2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
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72<br />
Hermann Josef Hack and his installation<br />
”Climate Refugee Camp” in the Kleiner Schlosshof<br />
Museum admission with an Elton John ticket<br />
Another form of the amalgamation of music and fine art<br />
also enjoyed a positive response. The combination of<br />
concerts with a museum visit, which was started last year<br />
by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> and the<br />
Sparkassen-Finanzgruppe, was continued. On 3rd July <strong>2009</strong>,<br />
the day of Elton John’s huge open-air summer concert on<br />
Theaterplatz in <strong>Dresden</strong>, the Gemäldegalerie Alte Meister<br />
stayed open until 9 p.m. Ticket-holders for the concert<br />
could enter the gallery without charge until shortly before<br />
the start of the concert, and other visitors benefited from<br />
the extended opening hours. Concert ticket-holders were<br />
also entitled to visit a museum of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> of their own choice during the next<br />
two weeks.<br />
Climate refugee camps in Leipzig and <strong>Dresden</strong><br />
With an installation consisting of 500 miniature tents he<br />
had made himself, Hermann Josef Hack – an artist who<br />
focuses on global environmental changes and their social<br />
effects – drew public attention to the catastrophic situation<br />
facing more and more people in the world. For one<br />
day each in May, he transformed the market place in<br />
Leipzig and Palaisplatz and the Kleiner Schlosshof of the<br />
Residenzschloss in <strong>Dresden</strong> into “climate refugee camps”<br />
by setting up his installation. The <strong>Staatliche</strong> Ethnographische<br />
Sammlungen Sachsen in association with the<br />
<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> had invited the<br />
artist to Saxony. Both institutions saw his artistic interpretation<br />
of this current issue as an effective way of raising<br />
public awareness of the problem.<br />
A modern interpretation of the two cherubs<br />
in Raphael’s “Sistine Madonna” created for an<br />
online competition<br />
Virtual homage to the famous cherubs<br />
For its online museum in “Second Life”, the Gemäldegalerie<br />
Alte Meister sought depictions of the most famous incidental<br />
figures in art history: the two cherubs in Raphael’s<br />
“Sistine Madonna”. In 2008 the museum was the first in<br />
the world to be completely and faithfully reproduced in<br />
“Second Life”. On 31st July <strong>2009</strong>, at the GAMES CONVEN-<br />
TION ONLINE in Leipzig, the new Community “Friends of<br />
<strong>Dresden</strong> Gallery” was formed and under this name they<br />
launched a cherub exhibition. A total of 60 entries were<br />
viewed by a jury consisting of art historians and advertising<br />
specialists, and from December <strong>2009</strong> onwards they<br />
were presented in an exhibition in the virtual “<strong>Dresden</strong><br />
Gallery”.<br />
“In the Maelstrom of Art”<br />
In <strong>2009</strong> the imminent reopening of the Albertinum was<br />
announced not only through the presence of construction<br />
cranes but also through public discussion. In a series of<br />
talks held under the motto “Im Sog der Kunst“ (In the<br />
Maelstrom of Art), which will extend up to the opening in<br />
summer 2010, international museum directors and architects<br />
are presenting their conceptual plans. “In the case of<br />
museums, as public places, changes, restructuring measures<br />
and new concepts are viewed particularly critically,”<br />
says Director-General of the <strong>Staatliche</strong>n <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong>, Prof. Dr. Martin Roth. “New conceptual approaches<br />
and the refurbishment of exhibitions are a<br />
challenge for every museum, but they are also an opportunity<br />
to think things over. It is therefore particularly important<br />
to us to combine the countdown to the reopening