Cinematography-Theory-And-Practice

diopters, 283–284exposure compensation in, 282extension tubes, 284filter factors, 285Innovision, 284lens displacement, 283lens extenders, 285lighting for, 319macro lenses, 284snorkles, 284specialized lenses, 284Magic hour, 249Magliner Junior, 303Magnetic variation (declination), 329–330Maltese Falcon, The, 88, 96Mark Roberts Motion Control, 226Master scene method, 26, 27Master shots, 26–28Match cuts, 100–101Material Exchange Format (MXF), 172–173Matrix, 180Matrix, The, 327Matte, 185MaxiBrutes, 119, 139–140McCabe and Mrs. Miller, 249Medium close-ups (three T's), 21–22Medium shots, 20–22Memento, 68Memoirs of a Geisha, 112Mental focus, 274Mercury vapor lights, 244Metadata, 154, 166, 171Metal halide lights, 244Micro-reciprocal degrees (mireds) system,237–238, 259–260Midground, 54Mighty Mole, 109, 136MILO motion control rig, 225Mini-helicopters, 224Mini-masters, 27MinusGreen gel, 240, 242–244Mireds (micro-reciprocal degrees) system,237–238, 259–260Mitchell plates, 216Mo-co (motion control), 216, 226, 280Modulation-transfer function (MTF), 320–321Mole Beam Projecter, 323Moleenos, 137, 140MolePar, 123, 136, 139Monitorseffects, 322High-Definition video, 155, 162–164shooting, 310–311Montage, 32–33Mood lighting, 106, 109Moonlight, 230, 323MOS shooting, 295, 311Motion control (mo-co), 216, 226, 280Motion JPEG, 176Motion Picture Experts Group (MPEG),153, 174–175Motivationcamera movement, 210–212lighting, 109, 120–124Mounts, camera, 216–218, 224–226Mouse, 295Move ins/move outs (push ins/pull outs),212–213MovementSee also Camera movementchroma key, 312continuity of, 78–79long lenses, 57–58master shot, 27moving shots, 89as tool of cinematography, 10in visual field, 51Movement cuts, 98–99MPEG (Motion Picture Experts Group),153, 174–175MPEG-1, 174MPEG-2, 174MPEG-4, 174–175MTF (modulation-transfer function),320–321Mueller, Robby, 142Musco units, 144Muslin, 113Muzz balls, 302MXF (Material Exchange Format), 172–173NNako, Tony, 114, 137, 302Nanometers, 228National Television Standards Committee(NTSC) video, 148, 151, 160Natural, The, 70–76Natural light, available, 118–119ND (neutral density) filters and gels, 119,cinematography358