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2009 - Staatliche Kunstsammlungen Dresden

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56<br />

Max Klinger’s “Drama” being<br />

cleaned for the future permanent<br />

exhibition in the Albertinum.<br />

Baroque period, it has now been returned<br />

to its former condition.<br />

Another major restoration project involving<br />

the antique sculptures is that of the bust<br />

of “Ares Borghese” (Inv. Hm 91). After the<br />

work had been taken apart and all the<br />

old iron dowels had been removed, the<br />

individual fragments were cleaned,<br />

reassembled, puttied and retouched.<br />

• Medieval sculptures<br />

Several mounted wooden sculptures were<br />

technologically investigated and restored<br />

ahead of the exhibition of medieval<br />

sculptures at the Schlossbergmuseum in<br />

Chemnitz, which opened in June. Particularly<br />

worthy of mention are the largeformat<br />

figures from the altar of the<br />

Michaeliskirche in Zeitz, the “Archangel<br />

Michael”, the “Madonna of the Crescent<br />

Moon” and “Saint Catherine”, which date<br />

from about 1520. These sculptures stand<br />

out on account of their monumentality,<br />

their wealth of ornamental and narrative<br />

details, their ornate painting and their<br />

expression of supreme serenity. On all<br />

three figures, the old wax coatings and<br />

areas of overpainting were removed, the<br />

works were cleaned and damaged areas<br />

puttied and retouched.<br />

Else Gabriel, “ONE WAY – Schwarzschild –<br />

Kalte Anschläge”, 1986, Kunstfonds<br />

Kunstfonds<br />

• Else Gabriel, ONE WAY – Schwarzschild –<br />

Kalte Anschläge, 1986, 65 × 90 cm,<br />

black-and-white photographs<br />

The nine photographs by the artist Else<br />

Gabriel were produced in <strong>Dresden</strong> in the<br />

1980s in connection with performances<br />

by the “Autoperforation Artists”. They<br />

show moments in a performance and<br />

the props used. As a performance documentation,<br />

the photographs were stuck<br />

on wood-containing cardboard, some<br />

of which was damaged and dirty. The conservation<br />

work that was necessary in order<br />

to preserve this important series relating<br />

to artistic developments in <strong>Dresden</strong> in the<br />

1980s was carried out in <strong>2009</strong>.<br />

The photographs were removed from their<br />

old support and mounted on new archivequality<br />

cardboard.<br />

Georg Kretzschmar, “Lernende Kinder”<br />

(Children Learning), c.1950, after restoration,<br />

Kunstfonds<br />

• Georg Kretzschmar, Children Learning,<br />

c.1950, Oil/canvas<br />

This painting by Georg Kretzschmar is an<br />

example of the painting style of Socialist<br />

Realism as it was presented at the 3rd<br />

German Art Exhibition in 1953. There are<br />

very few examples from this period<br />

among the holdings of GDR art in the<br />

collection of the Kunstfonds. During<br />

investigations to establish the state of<br />

preservation of the works following the<br />

transfer of the Kunstfonds storerooms to<br />

their new location, it was found that this<br />

painting was in need of considerable restoration.<br />

This restoration work was carried<br />

out this year, particularly in order to<br />

enable the painting to be shown in the<br />

exhibition Schaudepot #4. Gruppenbilder<br />

(Storeroom 4. Group Pictures). After the<br />

painting had been cleaned and its original<br />

colours revealed, the paint layer was<br />

secured and retouched and the frame was<br />

repaired.

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