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2009 - Staatliche Kunstsammlungen Dresden

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72<br />

Hermann Josef Hack and his installation<br />

”Climate Refugee Camp” in the Kleiner Schlosshof<br />

Museum admission with an Elton John ticket<br />

Another form of the amalgamation of music and fine art<br />

also enjoyed a positive response. The combination of<br />

concerts with a museum visit, which was started last year<br />

by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> and the<br />

Sparkassen-Finanzgruppe, was continued. On 3rd July <strong>2009</strong>,<br />

the day of Elton John’s huge open-air summer concert on<br />

Theaterplatz in <strong>Dresden</strong>, the Gemäldegalerie Alte Meister<br />

stayed open until 9 p.m. Ticket-holders for the concert<br />

could enter the gallery without charge until shortly before<br />

the start of the concert, and other visitors benefited from<br />

the extended opening hours. Concert ticket-holders were<br />

also entitled to visit a museum of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> of their own choice during the next<br />

two weeks.<br />

Climate refugee camps in Leipzig and <strong>Dresden</strong><br />

With an installation consisting of 500 miniature tents he<br />

had made himself, Hermann Josef Hack – an artist who<br />

focuses on global environmental changes and their social<br />

effects – drew public attention to the catastrophic situation<br />

facing more and more people in the world. For one<br />

day each in May, he transformed the market place in<br />

Leipzig and Palaisplatz and the Kleiner Schlosshof of the<br />

Residenzschloss in <strong>Dresden</strong> into “climate refugee camps”<br />

by setting up his installation. The <strong>Staatliche</strong> Ethnographische<br />

Sammlungen Sachsen in association with the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> had invited the<br />

artist to Saxony. Both institutions saw his artistic interpretation<br />

of this current issue as an effective way of raising<br />

public awareness of the problem.<br />

A modern interpretation of the two cherubs<br />

in Raphael’s “Sistine Madonna” created for an<br />

online competition<br />

Virtual homage to the famous cherubs<br />

For its online museum in “Second Life”, the Gemäldegalerie<br />

Alte Meister sought depictions of the most famous incidental<br />

figures in art history: the two cherubs in Raphael’s<br />

“Sistine Madonna”. In 2008 the museum was the first in<br />

the world to be completely and faithfully reproduced in<br />

“Second Life”. On 31st July <strong>2009</strong>, at the GAMES CONVEN-<br />

TION ONLINE in Leipzig, the new Community “Friends of<br />

<strong>Dresden</strong> Gallery” was formed and under this name they<br />

launched a cherub exhibition. A total of 60 entries were<br />

viewed by a jury consisting of art historians and advertising<br />

specialists, and from December <strong>2009</strong> onwards they<br />

were presented in an exhibition in the virtual “<strong>Dresden</strong><br />

Gallery”.<br />

“In the Maelstrom of Art”<br />

In <strong>2009</strong> the imminent reopening of the Albertinum was<br />

announced not only through the presence of construction<br />

cranes but also through public discussion. In a series of<br />

talks held under the motto “Im Sog der Kunst“ (In the<br />

Maelstrom of Art), which will extend up to the opening in<br />

summer 2010, international museum directors and architects<br />

are presenting their conceptual plans. “In the case of<br />

museums, as public places, changes, restructuring measures<br />

and new concepts are viewed particularly critically,”<br />

says Director-General of the <strong>Staatliche</strong>n <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong>, Prof. Dr. Martin Roth. “New conceptual approaches<br />

and the refurbishment of exhibitions are a<br />

challenge for every museum, but they are also an opportunity<br />

to think things over. It is therefore particularly important<br />

to us to combine the countdown to the reopening

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