
GERMANY I N <strong>2009</strong><br />
Director-General’s Department<br />
• Goldener Drache – Weißer Adler:<br />
Kunst im Dienste der Macht am Kaiserhof<br />
von China und am sächsisch-polnischen<br />
Hof (1644 – 1795) · Golden Dragon – White<br />
Eagle: Art and Power at the Courts of<br />
Chinese Emperors and Saxon-Polish Rulers<br />
(1644 – 1795)<br />
Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> and the Palace Museum,<br />
Beijing. The exhibition was under the patronage<br />
of Federal President Horst Köhler<br />
and Hu Jintao, President of the People’s<br />
Republic of China.<br />
Until 11th January <strong>2009</strong> (from 11th October<br />
2008) Residenzschloss, 2nd floor · Rulers required<br />
not only real power but also outward<br />
demonstrations of power and prestige.<br />
This exhibition focused on similarities and<br />
differences in the employment of the arts,<br />
court ceremonial and collecting policies.<br />
For the first time, works of art from the<br />
Imperial Palace of China in Beijing were<br />
displayed alongside objects from the<br />
<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> and<br />
the court of the Chinese Emperors, with its<br />
diverse treasures, was directly compared<br />
with the Saxon-Polish court, a centre<br />
of the European fashion of ‘chinoiserie’.<br />
Martin Eder, “In den Nachmittag geflüstert”<br />
(Whispered into Afternoon), 2007; Courtesy<br />
of Galerie EIGEN + ART Leipzig/Berlin<br />
• MADONNA MEETS MAO. Ausgewählte<br />
Werke aus der Sammlung der Yageo<br />
Foundation, Taiwan (Madonna meets<br />
Mao. Selected Works from the Collection<br />
of the Yageo Foundation, Taiwan)<br />
Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> in association with the<br />
Yageo Foundation · Until 11th January <strong>2009</strong><br />
(from 31st October 2008)<br />
Kunsthalle im Lipsiusbau<br />
Since the mid-1990s Pierre T. M. Chen,<br />
owner of a globally operating electronics<br />
company, has collected outstanding works<br />
by artists such as Francis Bacon, Georg<br />
Baselitz, Andy Warhol, Cy Twombly, Anselm<br />
Kiefer, Gerhard Richter, Peter Doig and<br />
Andreas Gursky. His collection also includes<br />
a wide range of works by modern<br />
Chinese painters from the first half of the<br />
20th century as well as contemporary<br />
Asian art. In <strong>Dresden</strong> the full spectrum of<br />
this unusual collection was shown for the<br />
first time. Western and oriental art engaged<br />
in an unconventional form of dialogue.<br />
• Martin Eder. Der dunkle Grund<br />
(Martin Eder. The Dark Abyss)<br />
Exhibition by the <strong>Staatliche</strong><br />
<strong>Kunstsammlungen</strong> <strong>Dresden</strong><br />
1st February – 26th April <strong>2009</strong><br />
Kunsthalle im Lipsiusbau<br />
Martin Eder is one of the most successful<br />
among the younger generation of German<br />
artists. This exhibition showed more than<br />
30 paintings from the past six years.<br />
Apparently harmless cute kittens, as well<br />
Contemporary art from the Hoffmann<br />
Collection in the Kunsthalle im Lipsiusbau:<br />
“To the Milky Way by Bicycle”<br />
as girls depicted in lascivious poses,<br />
reflect banal images from our everyday<br />
culture and ostensibly evoke an impression<br />
of cosy familiarity, often with a seemingly<br />
erotic connotation. Yet inscribed into these<br />
images is a conspicuous aura of doubt.<br />
Against the background of the constant<br />
trivialisation and the overstimulation and<br />
dulling of our senses, the clichés of our<br />
visual consumer culture become modern<br />
actors in a “comédie humaine” which<br />
evokes both affinity and uncertainty.<br />
• Mit dem Fahrrad zur Milchstraße. Zeitgenössische<br />
Kunst aus der Sammlung Hoffmann,<br />
Berlin (To the Milky Way by Bicycle.<br />
Contemporary Art from the Hoffmann<br />
Collection, Berlin)<br />
Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> in association with the<br />
Hoffmann Collection, Berlin<br />
18th June – 20th September <strong>2009</strong><br />
Kunsthalle im Lipsiusbau<br />
Obligated only to their own interests and<br />
inclinations, Erika and Rolf Hoffmann began<br />
collecting art in the late 1960s. They<br />
devoted particular attention to the violation<br />
of artistic rules and the transgression<br />
of limits, which results in new and extraordinary<br />
things being revealed through<br />
ceaseless grappling with contemporary<br />
life. Among their first acquisitions were<br />
works by the group ZERO. Since then,<br />
a collection has grown in which quite<br />
different eras, items and media have been<br />
brought together in an exciting synthesis.<br />
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