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Smithsonian Contributions - Smithsonian Institution Libraries

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the next (fig. 33). In general, the upper end of the kiln held the smallest<br />

ware, so that the draft through the chimney would not be impeded.<br />

Along the sidewalls were placed churns of the three-gallon variety, to<br />

insure even heat distribution. Just inside these rows went the fourgallon<br />

churns, and through the center of the kiln —the hottest area —<br />

the fives and sixes. On those rare occasions when the Meaderses<br />

mixed two or more different glazes in the same burning, they took<br />

care to see that those glazes maturing at an excessively high heat went<br />

in the center. Finally, additional small ware, such as one-gallon<br />

pitchers, was positioned behind a temporary low wall at the edge of<br />

the firebox. The wall protected the ware from being singed by the fiery<br />

blast.<br />

Setting the kiln.<br />

Figure 33a. Small ware placed on "setters." (From the film, The Meaders Family:<br />

North Georgia Potters.)<br />

77

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