Smithsonian Contributions - Smithsonian Institution Libraries
Smithsonian Contributions - Smithsonian Institution Libraries
Smithsonian Contributions - Smithsonian Institution Libraries
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74<br />
Figure 30. Pouring glaze through the center of the runner. (From the film, The<br />
Meaders Family: North Georgia Potters.)<br />
turn. It took a strong man to turn it. And if a small, weak man could<br />
stay on it long enough, it'd make a man out of him. . .or kill him,<br />
one" (fig. 31).<br />
After a few "man-killing" turns of the handle, a steady stream of<br />
glaze began to flow out along a channel, or "trench," in the bottom<br />
stone, down an improvised clay spout, and into a waiting churn or<br />
pitcher. Lanier took this processed solution and recycled it through<br />
the mill, as it took two or three grindings to reach a consistency that<br />
was neither too thin nor too thick to properly coat the ware.<br />
In applying the glaze solution, Cheever commonly employed a<br />
deep wooden glazing box, although he had accepted Lanier's<br />
substitution of a galvanized metal laundry tub for the same purpose in<br />
1967. First, stirring the mixture to dissolve as much of the sediment as<br />
he could, he dipped and rolled his ware in the tub, taking care to<br />
cover all surfaces evenly inside and out (fig. 32). Afterwards, each<br />
piece was set on a plank to dry and extra solution dripped on to cover<br />
up fingerprints and other imperfections. Care was taken at this stage