Mapping Cultural Participation in Chicago - Cultural Policy Center

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RecommendedReferencesSurvey ResearchThe Arts Marketing Center. 1999. Barriers and Motivations to Increased Arts Usageamong Medium and Light Users. Chicago: Arts & Business Council of Chicago.DiMaggio, Paul and Francie Ostrower. 1992. Race, Ethnicity and Participation in the Arts:Patterns of Participation by Hispanics, Whites, and African Americans in SelectedActivities from the 1982 and 1985 Surveys of Public Participation in the Arts. SantaAna: Seven Locks Press.Hendon, William S. 1990. “The General Public’s Participation in Art Museums: VisitorsDiffer from Non-Visitors, but Not as Markedly as Case Studies Have Indicated.” TheAmerican Journal of Economics and Sociology 49 (4):439-457.Metro Chicago Information Center (MCIC). 2005. Arts Participation in the MetropolitanChicago Region: Growing Audiences in a Region of Cultural Over-Achievers. Chicago:Metro Chicago Information Center.National Endowment for the Arts. 1984. Studies of the Arts Public: A Status Report.Research Division, Note 8.— . 1985. Audience Crossover: Media Participation and Attending Live Events. ResearchDivision, Note 12.— . 1986. Age, Desire, and Barriers to Increase Attendance at Performing Arts Events andArt Museums. Research Division, Note 14.— . 1986. Population Location and the Barriers of ‘Art Form Not Available’ and ‘Too FarTo Go.’ Research Division, Note 18.— . 1986. Public Participation in the Arts by Urban and Rural Residence. ResearchDivision, Note 18.— . 1987. Public Participation in the Arts: 1982 and 1985 Compared. Research Division,Note 27.— . 1993. Public Participation in the Arts: 1982 and 1992. Research Division, Note 50.— . 1994. Demographic Differences in Arts Attendance: 1982-1992. Research Division,Note 51.— . 1994. Demographic Differences in Arts Participation via Broadcast and RecordedMedia: 1982-1992. Research Division, Note 52.— . 1995. Public Participation in the Arts in Regional and Metropolitan Areas, 1982-1992.Research Division, Note 55.— . 1999. “Executive Summary.” 1997 Survey of Public Participation in the Arts: SummaryReport. Research Division, Report 39:http://www.arts.gov/pub/Researcharts/Summary39.html (accessed July 7, 2004).— . 1999. Demographic Characteristics of Arts Attendance, 1997. Research Division, Note71. http://www.arts.gov/pub/Notes/71.pdf (accessed July 7, 2004).Putnam, Robert D. 1995. “Bowling Alone: America’s Declining Social Capital.” Journal ofDemocracy 6: 65-77.Theoretical frameworksBalfe, Judith Huggins and Margaret Wyszomirski. 1990. “The Political Consequences ofNon-Participation in the Arts.” Paper presented at the annual meeting of theInternational Sociological Association.57
Mapping Cultural Participation in ChicagoBergonzi, Louis and Julia Smith. 1996. Effects of Arts Education on Participation in theArts. National Endowment for the Arts Research Division, Report 36. Santa Ana:Seven Locks Press.Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgment of Taste.Cambridge: Harvard University Press.DiMaggio, Paul. 1996. “Are Art-Museum Visitors Different from Other People? TheRelationship between Attendance and Social and Political Attitudes in the UnitedStates.” Poetics 24 (2-4):161-180.Halle, David. 1992. “The Audience for Abstract Art: Class, Culture, and Power.” InCultivating Differences: Symbolic Boundaries and the Making of Inequality, edited byMichele Lamont and Marcel Fournier, 131-151. Chicago: University of Chicago Press.Jackson, Maria-Rosario, Joaquin Herranz, and Florence Kabwasa-Green. 2003. “Artand Culture in Communities: Unpacking Participation.” Culture, Creativity, andCommunities Program, Policy Brief No. 2. Washington: The Urban Institute.http://www.urban.org/UploadedPDF/311006_unpacking_participation.pdf(accessed March 10, 2005).McCarthy, Kevin, et al. 2001. “The Performing Arts in a New Era.” Santa Monica: RANDCorporation. http://www.pewtrust.org/pdf/cul_rand.pdf (accessed July 7, 2004).McCarthy, Kevin, Elizabeth Ondaatje, and Jennifer Novak. Forthcoming. Arts and Culturein the Metropolis: Strategies for Sustainability. Santa Monica: RAND Corporation.Examinations of arts activities in specific localesGrams, Diane and Michael Warr. 2003. Leveraging Assets: How Small Budget ArtsActivities Benefit Neighborhoods. The John D. and Catherine T. MacArthurFoundation.http://www.macfound.org/documents/docs/small_budget_arts_activities.doc(accessed July 7, 2004).Markusen, Ann and David King. 2003. “The Artistic Dividend: the Arts’ HiddenContributions to Regional Development.” Minneapolis: Project on Regionaland Industrial Economics, University of Minnesota.http://www.hhh.umn.edu/img/assets/6158/artistic_dividend.pdf (accessed March 7,2006).Stern, Mark J. 1997. “Dimensions of Regional Arts and Cultural Participation: Individualand Neighborhood Effects on Participation in the Philadelphia Metropolitan Area.”Social Impact of the Arts Project, Working Paper #6. University of PennsylvaniaSchool of Social Work. http://www.ssw.upenn.edu/SIAP/wp6txt.with%20tabs.figs.pdf(accessed July 7, 2004).Studies offering new methods for increasing audience participationLarios, Maria del Carmen. 2002. “Planning for the Pueblo: Latino Audience Developmentat the Art Institute of Chicago.” Unpublished master’s thesis, School of the ArtInstitute of Chicago.Ostrower, Francie. 2003. “Cultural Collaborations: Building Partnerships for ArtsParticipation.” Washington: The Urban Institute.http://wallacefoundation.org/NR/rdonlyres/138C1DA0-3E24-41AA-86BB-68BE6CBE01AF/0/CulturalCollaborations.pdf (accessed July 7, 2004).58 Recommended ReferencesPeterson, Richard A. 1980. “Arts Audience Statistics and Culture Indicators: A Review ofComplementary Approaches.” Washington, D.C.: National Endowment for the Arts.
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Mapping Cultural Participation in C
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Copyright © 2006 The University of
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Map 15a Density of Households Parti
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ForewordMany studies claim to ‘ma
Page 10 and 11: AcknowledgmentsWe thank the Joyce F
Page 12 and 13: ExecutiveSummaryIn early 2003, the
Page 14 and 15: IntroductionChicago’s cultural in
Page 16 and 17: The ChicagoContextChicago has one o
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Page 20 and 21: Characteristics of Cultural Institu
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Page 40 and 41: ModelingParticipation:Does Ethnicit
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Page 44 and 45: will be about 5 percent lower in th
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Page 54 and 55: ConclusionThe primary focus of this
Page 56 and 57: Appendix IPartnering Organizationsb
Page 58 and 59: Appendix IIIModeling and Prediction
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