2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
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52<br />
Items handed over to the Gotha Museum<br />
by the Grünes Gewölbe: Ivory knife and fork,<br />
maker unknown, 17th cent, ...<br />
Cooperative partner: <strong>Staatliche</strong><br />
Ethnographische Sammlungen Sachsen<br />
• Jahrbuch der <strong>Staatliche</strong>n Ethnographischen<br />
Sammlungen Sachsen Vol. XLIV.<br />
VWB – Verlag für Wissenschaft und<br />
Bildung Berlin, 2007 (published in <strong>2009</strong>)<br />
• Auf der Suche nach Vielfalt. Ethnographie<br />
und Geographie in Leipzig. Anlässlich des<br />
600. Gründungsjubiläums der Universität<br />
Leipzig. Edited by Sebastian Lentz, Claus<br />
Deimel and Bernhard Streck. Leipzig, <strong>2009</strong><br />
• Hans-Peter Kästner, Amazonien. Indianer<br />
der Regenwälder und Savannen. Exhibition<br />
by the Museum für Völkerkunde <strong>Dresden</strong>.<br />
<strong>Dresden</strong>, <strong>2009</strong><br />
... Ivory figure of Venus, maker unknown,<br />
17th cent. ...<br />
RESEARCH AN D<br />
REStItUtIONS<br />
As in previous years, the search for property<br />
belonging to the former Saxon royal family<br />
was a major task for provenance research<br />
at the museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> during <strong>2009</strong>. This<br />
search focused particularly on works of art<br />
which had been seized and confiscated by<br />
the Soviet occupying power in the castles<br />
of Moritzburg and Wachwitz at the end of<br />
the war in 1945. Some of these items had<br />
later been handed over to museums by the<br />
occupying power. The representatives of the<br />
House of Wettin presented the <strong>Staatliche</strong><br />
<strong>Kunstsammlungen</strong> <strong>Dresden</strong> with a long list<br />
of demands. In the Porzellansammlung the<br />
extensive research work has now more or<br />
less been completed; however, owing to the<br />
confidentiality agreement between the Free<br />
State of Saxony and the House of Wettin<br />
details cannot be made public until the negotiations<br />
have been finalised. These negotiations<br />
concerning the findings of the researchers<br />
of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> continued throughout the year <strong>2009</strong><br />
and are to be completed in 2010.<br />
Other museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> presented their detailed<br />
research concepts in the summer, on the basis<br />
of which their search for property belonging<br />
... and three ivory knives, maker unknown, 17th cent.<br />
to the House of Wettin on 8th May 1945 is<br />
to be conducted during the next two years.<br />
The search for property belonging to other<br />
museums which had been misdirected upon<br />
the return of hundreds of thousands of<br />
works of art from the USSR in the late 1950s<br />
has already led to some pleasing results. For<br />
example, two paintings – one with obvious<br />
war damage – which had been considered<br />
war losses of the Stiftung <strong>Staatliche</strong> Schlösser<br />
und Gärten Potsdam, were identified in<br />
the store room of the Gemäldegalerie Alte<br />
Meister. They were handed over to colleagues<br />
from Potsdam at the end of July. The research<br />
work in the storeroom of the Grünes Gewölbe<br />
led to the finding of 13 works of art which<br />
had formerly been considered war losses of<br />
the Stiftung Schloss Friedenstein in Gotha.<br />
These precious items, including an ivory<br />
statuette of Venus, were handed over to<br />
the Gotha museum at the beginning of<br />
December.<br />
The provenance research conducted in the<br />
museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong>, which includes the systematic<br />
investigation of all acquisitions since 1933,<br />
has also brought about other remarkable<br />
results. For example, the inventory of the<br />
Galerie Neue Meister records the purchase<br />
from a Munich art dealer in 1940 of a painting<br />
which it was possible to identify through<br />
research in the archives of Munich and<br />
Vienna as having been the confiscated<br />
property of a Viennese Jewish family.