Smithsonian Contributions - Smithsonian Institution Libraries
Smithsonian Contributions - Smithsonian Institution Libraries
Smithsonian Contributions - Smithsonian Institution Libraries
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Pitchford, and he saw the advertisement in the paper and wrote to the<br />
company at Albany, New York, for particulars. And they furnished<br />
him the particulars, and from that address, why, we was all ordering<br />
Albany Slip glaze. And that was in 1896-97, along in there. And then<br />
diere was another pottery shop over here, Mr. Dorsey, and he got to<br />
using it, too.<br />
Both accounts clearly point to the fact that Albany Slip was rapidly<br />
disseminated throughout die region widiin a short time of its arrival.<br />
It seems, in fact, that nearly all of the local potters were experimenting<br />
with me new glaze, ordering large barrels of the material<br />
from the M.V.B. Wagoner Company at Albany, New York. Enthusiastic<br />
proponents of Albany Slip included members of the Pitchford<br />
family, Daddy Bill Dorsey (probably the Dorsey cited by Q.<br />
Meaders), plus Little Bill Dorsey and his brother, Bob. Tarp and<br />
Williams Dorsey, apparently resisted using the patent glaze until<br />
around 1920, and then used it only as an adjunct to their lime and<br />
flint glazes. According to Williams's son, Guy:<br />
It had been used a long time before we ever commenced it. They<br />
learned over there at our place that they could sell it about as well and<br />
burn it hard with a whole lot less work [than the older glazes]. You<br />
handle one of those old-time glazing mills all day long and it's pretty<br />
bad on you. [So] we got to ordering that Albany Slip. It come in big<br />
barrels, and you take and go to soaking it, and the first thing you know,<br />
it'd just work up and be plumb fine. It didn't need no grinding, and it<br />
made a pretty jar, too.<br />
For their part, the Meaderses saw both advantages and disadvantages<br />
in using Albany Slip. In support of the patent glaze, Q\ offered,<br />
"All you had to do was just wet it up and get it the same consistency<br />
that we wanted and dip ware in it —or baptize it, as the Baptists call<br />
it — always enough would stick on the ware to glaze it."<br />
Cheever, on the odier hand, had serious reservations. A common<br />
complaint was that Albany Slip was not as reliable as the alkaline<br />
glazes in sealing fissures (blow-out holes) and odier imperfections<br />
during firing: "We'd stay with that old glaze because we'd work a clay<br />
mat had some grit in it and little particles of wood and die like of diat.<br />
Well, if you use that ash glaze on it, it'll run and fill them places up.<br />
But the Albany Slip wouldn't do that. You've got to have a clay that's<br />
got nothing in it to put that Albany Slip on; if you don't, your pott'ry<br />
will leak." Moreover, Cheever found diat the patent glaze tended to<br />
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