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Sources<br />
“The Logic of Equal Aesthetic Rights,” originally published as “La politica de la igualdad<br />
de derechos esteticos/The Politics of Aesthetic Equal Rights,” in Resistencia/Resistance,<br />
pp. 48–58, 201–210. Edicion de la Memoria, SITAC, Mexico, 2004. Translated by Steven<br />
Lindberg.<br />
“On the New,” originally published in Research Journal of Anthropology and Aesthetics,<br />
no. 38 (autumn 2000): 5–17.<br />
“On the Curatorship,” originally published as “The Curator as Iconoclast,” in Cautionary<br />
Tales: Critical Curating, ed. Steven Rand and Heather Kouris (New York: Apexart, 2007),<br />
pp. 46–55. Translated by Elena Sorokina.<br />
“Art in the Age of Biopolitics: From Artwork to Art Documentation,” originally published<br />
as “Kunst im Zeitalter der Biopolitik. Vom Kunstwerk zur Kunstdokumentation,” in<br />
Katalog, ed. Okwui Enwesor et al., pp. 107–113. Documenta 11_Plattform 5. Hatje<br />
Cantz, 2002. Translated by Steven Lindberg.<br />
“Iconoclasm as an Artistic Device: Iconoclastic Strategies in Film,” originally published in<br />
Iconoclash, ed. Bruno Latour and Peter Weibel. Cambridge, Mass.: MIT Press, 2002.<br />
Translated by Matthew Partridge.<br />
“From Image to Image File—and Back: Art in the Age of Digitalization,” originally titled<br />
“Art in the Digital Age,” lecture given at the Biennial in Sydney, 2006 (unpublished).<br />
“Multiple Authorship,” originally published in The Manifesta Decade: Debates on<br />
Contemporary Art Exhibitions and Biennials in Post-Wall Europe. A Roomade Book.<br />
Cambridge, Mass.: MIT Press, 2005. Translated by Steven Lindberg.<br />
“The City in the Age of Touristic Reproduction,” originally published in Cidades, ed.<br />
Alfons Hug, pp. 44–55. 25a Bienal de Sao Paulo. Sao Paulo, 2002.<br />
“Critical Reflections,” originally published in Artforum (October 1997).<br />
“Art at War,” originally published as “The Fate of Art in the Age of Terror,” in Making<br />
Things Public: Atmospheres of Democracy, ed. Bruno Latour and Peter Weibel, pp. 970–977.<br />
Cambridge, Mass.: MIT Press, 2005.<br />
“The Hero’s Body: Adolf Hitler’s Art Theory,” originally published as “The Hero’s Body,”<br />
in (my private) Heroes, catalog of the exhibition at MARTa (Museum of Art and Design),<br />
Herford, 2005.