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Europe and Its Others<br />

something as a work of art are partial, but their overall rhetoric is unmistakably<br />

European.<br />

This rhetoric, as we well know, was repeatedly applied to the area of<br />

the human as well. From Flaubert, Baudelaire, and Dostoyevsky, by way of<br />

Kierkegaard and Nietzsche, to Bataille, Foucault, and Deleuze, European<br />

thought has acknowledged as a manifestation of the human much of what<br />

was previously considered evil, cruel, and inhuman. Just as in the case of art,<br />

these authors and many others have accepted as human not only that which<br />

reveals itself as human but also that which reveals itself as inhuman—and<br />

precisely because it reveals itself as inhuman. The point for them was not to<br />

incorporate, integrate, or assimilate the alien into their own world but, conversely,<br />

to enter into the alien and become alien to their own tradition. That<br />

these authors, like countless others in the European tradition, cannot easily<br />

be integrated into the discourse on human rights and democracy, need not,<br />

in my opinion, be demonstrated here. Nevertheless, these authors, perhaps<br />

like no others, belong for just that reason to the European tradition, because<br />

they manifest an inner solidarity with the other, with the alien, even with the<br />

threatening and cruel, that lies much deeper and takes us much farther than<br />

a simple concept of tolerance. The work of all these authors is an attempt to<br />

diagnose within European culture itself the forces, impulses, and forms of<br />

desire that are otherwise territorialized in foreign lands. Hence these authors<br />

have shown that the truly unique feature of European cultures consists in<br />

permanently making oneself alien, in negating, abandoning, and denying<br />

oneself—and doing so in a way more radical than that of any culture we know<br />

has ever been able to do. Indeed, the history of Europe is nothing other<br />

than the history of cultural ruptures, a repeated rejection of one’s own<br />

traditions.<br />

This certainly does not mean that the discourse on human rights and<br />

democracy is inherently deficient or that it should not be entered into. It<br />

merely means that this discourse should not serve the goal of differentiating<br />

European culture from other cultures, as, unfortunately, happens more and<br />

more frequently today. The others, the aliens are correspondingly identified<br />

primarily as those who necessarily lack respect for human rights and the<br />

capability for democracy and tolerance if only because these values are considered<br />

specifically European by definition. Thus these aliens, as soon as they<br />

arrive in Europe, are sent down the infinite path to so-called integration,

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