2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
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56<br />
Max Klinger’s “Drama” being<br />
cleaned for the future permanent<br />
exhibition in the Albertinum.<br />
Baroque period, it has now been returned<br />
to its former condition.<br />
Another major restoration project involving<br />
the antique sculptures is that of the bust<br />
of “Ares Borghese” (Inv. Hm 91). After the<br />
work had been taken apart and all the<br />
old iron dowels had been removed, the<br />
individual fragments were cleaned,<br />
reassembled, puttied and retouched.<br />
• Medieval sculptures<br />
Several mounted wooden sculptures were<br />
technologically investigated and restored<br />
ahead of the exhibition of medieval<br />
sculptures at the Schlossbergmuseum in<br />
Chemnitz, which opened in June. Particularly<br />
worthy of mention are the largeformat<br />
figures from the altar of the<br />
Michaeliskirche in Zeitz, the “Archangel<br />
Michael”, the “Madonna of the Crescent<br />
Moon” and “Saint Catherine”, which date<br />
from about 1520. These sculptures stand<br />
out on account of their monumentality,<br />
their wealth of ornamental and narrative<br />
details, their ornate painting and their<br />
expression of supreme serenity. On all<br />
three figures, the old wax coatings and<br />
areas of overpainting were removed, the<br />
works were cleaned and damaged areas<br />
puttied and retouched.<br />
Else Gabriel, “ONE WAY – Schwarzschild –<br />
Kalte Anschläge”, 1986, Kunstfonds<br />
Kunstfonds<br />
• Else Gabriel, ONE WAY – Schwarzschild –<br />
Kalte Anschläge, 1986, 65 × 90 cm,<br />
black-and-white photographs<br />
The nine photographs by the artist Else<br />
Gabriel were produced in <strong>Dresden</strong> in the<br />
1980s in connection with performances<br />
by the “Autoperforation Artists”. They<br />
show moments in a performance and<br />
the props used. As a performance documentation,<br />
the photographs were stuck<br />
on wood-containing cardboard, some<br />
of which was damaged and dirty. The conservation<br />
work that was necessary in order<br />
to preserve this important series relating<br />
to artistic developments in <strong>Dresden</strong> in the<br />
1980s was carried out in <strong>2009</strong>.<br />
The photographs were removed from their<br />
old support and mounted on new archivequality<br />
cardboard.<br />
Georg Kretzschmar, “Lernende Kinder”<br />
(Children Learning), c.1950, after restoration,<br />
Kunstfonds<br />
• Georg Kretzschmar, Children Learning,<br />
c.1950, Oil/canvas<br />
This painting by Georg Kretzschmar is an<br />
example of the painting style of Socialist<br />
Realism as it was presented at the 3rd<br />
German Art Exhibition in 1953. There are<br />
very few examples from this period<br />
among the holdings of GDR art in the<br />
collection of the Kunstfonds. During<br />
investigations to establish the state of<br />
preservation of the works following the<br />
transfer of the Kunstfonds storerooms to<br />
their new location, it was found that this<br />
painting was in need of considerable restoration.<br />
This restoration work was carried<br />
out this year, particularly in order to<br />
enable the painting to be shown in the<br />
exhibition Schaudepot #4. Gruppenbilder<br />
(Storeroom 4. Group Pictures). After the<br />
painting had been cleaned and its original<br />
colours revealed, the paint layer was<br />
secured and retouched and the frame was<br />
repaired.