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46 73 Lz: CHIMNEY 4X I CHIMNEY FINAL ADblTION CtWE UNKNOWN) ORJ&INAL KITCHEN SHACK CA
SHELVES o L WHEEL STORAGE TABLE WEb&ING TA&LE sssBsrOOOOO —, SHELVES TOR STORING RAW CHURNS o WEDCTIN6 TABU* - SCAUPS ABOVE H3W TABLE (HECVERS WHEEL- USEPBY L/VMIER. NOW ELECTRIC PUG- MILI_ BARREL OF ALBANY SUP POOR 3^a^ SHELVES _ FOR STORING *A
Page 1 and 2: CheeverMeaders, circa 1933. (Photo
Page 3 and 4: The publication of this monograph w
Page 5 and 6: Editor's Preface In 1978, the Smith
Page 7 and 8: when the pace of work and passage o
Page 9 and 10: Introduction This handmade pott'ry
Page 11 and 12: We made a commitment to document th
Page 13 and 14: E. Richard Sorenson seven months af
Page 15 and 16: pace. Thus, we arrived just as a ki
Page 17 and 18: them by pottery entrepreneurs. The
Page 19 and 20: ville to the lumber mill at Helen,
Page 21 and 22: well known to scholars, kindly prov
Page 23 and 24: The Meaders Family I remember very
Page 25 and 26: oad tunnel" kiln and a mule-drawn "
Page 27 and 28: Hall County, and several of the Whi
Page 29 and 30: crocks, cover them with a sheet, hi
Page 31 and 32: and the Meaderses. Around 1920, an
Page 33 and 34: to Arie and Cheever Meaders in litt
Page 35 and 36: Figure 6. Cheever Meaders and his c
Page 37 and 38: Joiirnal and Constitution mum i in
Page 39 and 40: Adanta and Asheville. Cheever's wor
Page 41 and 42: esiding in his parents' small cotta
Page 43: Work Processes Our approach to pott
Page 47 and 48: Figure 12. The pottery yard, 1967-6
Page 49 and 50: textured yellow clays in the other
Page 51 and 52: Figure 15. Lanier's electric mud mi
Page 53 and 54: ^///M/M$zzzn ty/W'""/"PZa Figure 16
Page 55 and 56: Figure 17. Crib assembly, showing b
Page 57 and 58: vessels turned to the same height a
Page 59 and 60: Contouring tools. (Photos by Ralph
Page 61 and 62: Figures 21, 22, 23. Turning a six-g
Page 63 and 64: Figure 23a. Rejoining top and botto
Page 65 and 66: Metal pottery lifters. Figure 25a.
Page 67 and 68: would roll out short pieces of soft
Page 69 and 70: Like the Meaderses' treadle wheels,
Page 71 and 72: Figure 29. The bottom side of the u
Page 73 and 74: to handle the glazed ware very care
Page 75 and 76: the next (fig. 33). In general, the
Page 77 and 78: All of the traditional ware was pla
Page 79 and 80: from an earlier dollar-a-cord. As t
Page 81 and 82: squeeze the excess moisture out, an
Page 83 and 84: had been turned too thin for the cl
Page 85 and 86: while a prefired and hammered clay
Page 87 and 88: thin with a slight twist to one sid
Page 89 and 90: children would file out to the work
Page 91 and 92: with the previous night's whole mil
Page 93 and 94: Figure 39b. Bottom of the pitcher,
Page 95 and 96:
Figure 40. A four-gallon churn comm
Page 97 and 98:
98 water and washed; then they were
Page 99 and 100:
Figure 41. Three storage vessels: a
Page 101 and 102:
100 many as 300-400 stoneware fruit
Page 103 and 104:
102 large share of the potters' bus
Page 105 and 106:
104 form in White County is general
Page 107 and 108:
106 and the introduction of new lab
Page 109 and 110:
108 For her part, Arie Meaders has
Page 111 and 112:
Glazes A characteristic, though unu
Page 113 and 114:
112 Ash Glaze At one time, ash glaz
Page 115 and 116:
114 with this glaze, purchasing pre
Page 117 and 118:
116 melt at a relatively low heat
Page 119 and 120:
118 burns to a light or dark green
Page 121 and 122:
120 Figure 44b. Lanier's kiln, 1979
Page 123 and 124:
122 Lanier's kiln, 1968. (Illustrat
Page 125 and 126:
124 REBUILDING A KILN Pointing to h
Page 127 and 128:
126 With the supports in place, the
Page 129 and 130:
128 are kinds of people out there I
Page 131 and 132:
130 Cheever Meaders (1887-1967), th
Page 133 and 134:
132 1979 Cleveland, January 13 Robe
Page 135 and 136:
134 DIGGING THE CLAY View of clay p
Page 137 and 138:
136 Cheever throws, centers, raises
Page 139 and 140:
138 Lanier removes churn from wheel
Page 141 and 142:
140 Lanier pounds glass bits in oil
Page 143 and 144:
142 He bricks up front and builds u
Page 145 and 146:
Glossary Albany Slip: A riverine cl
Page 147 and 148:
146 is tied around die charm to sec
Page 149 and 150:
148 simply an accumulation of broke
Page 151 and 152:
150 To "shut down" die kiln: To cea
Page 153 and 154:
Bibliography: Published Sources on
Page 155 and 156:
Notes Preface NOTES 1. Byington, Ro
Page 157 and 158:
156 2. John Ramsay, American Potter
Page 159 and 160:
158 Chapter III: The Ware NOTES 1.
Page 161:
160 8. This technique is mentioned
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