Untitled

On the Curatorship
incomplete and frequently even incomprehensible documentation. The exhibition
catalog for a curatorial project that already presents a double abuse can
only produce a further abuse. But nevertheless, artworks become visible only
as a result of this multiple abuse. Images don’t emerge into the clearing of
Being on their own accord, where their original visibility is then muddied by
the “art business,” as Heidegger describes it in The Origin of the Work of Art.
It is far more that this very abuse makes them visible.