- Page 2: Art Power
- Page 8 and 9: Introduction The first thing one le
- Page 10 and 11: Introduction zero as its sum, could
- Page 12 and 13: Introduction propaganda. The amount
- Page 14 and 15: Introduction that all avant-garde a
- Page 16: Introduction international biennial
- Page 20 and 21: The Logic of Equal Aesthetic Rights
- Page 22 and 23: Equal Aesthetic Rights of equal aes
- Page 24 and 25: Equal Aesthetic Rights that these i
- Page 26 and 27: Equal Aesthetic Rights have undergo
- Page 28 and 29: Equal Aesthetic Rights afford him o
- Page 30 and 31: On the New In recent decades, the d
- Page 32 and 33: On the New museum’s walls. Our im
- Page 34 and 35: On the New monotonous rituals of lo
- Page 36 and 37: On the New Kierkegaard, no such thi
- Page 38 and 39: On the New in reality we find only
- Page 40 and 41: On the New into its own—is for th
- Page 42 and 43: On the New other, for the different
- Page 44 and 45: On the New that they may be exhibit
- Page 46 and 47: On the New dissolved, deconstructed
- Page 48 and 49: On the New that deconstructs all id
- Page 50 and 51: On the Curatorship The work of the
- Page 52 and 53: On the Curatorship convince the spe
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On the Curatorship should be aimed
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On the Curatorship are regarding no
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On the Curatorship objects included
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Art in the Age of Biopolitics: From
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Art in the Age of Biopolitics defin
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Art in the Age of Biopolitics be re
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Art in the Age of Biopolitics in tu
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Art in the Age of Biopolitics docum
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Art in the Age of Biopolitics aesth
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Art in the Age of Biopolitics is ov
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Iconoclasm as an Artistic Device co
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Iconoclasm as an Artistic Device de
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Iconoclasm as an Artistic Device In
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Iconoclasm as an Artistic Device Sp
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Iconoclasm as an Artistic Device th
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Iconoclasm as an Artistic Device do
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Iconoclasm as an Artistic Device tw
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From Image to Image File—and Back
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Art in the Age of Digitalization ap
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Art in the Age of Digitalization im
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Art in the Age of Digitalization Th
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Art in the Age of Digitalization ca
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Multiple Authorship Duchamp the aut
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Multiple Authorship of contemporary
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Multiple Authorship participated bu
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Multiple Authorship is constantly o
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The Age of Touristic Reproduction b
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The Age of Touristic Reproduction d
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The Age of Touristic Reproduction t
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The Age of Touristic Reproduction m
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The Age of Touristic Reproduction o
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Critical Reflections public. At tha
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Critical Reflections But this “ot
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Critical Reflections pluralism. And
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Critical Reflections The next artis
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Art at War The relationship between
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Art at War we are speaking here abo
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Art at War But it seems to me that
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Art at War investigation. Their fun
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Art at War war and terrorism that o
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Hitler’s Art Theory passion that
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Hitler’s Art Theory This is why H
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Hitler’s Art Theory hence the que
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Hitler’s Art Theory indeed only a
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Hitler’s Art Theory the level of
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Educating the Masses in the Soviet
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Educating the Masses Did the Centra
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Educating the Masses Alexander Dein
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Educating the Masses and, at the sa
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Beyond Diversity This is the origin
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Beyond Diversity Listening to postm
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Beyond Diversity communication. Rat
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Beyond Diversity pressures dictated
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Beyond Diversity in the Russian cap
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Beyond Diversity by all subsequent
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Beyond Diversity which is what cons
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Privatizations, or Artificial Parad
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Privatizations formed from the remn
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Privatizations has already seen in
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Privatizations political protest, b
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Europe and Its Others In recent yea
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Europe and Its Others however, are
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Europe and Its Others things have b
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Europe and Its Others which can nev
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Europe and Its Others Even the art
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Notes The Logic of Equal Aesthetic
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Notes to pages 70-133 Iconoclasm as
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Notes to pages 153-154 Beyond Diver
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Sources “Educating the Masses: So