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74 Figure 30. Pouring glaze through the center of the runner. (From the film, The Meaders Family: North Georgia Potters.) turn. It took a strong man to turn it. And if a small, weak man could stay on it long enough, it'd make a man out of him. . .or kill him, one" (fig. 31). After a few "man-killing" turns of the handle, a steady stream of glaze began to flow out along a channel, or "trench," in the bottom stone, down an improvised clay spout, and into a waiting churn or pitcher. Lanier took this processed solution and recycled it through the mill, as it took two or three grindings to reach a consistency that was neither too thin nor too thick to properly coat the ware. In applying the glaze solution, Cheever commonly employed a deep wooden glazing box, although he had accepted Lanier's substitution of a galvanized metal laundry tub for the same purpose in 1967. First, stirring the mixture to dissolve as much of the sediment as he could, he dipped and rolled his ware in the tub, taking care to cover all surfaces evenly inside and out (fig. 32). Afterwards, each piece was set on a plank to dry and extra solution dripped on to cover up fingerprints and other imperfections. Care was taken at this stage
to handle the glazed ware very carefully, as the ash glaze was thought to have a peculiar "rotting" effect on the clay body causing it to draw and crack. During burning, however, this effect was said to be neutralized. 6 Figure31. Grinding the glaze solution. (Photo by Ralph Rinzler, 1967.) 75
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CheeverMeaders, circa 1933. (Photo
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The publication of this monograph w
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Editor's Preface In 1978, the Smith
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when the pace of work and passage o
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Introduction This handmade pott'ry
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We made a commitment to document th
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E. Richard Sorenson seven months af
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pace. Thus, we arrived just as a ki
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them by pottery entrepreneurs. The
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ville to the lumber mill at Helen,
Page 21 and 22: well known to scholars, kindly prov
Page 23 and 24: The Meaders Family I remember very
Page 25 and 26: oad tunnel" kiln and a mule-drawn "
Page 27 and 28: Hall County, and several of the Whi
Page 29 and 30: crocks, cover them with a sheet, hi
Page 31 and 32: and the Meaderses. Around 1920, an
Page 33 and 34: to Arie and Cheever Meaders in litt
Page 35 and 36: Figure 6. Cheever Meaders and his c
Page 37 and 38: Joiirnal and Constitution mum i in
Page 39 and 40: Adanta and Asheville. Cheever's wor
Page 41 and 42: esiding in his parents' small cotta
Page 43 and 44: Work Processes Our approach to pott
Page 45 and 46: SHELVES o L WHEEL STORAGE TABLE WEb
Page 47 and 48: Figure 12. The pottery yard, 1967-6
Page 49 and 50: textured yellow clays in the other
Page 51 and 52: Figure 15. Lanier's electric mud mi
Page 53 and 54: ^///M/M$zzzn ty/W'""/"PZa Figure 16
Page 55 and 56: Figure 17. Crib assembly, showing b
Page 57 and 58: vessels turned to the same height a
Page 59 and 60: Contouring tools. (Photos by Ralph
Page 61 and 62: Figures 21, 22, 23. Turning a six-g
Page 63 and 64: Figure 23a. Rejoining top and botto
Page 65 and 66: Metal pottery lifters. Figure 25a.
Page 67 and 68: would roll out short pieces of soft
Page 69 and 70: Like the Meaderses' treadle wheels,
Page 71: Figure 29. The bottom side of the u
Page 75 and 76: the next (fig. 33). In general, the
Page 77 and 78: All of the traditional ware was pla
Page 79 and 80: from an earlier dollar-a-cord. As t
Page 81 and 82: squeeze the excess moisture out, an
Page 83 and 84: had been turned too thin for the cl
Page 85 and 86: while a prefired and hammered clay
Page 87 and 88: thin with a slight twist to one sid
Page 89 and 90: children would file out to the work
Page 91 and 92: with the previous night's whole mil
Page 93 and 94: Figure 39b. Bottom of the pitcher,
Page 95 and 96: Figure 40. A four-gallon churn comm
Page 97 and 98: 98 water and washed; then they were
Page 99 and 100: Figure 41. Three storage vessels: a
Page 101 and 102: 100 many as 300-400 stoneware fruit
Page 103 and 104: 102 large share of the potters' bus
Page 105 and 106: 104 form in White County is general
Page 107 and 108: 106 and the introduction of new lab
Page 109 and 110: 108 For her part, Arie Meaders has
Page 111 and 112: Glazes A characteristic, though unu
Page 113 and 114: 112 Ash Glaze At one time, ash glaz
Page 115 and 116: 114 with this glaze, purchasing pre
Page 117 and 118: 116 melt at a relatively low heat
Page 119 and 120: 118 burns to a light or dark green
Page 121 and 122: 120 Figure 44b. Lanier's kiln, 1979
Page 123 and 124:
122 Lanier's kiln, 1968. (Illustrat
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124 REBUILDING A KILN Pointing to h
Page 127 and 128:
126 With the supports in place, the
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128 are kinds of people out there I
Page 131 and 132:
130 Cheever Meaders (1887-1967), th
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132 1979 Cleveland, January 13 Robe
Page 135 and 136:
134 DIGGING THE CLAY View of clay p
Page 137 and 138:
136 Cheever throws, centers, raises
Page 139 and 140:
138 Lanier removes churn from wheel
Page 141 and 142:
140 Lanier pounds glass bits in oil
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142 He bricks up front and builds u
Page 145 and 146:
Glossary Albany Slip: A riverine cl
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146 is tied around die charm to sec
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148 simply an accumulation of broke
Page 151 and 152:
150 To "shut down" die kiln: To cea
Page 153 and 154:
Bibliography: Published Sources on
Page 155 and 156:
Notes Preface NOTES 1. Byington, Ro
Page 157 and 158:
156 2. John Ramsay, American Potter
Page 159 and 160:
158 Chapter III: The Ware NOTES 1.
Page 161:
160 8. This technique is mentioned
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