Cinematography-Theory-And-Practice

Sides, 304Signal, video, 160–162Silent aperture (full aperture), 336Silicon-controlled rectifier (SCR) dimmers,315–316Silks, 112, 124, 126, 299Silver halide, 188–191, 248Silver retention, 248–249Silver Tint process, CFI, 249Sin City, 63Sine wave, 131–132, 308Single shots, 21–22, 26Singles, 146Sinuous line (reverse S), 45–47650 tungsten Fresnels (Tweenies), 120, 1386K HMI units, 13316mm, 340–343Skip bleach process, 250Sky light, 119Skypans, 137Slating, 293–294additional cameras, 302mistakes with, 304technique, 295timecode, 170, 296–304Sleds, 299Slow disclosure, 94–95, 215Slow motion, 58, 73Slow-speed blur, 266–267Smart slates (timecode slates), 170, 296–304Smoke effects, 321–323SMPTE (Society of Motion Picture andTelevision Engineers) color bars, 147–148,155, 157, 159, 162Snoot boxes, 123, 144Snorkles, 284Snot tape (transfer tape), 257–258, 285Sodium vapor lights, 244Soft boxes, 114Soft cookies, 115Soft lenses, 63Soft light, 109, 110–113, 247Softcon 5 filter, 259Softsun series, 142Solids, 144, 146Songs from the Second Floor, 16, 28Sorcerer’s Apprentice, The, 326–327Sound recordists, 300Source Fours, 144Spacelights, 142–144Spectral Energy Distribution (SED),235–236Spectrum, 228Specular light (hard light), 108, 110–111Specular reflection, 270Speed (sensitivity), 183, 187–189Splash boxes, 225Split diopters, 282–283Spot meters (reflectance meters), 199–200,203, 207, 313Square-wave, 131–132, 309Stage directions, 17Standard-Definition (SD) video, 148, 151Start marks, 294Static frame, 15–16Steadicams, 210, 225, 293, 298Steele Chart, 327, 329Steering bars (push bars), 220Step printers, 246Storaro, Vittorio, 37–38, 140, 250, 339Stranger Than Paradise, 16Streaks N’ Tips, 264Strips, 143Strobes, 317–318Studio soft lights, 136, 140–142Subjective POV, 10–11, 32–36, 65, 98–100Subtractive colors, 231, 233Subtractive printing, 246–247Suicide rigs, 226Sun, 119, 125, 127, 328–330Sunguns, 136, 145, 318Sunset Grad filter, 259–260Super 16, 340Super 35, 340Super High Def, 148, 152Super TV, 338–339Super35, 337–339Suspense, 65Swing-and-tilt mounts, 284TTable top shots, 276Tabling reflector boards, 124Tagged Image File Format (TIFF), 176Tail slates, 295Tapeless production, 171–172Tape-to-tape correction, 253–254Technique of Film and Video Editing, The(book), 81, 96cinematography362