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2009 - Staatliche Kunstsammlungen Dresden

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Page 12: “Transformed Gods –<br />

Classical Sculptures from the Museo<br />

del Prado on View in <strong>Dresden</strong>”<br />

The special exhibition<br />

”Golden Dragon – White Eagle”<br />

in the State Rooms of the<br />

Residenzschloss<br />

SPECIAL EXH I B ItIONS I N<br />

DRESDEN, SAXONY AN D<br />

GERMANY I N <strong>2009</strong><br />

Director-General’s Department<br />

• Goldener Drache – Weißer Adler:<br />

Kunst im Dienste der Macht am Kaiserhof<br />

von China und am sächsisch-polnischen<br />

Hof (1644 – 1795) · Golden Dragon – White<br />

Eagle: Art and Power at the Courts of<br />

Chinese Emperors and Saxon-Polish Rulers<br />

(1644 – 1795)<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> and the Palace Museum,<br />

Beijing. The exhibition was under the patronage<br />

of Federal President Horst Köhler<br />

and Hu Jintao, President of the People’s<br />

Republic of China.<br />

Until 11th January <strong>2009</strong> (from 11th October<br />

2008) Residenzschloss, 2nd floor · Rulers required<br />

not only real power but also outward<br />

demonstrations of power and prestige.<br />

This exhibition focused on similarities and<br />

differences in the employment of the arts,<br />

court ceremonial and collecting policies.<br />

For the first time, works of art from the<br />

Imperial Palace of China in Beijing were<br />

displayed alongside objects from the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> and<br />

the court of the Chinese Emperors, with its<br />

diverse treasures, was directly compared<br />

with the Saxon-Polish court, a centre<br />

of the European fashion of ‘chinoiserie’.<br />

Martin Eder, “In den Nachmittag geflüstert”<br />

(Whispered into Afternoon), 2007; Courtesy<br />

of Galerie EIGEN + ART Leipzig/Berlin<br />

• MADONNA MEETS MAO. Ausgewählte<br />

Werke aus der Sammlung der Yageo<br />

Foundation, Taiwan (Madonna meets<br />

Mao. Selected Works from the Collection<br />

of the Yageo Foundation, Taiwan)<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> in association with the<br />

Yageo Foundation · Until 11th January <strong>2009</strong><br />

(from 31st October 2008)<br />

Kunsthalle im Lipsiusbau<br />

Since the mid-1990s Pierre T. M. Chen,<br />

owner of a globally operating electronics<br />

company, has collected outstanding works<br />

by artists such as Francis Bacon, Georg<br />

Baselitz, Andy Warhol, Cy Twombly, Anselm<br />

Kiefer, Gerhard Richter, Peter Doig and<br />

Andreas Gursky. His collection also includes<br />

a wide range of works by modern<br />

Chinese painters from the first half of the<br />

20th century as well as contemporary<br />

Asian art. In <strong>Dresden</strong> the full spectrum of<br />

this unusual collection was shown for the<br />

first time. Western and oriental art engaged<br />

in an unconventional form of dialogue.<br />

• Martin Eder. Der dunkle Grund<br />

(Martin Eder. The Dark Abyss)<br />

Exhibition by the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong><br />

1st February – 26th April <strong>2009</strong><br />

Kunsthalle im Lipsiusbau<br />

Martin Eder is one of the most successful<br />

among the younger generation of German<br />

artists. This exhibition showed more than<br />

30 paintings from the past six years.<br />

Apparently harmless cute kittens, as well<br />

Contemporary art from the Hoffmann<br />

Collection in the Kunsthalle im Lipsiusbau:<br />

“To the Milky Way by Bicycle”<br />

as girls depicted in lascivious poses,<br />

reflect banal images from our everyday<br />

culture and ostensibly evoke an impression<br />

of cosy familiarity, often with a seemingly<br />

erotic connotation. Yet inscribed into these<br />

images is a conspicuous aura of doubt.<br />

Against the background of the constant<br />

trivialisation and the overstimulation and<br />

dulling of our senses, the clichés of our<br />

visual consumer culture become modern<br />

actors in a “comédie humaine” which<br />

evokes both affinity and uncertainty.<br />

• Mit dem Fahrrad zur Milchstraße. Zeitgenössische<br />

Kunst aus der Sammlung Hoffmann,<br />

Berlin (To the Milky Way by Bicycle.<br />

Contemporary Art from the Hoffmann<br />

Collection, Berlin)<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> in association with the<br />

Hoffmann Collection, Berlin<br />

18th June – 20th September <strong>2009</strong><br />

Kunsthalle im Lipsiusbau<br />

Obligated only to their own interests and<br />

inclinations, Erika and Rolf Hoffmann began<br />

collecting art in the late 1960s. They<br />

devoted particular attention to the violation<br />

of artistic rules and the transgression<br />

of limits, which results in new and extraordinary<br />

things being revealed through<br />

ceaseless grappling with contemporary<br />

life. Among their first acquisitions were<br />

works by the group ZERO. Since then,<br />

a collection has grown in which quite<br />

different eras, items and media have been<br />

brought together in an exciting synthesis.<br />

13

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