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2009 - Staatliche Kunstsammlungen Dresden

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Galley bearing images from classical<br />

mythology, before 1709, Grünes Gewölbe<br />

16 Grünes Gewölbe<br />

• September 1958: Das Grüne Gewölbe<br />

kehrt zurück (September 1958: The Grünes<br />

Gewölbe Returns)<br />

Until 18th January <strong>2009</strong> (from 1st June 2008)<br />

Residenzschloss, Neues Grünes Gewölbe,<br />

Foyer<br />

On 17th September 1958 the first train<br />

arrived in <strong>Dresden</strong> carrying works of art<br />

from the <strong>Dresden</strong> museums which had<br />

been seized by the Red Army in 1945 and<br />

transported to the Soviet Union. It was a<br />

great day for the Grünes Gewölbe and the<br />

other museums, which could now at last<br />

take charge of their treasures again and<br />

begin preparing their exhibitions. Thus,<br />

in May 1959 the Grünes Gewölbe was able<br />

to open its newly installed presentation.<br />

A photographic exhibition documenting<br />

the stages of the return journey was held<br />

to commemorate the 50th anniversary<br />

of this important event.<br />

• “… so höher als Gold geschätzet”<br />

Das Maleremail aus Limoges und die Druckgraphik<br />

der Renaissance (“… more highly<br />

prized than gold” Painted Enamel from<br />

Limoges and Renaissance Printmaking)<br />

Exhibition by the Grünes Gewölbe in<br />

association with the Kupferstich-Kabinett<br />

Until 16th March <strong>2009</strong> (from 27th September 2008) · Residenzschloss,<br />

Neues Grünes Gewölbe, Sponsel-Raum<br />

During the 16th century, the enamellists of<br />

Limoges in south-western France created<br />

”... more highly prized than<br />

gold”: lidded dish depicting<br />

the creation of the world,<br />

Limoges, 2nd half of the<br />

16th cent., Grünes Gewölbe<br />

works using the complicated technique of<br />

painting with enamels. These became<br />

much sought-after collector items among<br />

the aristocracy. The Grünes Gewölbe holds<br />

an extremely high-quality collection of<br />

these precious works, which was long overshadowed<br />

by the cabinet pieces produced<br />

by the <strong>Dresden</strong> court jeweller Dinglinger.<br />

• Johann Friedrich Böttger und die Schatzkunst<br />

(Johann Friedrich Böttger and<br />

Treasury Art)<br />

Exhibition by the Grünes Gewölbe in<br />

association with the Porzellansammlung<br />

25th April – 3rd August <strong>2009</strong><br />

Residenzschloss, Neues Grünes Gewölbe,<br />

Sponsel-Raum<br />

Through this exhibition in association<br />

with the Porzellansammlung, the Grünes<br />

Gewölbe celebrated the invention of European<br />

porcelain by Johann Friedrich Böttger<br />

in 1709. He developed a type of pottery<br />

known as “Böttger Stoneware” whose<br />

characteristic features are its extraordinary<br />

density and hardness. Using various<br />

techniques, he succeeded in so improving<br />

this brittle and rather unprepossessing<br />

material that it acquired a high status as a<br />

means of princely representation.<br />

• “Mit Fortuna übers Meer”. Sachsen und<br />

Dänemark – Ehen und Allianzen im Spiegel<br />

der Kunst (1548 – 1709) (Crossing the<br />

Seas with Fortuna. Saxony and Denmark –<br />

Marriages and Alliances Mirrored in Art<br />

[1548 – 1709])<br />

Lidded vase by<br />

Johann Friedrich Böttger<br />

24th August <strong>2009</strong> – 4th January 2010<br />

Residenzschloss, 2nd floor<br />

For two centuries the Electorate of Saxony<br />

cultivated very close relations with the<br />

mighty Kingdom of Denmark. Through<br />

the marriage of Duke August, the later<br />

Elector of Saxony, to the Danish princess<br />

Anna in 1548, a strong political alliance<br />

was formed between <strong>Dresden</strong> and Copenhagen.<br />

A further three lavishly celebrated<br />

weddings took place during the course of<br />

the 17th century. The final climax in this<br />

alliance policy was the four-week state<br />

visit by the Danish King Frederik IV to the<br />

court of August the Strong in 1709. Three<br />

hundred years after the impressive celebrations<br />

that took place during the meeting<br />

of these two rulers, the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong> and the Royal<br />

Collections of Rosenborg Castle in Copenhagen<br />

held a large-scale joint exhibition<br />

in which the role of the fine arts for highlevel<br />

politics was vividly illustrated.<br />

Kunstfonds<br />

Maren Roloff, “Blumenmarkt in<br />

Moskau” (Flower Market in Moscow),<br />

1999, Kunstfonds<br />

• Blattgold. Zeitgenössische Grafik aus<br />

dem Kunstfonds (Gold Leaf. Contemporary<br />

Graphic Art from the Kunstfonds)<br />

13th March – 29th April <strong>2009</strong><br />

Saxon State Ministry of Finance<br />

The Kunstfonds showed a representative<br />

selection from among its collection of<br />

contemporary graphic works, most of<br />

which have been acquired since 1992 as<br />

promotional purchases by the Free State

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