Smithsonian Contributions - Smithsonian Institution Libraries
Smithsonian Contributions - Smithsonian Institution Libraries
Smithsonian Contributions - Smithsonian Institution Libraries
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the next (fig. 33). In general, the upper end of the kiln held the smallest<br />
ware, so that the draft through the chimney would not be impeded.<br />
Along the sidewalls were placed churns of the three-gallon variety, to<br />
insure even heat distribution. Just inside these rows went the fourgallon<br />
churns, and through the center of the kiln —the hottest area —<br />
the fives and sixes. On those rare occasions when the Meaderses<br />
mixed two or more different glazes in the same burning, they took<br />
care to see that those glazes maturing at an excessively high heat went<br />
in the center. Finally, additional small ware, such as one-gallon<br />
pitchers, was positioned behind a temporary low wall at the edge of<br />
the firebox. The wall protected the ware from being singed by the fiery<br />
blast.<br />
Setting the kiln.<br />
Figure 33a. Small ware placed on "setters." (From the film, The Meaders Family:<br />
North Georgia Potters.)<br />
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