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2009 - Staatliche Kunstsammlungen Dresden

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Campaign<br />

badge<br />

Page 34: Detail from Canaletto’s painting<br />

”<strong>Dresden</strong> from the Right Bank of the Elbe with the<br />

Augustus Bridge” (1748): under UV light the extent<br />

of retouching and overpainting becomes visible.<br />

A CONCERtED EFFORt<br />

“FOR CANALEttO” – AN ICON IC<br />

IMAGE OF DRESDEN N EEDS H ELP!<br />

MUSEIS SAXONICIS USUI – the Society of Friends of the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> – initiated its campaign<br />

“For Canaletto” in <strong>2009</strong>. The famous painting held in<br />

the Gemäldegalerie Alte Meister entitled “<strong>Dresden</strong> from<br />

the Right Bank of the Elbe with the Augustus Bridge” (1748)<br />

by Bernardo Bellotto, called Canaletto – after whom the<br />

“Canaletto View” is named – is in need of restoration. After<br />

more than 200 years of being on public display, traces of old<br />

restoration work are visible, spoiling the overall impression<br />

of the picture. In order to ensure the long-lasting restoration<br />

of the painting on the basis of scientific investigations and<br />

in order to collect the necessary financial resources for this,<br />

the Friends of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong><br />

initiated a fund-raising campaign.<br />

The campaign specifically targets people wishing to give<br />

small and very small donations, for the painting is an<br />

iconic image and is close to the hearts of many <strong>Dresden</strong><br />

residents and visitors to the city. At the press conference<br />

held to mark the launch of the campaign on 1 st September<br />

<strong>2009</strong>, the Chair of the Executive Committee, Herbert Süß,<br />

was able to report that the sum of approximately € 10,000<br />

had already been donated by sponsors and members in<br />

order to “set a good example”.<br />

A number of different events raised public awareness of<br />

the campaign “For Canaletto” and publicised the work of<br />

the Society of Friends of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong>. In an initial campaign to gather donations, cash<br />

The leaflet appealing for donations<br />

(by Ketchum Pleon) “For Canaletto”<br />

uses visual means to underline the<br />

painting’s need for restoration.<br />

Pupils of the school “Evangelisches<br />

Kreuzgymnasium<br />

<strong>Dresden</strong>” designed postcards<br />

for the fundraising campaign<br />

collecting boxes were placed in nearly 400 <strong>Dresden</strong> shops.<br />

Bakeries, bookshops, car dealers and many other retailers<br />

supported the campaign in this way. Prominent supporters,<br />

including chamber singer René Pape, the artist Georg<br />

Baselitz and the writer Uwe Tellkamp, are collaborating<br />

with the Society of Friends in order to ensure the painting’s<br />

restoration. Regular reports about the campaign have been<br />

published in the media.<br />

The chamber orchestra “Concerto Bellotto” and the soloist<br />

Britta Schwarz have agreed to lend their support to the<br />

restoration campaign. This gave rise to the idea of a charity<br />

concert “For Canaletto” in the exhibition “Georg<br />

Baselitz. Women of <strong>Dresden</strong>”.<br />

The Young Friends – all members up to the age of 35 –<br />

dedicated their Jour Fixe in October to the “Canaletto<br />

View”. They enjoyed a fascinating evening with the head<br />

of the restoration workshop, Prof. Marlies Giebe, as well<br />

as Dr. Andreas Henning, Curator of Italian Paintings, and<br />

Sabine Bendfeldt, restorer. They demonstrated on the<br />

painting itself how x-ray analysis and UV fluorescence<br />

observation can be used to assess the state of preservation.<br />

Those areas which have already been exposed provide an<br />

indication of the original bright cool colours of Canaletto’s<br />

veduta.<br />

The fundraising campaign will be continued until mid-<br />

2010. The efforts “For Canaletto” will require large financial<br />

resources and a high degree of engagement in order to<br />

ensure the restoration of the “Canaletto View”. The aim is<br />

to find committed supporters of the campaign “For Canaletto”<br />

and turn them into friends and sponsors of the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>.<br />

www.fuer-canaletto.de<br />

35

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