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September 2008 - The Parklander Magazine

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Daddona is on the run. He has as much business<br />

as he can handle and his craftsmen are working<br />

70 hours some weeks. “<strong>The</strong>se are talented<br />

people,” he says,“And I am very proud of them.”<br />

Now, turn the clock back to the early ’70s. Dan<br />

Daddona wanted to be an artist but there<br />

wasn’t as much call for commercial art as there<br />

is today. So, he taught school in Connecticut.<br />

As a teacher in the early ’70s, he says he<br />

struggled to make ends meet on $8,000 a year,<br />

so in 1974 he started an art business. Much of<br />

it was painting large murals. At some point, a<br />

client asked if he would create a three-dimensional piece. Using styrofoam, he<br />

created a big set of lips – pop art. He was then on his way to creating more threedimensional<br />

pieces, and has been doing “fun stuff ” ever since.<br />

…one of the most imposing<br />

objects in the space is a<br />

fiberglass octopus,<br />

the body of which is about 50 feet across.<br />

Tentacles more than<br />

15 feet long are being attached.<br />

Understandably, a client who’s opening a new theme restaurant or retail store is<br />

in a hurry, and sometimes they want to advance the deadline for work to be done.<br />

<strong>The</strong>re’s constant pressure to produce. And sometimes the creative process takes<br />

time; you’re not buying things off the shelf.<br />

DAN DADDONA continues on page 66<br />

the PARKLANDER<br />

65

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