Cinematography-Theory-And-Practice

conceptual, 100–102content, 98jump, 88, 96–97match, 100–101POV, 98–100zero, 102Cuttability, 88Cutters, 146Cutting off hands and feet, 51Cutting through heads, 52Cycs, 143DD log E (Hurter and Driffield) curve,177–178, 191, 193–196Da Vinci, Leonardo, 44Dailies (rushes), 246Daisies, 292Dance floors, 219Dancyger, Ken, 81, 96Dark Knight, The, 335–336Data wranglers, 171, 294Day exteriors, 124–125, 145–146Day for Night, 323Day-for-night, 323–324Daylight balance, 104, 130, 261color-correct fluorescents, 142HMI units, 130–135LED lights, 136xenons, 135–136Days of Heaven, 229Daytime (photopic) vision, 228–229DCC (Dynamic Contrast Control), 178Deakins, Roger, 9, 159, 249DeBayering, 150Declination (magnetic variation), 329–330Deconstructing reality, 15Dedo, 136Deep focus, 55–60Degrees Kelvin, 231, 235Deliverables, 172Demosaicing, 150, 154Denove, Tom, 141–142, 290Densitometry, 191–193Density filters, 263–264Depth, 40, 42, 106Depth-of-field, 275–280calculations for, 276hyperfocal distance, 277–278long lenses, 56–57in macrophotography, 282–283narrow, 269–270nodal points, 278–279selective focus, 61–62sensors, 150special effects shots, 279wide lenses, 55zooms and, 279–280Depth-of-focus, 275Deschanel, Caleb, 70, 72, 75Design principles, 39–41Detective POV, 11Developing images, 154DI (digital intermediates), 9, 159, 252–253Diagonals, 45, 48Dialog passes, 31Dichroic coating, 139Dichroic filters, 240Diffuse reflection, 270Diffusion, 112, 124Diffusion filters, 256–258DigiBeta, 148, 151Digital Imaging Technicians (DITs), 155,294Digital intermediates (DI), 9, 159, 252–253Digital Picture Exchange (DPX) format, 173Digital video, 148–149, 151, 165, 234. Seealso High-Definition videoDimmers, 117, 123–124, 141–142,314–317, 322Dinos, 137, 139–140Diopters, 283–284Directionas design principle, 41of light, 113–114screen, 81–85Director of photography (DP), 289–290Directors, duties of, 288Dirty single shots, 21–22Discharge sources, 241, 308Distortion of space, 6–7, 55–56DITs (Digital Imaging Technicians), 155,294Dr. Strangelove, 44, 49, 50, 65Documentary style (freeform method),30–32Doggie cams, 35Dollies, 210, 213–214, 217–220Dolly grips, 300Dolly in/out, 218index351