Cinematography-Theory-And-Practice

Best boy electric (second electric), 299Best boy grip (second grip), 300Betweenies, 120, 122, 135, 138Big Combo, The, 38, 39, 42, 116Big Eye 10K, 136–137Big head close-ups (tight close-ups), 21–22Big Sleep, The, 2Bit depth, 173–174Bitrate, 154Bitzer, Billy, 69Biziou, Peter, 201BJs (baby juniors), 137Black gamma, 175, 180Black Maria, 69Black Promist 3 filter, 258Black Stallion, The, 45–46, 50, 51Black stretch, 180Black-and-white photography, 189–190,262–264Blacking out, 144Blade Runner, 2–3, 7–8, 338Bleach-bypass process, 248–249, 251Blown out highlights, 157, 184Blown out windows, 115Blue Grad filter, 260Blue-only monitor adjustment, 163–164Bluescreen, 185, 289, 312–316BNC cables, 162Boom up/down, 218Bordwell, David, 36Bounce light, 109, 111, 113Bounceboards, 124BR (brightness range), 193Breaking the fourth wall, 33Breathing, of lenses, 61Breathless, 97Brewster’s angle, 263Brightness perception, 194Brightness range (BR), 193Broads, 143Brown, Garrett, 210, 224Brunelleschi, 44Brute Arcs, 145Bullet hits, 326Bumping a slate, 171, 294CCable-Cam, 223–224Calling of St. Matthew, The, 67–69Camera cars, 223–224Camera crew, 291–294Camera movement, 209–226aerial shots, 224car shots, 223–224cranes, 220–222dollies, 218–220invisible technique, 211–212motion control, 226motivation, 210–212mounts, 216–218, 224–226moving shots, 214–216types of moves, 212–214Camera operators, 291Camera reports, 295, 297–298Camera umbrellas, 324CamerasSee also Camera movement; Lenses;Mounts, cameraexposure, 207–208image control with, 266–268locking off, 211, 302, 326white balancing, 157, 164–165, 178Camlock connectors, 316Car shots, 223–224Caravaggio, 44, 67–69Carbon arc lights, 133Carrying a lamp, 121–124Casablanca, 23Catchlight, 121CC (color correction) index, 236, 240CC (color correction/compensating) gelsand filters, 238, 241–244, 261–263CCD (Charge-Coupled Device) sensors, 150CCE (Color Contrast Enhancement),245–246, 251CCT (Correlated Color Temperature), 236,242CFI Silver Tint process, 249Chapman Lenny Arm, 211Chapman Peewee, 217Chapman Titan II, 220Character shots, 20–27close-ups, 5, 21–22connecting shots, 26, 100cutaways, 23, 25, 92–93full shots, 20, 22inserts, 9–10, 25–26, 94medium shots, 20–22over-the-shoulder shots, 10–11, 22–23,26, 35, 90, 93–94cinematography348