2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
2009 - Staatliche Kunstsammlungen Dresden
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The painting “Virgin and Child with<br />
Angels Making Music in a Garland<br />
of Flowers” by Frans Francken the<br />
Younger prior to restoration ...<br />
After a great deal of research, it was possible<br />
to establish contact with a family who are<br />
presumed to be the rightful owners of a late<br />
Gothic bust of an apostle in the holdings of<br />
the Skulpturensammlung. This wooden figure<br />
had come to <strong>Dresden</strong> in connection with<br />
Hitler’s “Sonderauftrag Linz” (Special Commission<br />
on Linz) and had been disregarded<br />
for decades. Several paintings held in the<br />
two galleries are also connected with the<br />
“Sonderauftrag Linz”. This organisation was<br />
closely associated with <strong>Dresden</strong> since the<br />
director of the Gallery, Hans Posse, and his<br />
successor Hermann Voss also functioned<br />
as Hitler’s “special commissioners” for the<br />
acquisition of art between 1939 and 1945.<br />
Some of the paintings intended for the<br />
“Führermuseum” in Linz (which was never<br />
built) remained in <strong>Dresden</strong> by chance after<br />
the war and were identified in the two<br />
galleries. In November <strong>2009</strong> they were registered<br />
in the LostArt database operated by<br />
the Koordinierungsstelle für Kulturgutverluste<br />
(Coordination Office for Cultural Losses)<br />
in Magdeburg, since in some cases their<br />
previous owner is unknown and it is possible<br />
that they may have been lost by their owners<br />
as a result of National Socialist persecution.<br />
The listing of items in the LostArt database<br />
has already led to success in the case of an<br />
assortment of drawings and prints held in<br />
the Kupferstich-Kabinett. It belonged to a<br />
Jewish family from Berlin who had to leave<br />
Germany and later sold their art collection<br />
... after the removal of old retouching (detail) ...<br />
by auction in Switzerland. Hans Posse purchased<br />
sheets from the collection for the<br />
“Sonderauftrag Linz”. Representatives of<br />
the heirs contacted the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> after seeing the<br />
listing in the LostArt database, so that now<br />
it is possible to discuss the future of this<br />
assortment of works.<br />
In summer <strong>2009</strong> a great deal of media attention<br />
was attracted by a potential restitution<br />
case. The property of the family of Count<br />
Heinrich von Lehndorff, a member of the<br />
German resistance connected with the<br />
assassination attempt on Hitler on 20th July<br />
1944, was transported from East Prussia to<br />
Saxony by the Wehrmacht before the end of<br />
the war. Several works of art from among<br />
this property ended up in Saxon museums<br />
and castles, including those in <strong>Dresden</strong>.<br />
Research by the museums, for example the<br />
Gemäldegalerie Alte Meister, has brought<br />
some of these items to light. The administrative<br />
proceedings conducted by the<br />
Bundesamt für zentrale Dienste und offene<br />
Vermögensfragen (Federal Office for Central<br />
Services and Unsettled Property Issues)<br />
(which is not a court trial!) should be completed<br />
in 2010.<br />
... and with replacement of retouching using gouache paints (detail)<br />
SELECtED REStORAtION<br />
PROJ ECtS<br />
Gemäldegalerie Alte Meister<br />
• Restoration of the painting “Virgin and<br />
Child with Angels playing Music in a<br />
Garland of Flowers” by Frans Francken<br />
the Younger<br />
The panel painting “Virgin and Child with<br />
Angels Playing Music in a Garland of<br />
Flowers” produced by the Flemish master<br />
Frans Francken the Younger in about 1620<br />
could not be exhibited owing to its state<br />
of preservation. The many areas of paint<br />
loss had been touched up in the past, but<br />
these areas had changed through ageing<br />
to such an extent that they were no<br />
longer in harmony with the original. In<br />
addition, the varnish had yellowed and<br />
its surface was irregular.<br />
The painting underwent thorough restoration.<br />
After the layers of varnish and the<br />
areas of touching up had been removed,<br />
work on reconstructing the painting could<br />
begin. In doing so, it was possible to refer<br />
to a painting from the collection in Kassel<br />
which also originates from the workshop<br />
of Frans Francken, “The Holy Family in a<br />
Garland of Flowers”. The central medallion<br />
shows a different, but related, depiction<br />
of the Virgin.<br />
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