Policy Paper - Drama Improves Lisbon Key Competences in Education
Policy Paper - Drama Improves Lisbon Key Competences in Education
Policy Paper - Drama Improves Lisbon Key Competences in Education
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Recommendations<br />
This seems to open the door to an analysis or contextu alisation that speaks to a holistic<br />
approach to the child (and unites the competences <strong>in</strong>to a vivid expression of how the<br />
totality of educational theatre and drama works).<br />
F<strong>in</strong>ancial resources and the application system<br />
• <strong>Education</strong>al theatre and drama should be <strong>in</strong>dicated as a priority <strong>in</strong> the follow<strong>in</strong>g<br />
framework programmes:<br />
- Lifelong Learn<strong>in</strong>g,<br />
- Youth <strong>in</strong> Action,<br />
- Culture,<br />
- Citizenship.<br />
- Seventh Framework Programme (FP7)<br />
• Transfer of know-how, sem<strong>in</strong>ars, job shadow<strong>in</strong>g, <strong>in</strong>ternational workshops, study<br />
trips, conferences and other forms of mobility should be strongly supported <strong>in</strong> order<br />
to help the spread of educational theatre and drama to those countries where it is<br />
not yet well known.<br />
• Direct support for key <strong>in</strong>ternational organisations and networks and for some highimpact<br />
<strong>in</strong>itiatives should be considered.<br />
• The cont<strong>in</strong>uation of highly-rated, effective and successful projects that achieve a<br />
certa<strong>in</strong> level of quality <strong>in</strong> their output could be granted <strong>in</strong> a semi-automatic way. The<br />
current procedure is that if a consortium wishes to cont<strong>in</strong>ue their co-operation they<br />
need to re-apply after the project ends, and due to the operation of the system the<br />
consortium is restra<strong>in</strong>ed <strong>in</strong> its work for at least a year,<br />
wait<strong>in</strong>g for the next decision and <strong>in</strong>stalment.<br />
The potential of such consortia, and of<br />
the outcomes of their activities, could<br />
be <strong>in</strong>creased by a re-design of this<br />
procedure.<br />
• The evaluations of supported projects<br />
should focus on content as well as<br />
adm<strong>in</strong>istration.<br />
Recognition<br />
• Build strategic partnerships with the key networks, organisations, NGOs and<br />
professionals of the field.<br />
• A long term strategy at the European level is needed to support educational theatre<br />
and drama. There should be a clear message <strong>in</strong> the form of an EC Communication<br />
or an EP Statement that all the above listed recommendations are encouraged at<br />
national level.<br />
• 2012 should be considered as the European Year of Arts <strong>Education</strong>, with a special<br />
emphasis on educational theatre and drama.<br />
• Both qualitative and quantitative research<br />
<strong>in</strong>vestigat<strong>in</strong>g the effectiveness of educational<br />
theatre and drama should be conducted<br />
/ supported <strong>in</strong> order to help theatre<br />
and drama teachers and other<br />
practitioners to develop better and<br />
better programmes.<br />
Recommendations<br />
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