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2009 - Staatliche Kunstsammlungen Dresden

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52<br />

Items handed over to the Gotha Museum<br />

by the Grünes Gewölbe: Ivory knife and fork,<br />

maker unknown, 17th cent, ...<br />

Cooperative partner: <strong>Staatliche</strong><br />

Ethnographische Sammlungen Sachsen<br />

• Jahrbuch der <strong>Staatliche</strong>n Ethnographischen<br />

Sammlungen Sachsen Vol. XLIV.<br />

VWB – Verlag für Wissenschaft und<br />

Bildung Berlin, 2007 (published in <strong>2009</strong>)<br />

• Auf der Suche nach Vielfalt. Ethnographie<br />

und Geographie in Leipzig. Anlässlich des<br />

600. Gründungsjubiläums der Universität<br />

Leipzig. Edited by Sebastian Lentz, Claus<br />

Deimel and Bernhard Streck. Leipzig, <strong>2009</strong><br />

• Hans-Peter Kästner, Amazonien. Indianer<br />

der Regenwälder und Savannen. Exhibition<br />

by the Museum für Völkerkunde <strong>Dresden</strong>.<br />

<strong>Dresden</strong>, <strong>2009</strong><br />

... Ivory figure of Venus, maker unknown,<br />

17th cent. ...<br />

RESEARCH AN D<br />

REStItUtIONS<br />

As in previous years, the search for property<br />

belonging to the former Saxon royal family<br />

was a major task for provenance research<br />

at the museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> during <strong>2009</strong>. This<br />

search focused particularly on works of art<br />

which had been seized and confiscated by<br />

the Soviet occupying power in the castles<br />

of Moritzburg and Wachwitz at the end of<br />

the war in 1945. Some of these items had<br />

later been handed over to museums by the<br />

occupying power. The representatives of the<br />

House of Wettin presented the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong> with a long list<br />

of demands. In the Porzellansammlung the<br />

extensive research work has now more or<br />

less been completed; however, owing to the<br />

confidentiality agreement between the Free<br />

State of Saxony and the House of Wettin<br />

details cannot be made public until the negotiations<br />

have been finalised. These negotiations<br />

concerning the findings of the researchers<br />

of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> continued throughout the year <strong>2009</strong><br />

and are to be completed in 2010.<br />

Other museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> presented their detailed<br />

research concepts in the summer, on the basis<br />

of which their search for property belonging<br />

... and three ivory knives, maker unknown, 17th cent.<br />

to the House of Wettin on 8th May 1945 is<br />

to be conducted during the next two years.<br />

The search for property belonging to other<br />

museums which had been misdirected upon<br />

the return of hundreds of thousands of<br />

works of art from the USSR in the late 1950s<br />

has already led to some pleasing results. For<br />

example, two paintings – one with obvious<br />

war damage – which had been considered<br />

war losses of the Stiftung <strong>Staatliche</strong> Schlösser<br />

und Gärten Potsdam, were identified in<br />

the store room of the Gemäldegalerie Alte<br />

Meister. They were handed over to colleagues<br />

from Potsdam at the end of July. The research<br />

work in the storeroom of the Grünes Gewölbe<br />

led to the finding of 13 works of art which<br />

had formerly been considered war losses of<br />

the Stiftung Schloss Friedenstein in Gotha.<br />

These precious items, including an ivory<br />

statuette of Venus, were handed over to<br />

the Gotha museum at the beginning of<br />

December.<br />

The provenance research conducted in the<br />

museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong>, which includes the systematic<br />

investigation of all acquisitions since 1933,<br />

has also brought about other remarkable<br />

results. For example, the inventory of the<br />

Galerie Neue Meister records the purchase<br />

from a Munich art dealer in 1940 of a painting<br />

which it was possible to identify through<br />

research in the archives of Munich and<br />

Vienna as having been the confiscated<br />

property of a Viennese Jewish family.

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