Cinematography-Theory-And-Practice

Photopic (daytime) vision, 228–229Photo-Sonics 4B camera, 318Pickups, 26Picture Lineup Generating Equipment(PLUGE), 155, 163Pipe dolly rigs, 213Pixels, 152Place, establishing, 95Placement, 205–206Planckian radiator, 235, 259Plano-convex lenses, 136PLUGE (Picture Lineup GeneratingEquipment), 155, 163Plum Grad filter, 260PlusGreen gel, 240, 242Pocket PAR, 134Point-of-view (POV), 10–11, 31, 33–36Points (printer lights), 246Polarizers, 263, 265–266Porkchops, 219Portrait lenses, 57Position, continuity of, 79Positive film (reversal film), 185, 190, 252Positive space, 51Post-production editing, 9, 166–167, 184POV cuts, 99–100POV look, 35–36Practicals, 109, 116–117, 121–124, 303,310–311Primary colors, 232Prime lenses, 271Principal Plane of Focus (focal plane), 272Printer lights (points), 246Process photography, 185, 289, 312–316Progressive video, 160Projector effects, 322Prop continuity, 91Proportion, as design principle, 40Psychological space, 56Pull-processing, 248Punch Drunk Love, 4Punch-ins, 59–60, 214Purkinje effect, 230Push bars (steering bars), 220Push ins/pull outs (move ins/move outs),212–213Push processing, 247–248QQuicktime format, 172–173RRack focus, 61–62Raging Bull, 266Rain deflectors, 324Rain effects, 324–325Rain Man, 57RAW format, 154, 166Reaction passes, 31Reaction shots, 23–24, 31–32Rec 709, 161Record run timecode (R-Run), 169Red, green, blue (RGB) color model,165–166, 233Reds, 250Reference frame, 312ReflectanceISO scale, 188Zone System, 201, 203–204Reflectance meters (spot meters), 199–200,203, 207, 313Reflector boards, 124–125Refraction, 270–272Refractive index, 270–271Registration, 246Relative size, 42–43Remote heads, 216, 222, 224–225, 326Resistance dimmers, 315Retinas, 228–229Reveals, 214Reversal film (transparency film; positivefilm), 185, 190, 252Reverse S (sinuous line), 45–47Reverses, 84, 86, 92Revolution snorkle lens system, 284–285RGB (red, green, blue) color model, 165–166, 233Rhythm, 39–40Rickshaws, 224Rimo, Ernesto Novelli, 250Risers, 220Rock in, 79Rocker plates, 217Rocky, 32Rods, 228–230Roll bar effect, 310–311Roll number, 168Rolling shots, 216Ronin, 27, 92, 95, 102Rope, 102Rotating reflex shutters, 207–208cinematography360