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Tab Electronics Guide to Understanding Electricity ... - Sciences Club

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236 Chapter Eight<br />

(same beta value, base-emitter forward voltage drop, voltage ratings,<br />

etc.). Generally speaking, most audiophiles consider this <strong>to</strong> be the best<br />

type of output driver design. Transis<strong>to</strong>r manufacturers offer a large<br />

variety of matched pair, or complementary pair, transis<strong>to</strong>r sets designed<br />

for this purpose.<br />

Another common type of output design is called the quasi-complementary<br />

symmetry configuration. It requires a complementary symmetry<br />

“predriver” set, but the actual output transis<strong>to</strong>rs are of the same type<br />

(either both NPN, or both PNP; NPN outputs are vastly more popular).<br />

This type of output design used <strong>to</strong> be a lot more popular than it is now.<br />

The current availability of a large variety of high-power, high-quality<br />

complementary transis<strong>to</strong>r pairs has overshadowed this older design.<br />

However, it produces good-quality sound with only slightly higher-dis<strong>to</strong>rtion<br />

characteristics than complementary symmetry.<br />

Audio Amplifier Definitions<br />

The field of audio electronics is an entertainment-oriented field. The<br />

close association between audio systems and the arts has led <strong>to</strong> a kind of<br />

semiartistic aura surrounding the electronic and electromechanical systems<br />

themselves. As with any artform, personal preference and taste play<br />

a major role. This is the reason why there are so many disputes among<br />

audiophiles regarding amplifier and speaker design. My advice is <strong>to</strong> simply<br />

accept what sounds good <strong>to</strong> you, without falling prey <strong>to</strong> current<br />

trends and fads.<br />

Unfortunately, there have been many scams and sly stigmas perpetrated<br />

by unethical, get-rich-quick manufacturers over the years. This has<br />

led <strong>to</strong> much misunderstanding and confusion regarding the various<br />

terms used <strong>to</strong> define audio amplifier performance.<br />

The most heavily abused characteristic of amplifier performance is<br />

“power.” Power, of course, is measured in watts. The only standardized<br />

method of designating AC wattage, for comparison purposes, is by using<br />

the rms value. Any other method of rating an amplifier’s power output<br />

should be subject <strong>to</strong> suspicion.<br />

Output power is also rated according <strong>to</strong> the speaker load. For example,<br />

an amplifier specification might rate the output power as being 120<br />

watts rms in<strong>to</strong> a 4-ohm load, and 80 watts rms in<strong>to</strong> an 8-ohm load. You<br />

might expect the power output <strong>to</strong> double when going from an 8-ohm<br />

load <strong>to</strong> a 4-ohm load, but there are certain physical reasons why this will<br />

not happen. However, when comparing amplifiers, be sure <strong>to</strong> compare

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