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Smithsonian Contributions - Smithsonian Institution Libraries

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74<br />

Figure 30. Pouring glaze through the center of the runner. (From the film, The<br />

Meaders Family: North Georgia Potters.)<br />

turn. It took a strong man to turn it. And if a small, weak man could<br />

stay on it long enough, it'd make a man out of him. . .or kill him,<br />

one" (fig. 31).<br />

After a few "man-killing" turns of the handle, a steady stream of<br />

glaze began to flow out along a channel, or "trench," in the bottom<br />

stone, down an improvised clay spout, and into a waiting churn or<br />

pitcher. Lanier took this processed solution and recycled it through<br />

the mill, as it took two or three grindings to reach a consistency that<br />

was neither too thin nor too thick to properly coat the ware.<br />

In applying the glaze solution, Cheever commonly employed a<br />

deep wooden glazing box, although he had accepted Lanier's<br />

substitution of a galvanized metal laundry tub for the same purpose in<br />

1967. First, stirring the mixture to dissolve as much of the sediment as<br />

he could, he dipped and rolled his ware in the tub, taking care to<br />

cover all surfaces evenly inside and out (fig. 32). Afterwards, each<br />

piece was set on a plank to dry and extra solution dripped on to cover<br />

up fingerprints and other imperfections. Care was taken at this stage

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