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New Classic Poems – Contemporary Verse That Rhymes

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<strong>New</strong> <strong>Classic</strong> <strong>Poems</strong><br />

Appendix A<br />

Appendix A<br />

“<strong>Contemporary</strong> Formal Poetry” on-line contest rules<br />

M<br />

ost of the poems that appear in this collection<br />

were submitted in response to the following<br />

invitation, posted on the Internet between<br />

April and October 2004, soliciting entries for<br />

<strong>Contemporary</strong> Formal Poetry’s first on-line contest. The<br />

contest closed on 31 October 2004. Only one in six<br />

(approximately) of the many submissions received<br />

complied with all of the contest rules. The remaining<br />

majority of poems that we received did not qualify for<br />

inclusion in this contest, and were therefore declined,<br />

even though some of them were potentially worthy<br />

works within their own genres.<br />

Poetry Contest<br />

Formal Poetry only!<br />

IS POETRY DEAD<br />

If Henry Wadsworth Longfellow, Robert Service, Keats,<br />

Shelley, or Alfred Lord Tennyson were alive today, they<br />

might have trouble getting a masterpiece published. Of<br />

course there are brilliant exceptions, but frankly, we<br />

think that the predominating free verse genre,<br />

considered avant-garde in our Grandparents’ generation,<br />

is getting pretty stale. We’re tired of pretentious free<br />

verse that leaves the reader struggling to figure out what<br />

the author was really trying to communicate. We dislike<br />

choppy prose masquerading as “poetry.”<br />

Purely to encourage the noble tradition, resonance and<br />

grandeur of classical, formal poetic form, “<strong>Contemporary</strong><br />

Formal Poetry” is pleased to announce our first on-line<br />

poetry contest. You may get a place to post your own<br />

masterpiece with us on the Internet; you might even<br />

win some money.<br />

YES, PLEASE<br />

• If it rhymes and scans perfectly, is easy to read, and<br />

sounds good when read aloud, then this contest is<br />

for you!<br />

• AIM FOR A HIGH STANDARD. By way of<br />

examples, we’re looking for the next great poet in<br />

the formal, “Western” tradition <strong>–</strong> the next<br />

Wordsworth, the next Shelley, the next Longfellow,<br />

Rudyard Kipling, Edgar Allan Poe, or Coleridge.<br />

• Within reason, we also welcome “longer” poems <strong>–</strong><br />

300 words or more.<br />

• Ballads, narrative poetry, elegy, sonnets, epigrams,<br />

villanelles, epics, odes, rondeaus, sestinas, alphabet<br />

poetry, acrostics and other formal genres all<br />

welcome.<br />

• The genre may range from children’s bedtime<br />

poems to gothic; from heroic to nonsense verse;<br />

from “fireside poetry” to “cowboy poetry” <strong>–</strong> as<br />

long as the work is formal in structure.<br />

• If you expect to win anything, use formal<br />

punctuation.<br />

• If your poetry is serious, have something serious to<br />

say. Think of Longfellow and the other “fireside<br />

poets.” Aim for the big picture, the moral of the<br />

story.<br />

• No special consideration for youthful poets, but all<br />

ages are welcome.<br />

• <strong>Poems</strong> in English only. Contest open to persons of<br />

all nationalities.<br />

• Previously published and simultaneous submissions<br />

welcome. In such cases it is the poet’s<br />

responsibility to ensure that he or she has the right<br />

to allow us to post their work on the Internet.<br />

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