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Notes to pages 153–154 Beyond Diversity: Cultural Studies and Its Post-Communist Other 1. Roland Barthes, Le Degré zero de l’écriture (Paris: Gouthier, 1965). English trans. By Annette Lavers and Colin Smith, Writing Degree Zero (London: Cape, 1967). 2. Francis Fukuyama, The End of History and the Last Man (New York: Free Press, 1992). 186 187
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Art Power
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© 2008 Boris Groys All rights rese
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Introduction The first thing one le
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Introduction zero as its sum, could
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Introduction propaganda. The amount
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Introduction that all avant-garde a
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Introduction international biennial
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The Logic of Equal Aesthetic Rights
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Equal Aesthetic Rights of equal aes
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Equal Aesthetic Rights that these i
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Equal Aesthetic Rights have undergo
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Equal Aesthetic Rights afford him o
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On the New In recent decades, the d
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On the New museum’s walls. Our im
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On the New monotonous rituals of lo
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On the New Kierkegaard, no such thi
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On the New in reality we find only
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On the New into its own—is for th
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On the New other, for the different
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On the New that they may be exhibit
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On the New dissolved, deconstructed
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On the New that deconstructs all id
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On the Curatorship The work of the
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On the Curatorship convince the spe
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On the Curatorship should be aimed
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On the Curatorship are regarding no
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On the Curatorship objects included
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Art in the Age of Biopolitics: From
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Art in the Age of Biopolitics defin
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Art in the Age of Biopolitics be re
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Art in the Age of Biopolitics in tu
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Art in the Age of Biopolitics docum
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Art in the Age of Biopolitics aesth
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Art in the Age of Biopolitics is ov
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Iconoclasm as an Artistic Device co
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Iconoclasm as an Artistic Device de
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Iconoclasm as an Artistic Device In
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Iconoclasm as an Artistic Device Sp
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Iconoclasm as an Artistic Device th
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Iconoclasm as an Artistic Device do
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Iconoclasm as an Artistic Device tw
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From Image to Image File—and Back
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Art in the Age of Digitalization ap
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Art in the Age of Digitalization im
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Art in the Age of Digitalization Th
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Art in the Age of Digitalization ca
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Multiple Authorship Duchamp the aut
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Multiple Authorship of contemporary
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Multiple Authorship participated bu
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Multiple Authorship is constantly o
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The Age of Touristic Reproduction b
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The Age of Touristic Reproduction d
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The Age of Touristic Reproduction t
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The Age of Touristic Reproduction m
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The Age of Touristic Reproduction o
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Critical Reflections public. At tha
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Critical Reflections But this “ot
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Critical Reflections pluralism. And
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Critical Reflections The next artis
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Art at War The relationship between
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Art at War we are speaking here abo
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Art at War But it seems to me that
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Art at War investigation. Their fun
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Art at War war and terrorism that o
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Hitler’s Art Theory passion that
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Hitler’s Art Theory This is why H
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Page 147 and 148: Hitler’s Art Theory the level of
Page 149 and 150: Educating the Masses in the Soviet
Page 151 and 152: Educating the Masses Did the Centra
Page 153 and 154: Educating the Masses Alexander Dein
Page 155 and 156: Educating the Masses and, at the sa
Page 157 and 158: Beyond Diversity This is the origin
Page 159 and 160: Beyond Diversity Listening to postm
Page 161 and 162: Beyond Diversity communication. Rat
Page 163 and 164: Beyond Diversity pressures dictated
Page 165 and 166: Beyond Diversity in the Russian cap
Page 167 and 168: Beyond Diversity by all subsequent
Page 169 and 170: Beyond Diversity which is what cons
Page 172 and 173: Privatizations, or Artificial Parad
Page 174 and 175: Privatizations formed from the remn
Page 176 and 177: Privatizations has already seen in
Page 178 and 179: Privatizations political protest, b
Page 180 and 181: Europe and Its Others In recent yea
Page 182 and 183: Europe and Its Others however, are
Page 184 and 185: Europe and Its Others things have b
Page 186 and 187: Europe and Its Others which can nev
Page 188 and 189: Europe and Its Others Even the art
Page 190 and 191: Notes The Logic of Equal Aesthetic
Page 192 and 193: Notes to pages 70-133 Iconoclasm as
Page 196 and 197: Sources “The Logic of Equal Aesth
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