MOTHER’S DAY (Darren Lynn Bousman/USA)FANTASTIC NIGHTA Darren Lyn Bousman filmScreenplay: Scott Milam, based upon Charles Kaufman <strong>and</strong> Warren Leight's 1980 screenplayCast: Deborah Ann Woll, Shawn Ashmore, Lisa Marcos, Patrick Flueger, Frank Grillo, Jaime King, Tony Nappo, Rebecca De Mornay,Warren Kole, Matt O'Leary, Briana Evigan, Lyriq Bent, Jessie Rusu, Alexa Vega, J. LaRose, Stan LeskRunning time: 112 min.After a bank robbery gone wrong, three brothers head for home… only to discoverthat their mother has lost the house in a foreclosure. The new owners <strong>and</strong> theirguests, gathered for an ill-timed birthday party, become the brothers’ unwittinghostages. Their mother <strong>and</strong> sister arrive, <strong>and</strong> it soon becomes obvious that Motherwill do absolutely anything to protect her children. In one terrifying evening, Motherbrilliantly takes control of the situation <strong>and</strong> masterminds her sons’ escape. Sides willbe taken, secrets revealed, <strong>and</strong> sins punished as the hostages struggle to make itthrough the night.A false remake that only borrows the coating of Troma’s original movie from 1980 –directed by Charles Kaufman (yes, brother of…) – Mother’s Day is above all a horrificgem rebooted by Darren Lynn Bousman. Does this name sound familiar to you? He’sthe guy behind Saw II, III, IV <strong>and</strong> Repo! The Genetic Opera. At this hardcore housewarming party, you willsurely notice Frank Grillo (Minority Report, My Soul to Take), Jaime King (My Bloody Valentine, Sin City) <strong>and</strong>,last but not least, Rebecca De Mornay, whose h<strong>and</strong> rocked the cradle a bit longer that we thought…BEDEVILLED (Cheol-So Jang/South Korea)A Cheol-So Jang filmScreenplay: Gwan-You ChoiCast: Min-Ho Hwang, Min Je, Ji-Eun-I Lee, Jeong-Hak Park, Yeong-Hee Seo, Sung-Won JiRunning time: 115 min.Hae-won is a beautiful single woman in her thirties who works at a bank in Seoul city.She leads a busy life until she becomes a witness in an attempted murder case <strong>and</strong>,at the same time, things get complicated at work. When matters get out of h<strong>and</strong>, sheis forced to take a vacation <strong>and</strong> heads for 'Moo-do' Isl<strong>and</strong>, a small undeveloped spotwhere she had once visited her gr<strong>and</strong>parents. And where she had befriended a girlnamed, Bok-nam, who still writes to Hae-won asking her to visit despite the fact thatHae-won never bothers to reply. On reaching the isl<strong>and</strong>, Hae-won is shocked to seeeveryone treating Bok-nam like a slave. As the only young woman on the isl<strong>and</strong>, sheis a plaything for all the men <strong>and</strong> a free labourer for the women. Sick of all thisinhumane treatment, Bok-nam has tried to escape the isl<strong>and</strong> several times in thepast, but failed. She begs Hae-won to help her get away, but Hae-won remains indifferent, not wanting to getinvolved in complicated situations. When Bok-nam realizes that her own daughter will end up like her, shetries to flee the isl<strong>and</strong> with her, but her daughter gets killed in the process. And having lost the only thing thathad kept her going due to Hae-won's negligence, Bok-nam takes a sickle in her h<strong>and</strong> for her revenge.The first long feature from Jang Cheol-soo, Kim Ki-duk’s former assistant, is an instantaneous cult gem!There’s a subgenre in Korean cinema <strong>and</strong> literature where women have to suffer terrible ordeals from men,but bear everything with dignity <strong>and</strong> stoic heroism. Bedevilled firmly sticks up its middle finger to all that. Theway in which Bok-nam takes her revenge will fill you both with horror <strong>and</strong> sympathy.46
KEEPSAKE (Paul Moore/USA)A Paul Moore filmScreenplay : Paul MooreCast: Robert Pralgo, Sunny La Rose, Anna Tulou, Courtney Hogan, Jeffrey Schmidt, Barry EllenbergerRunning time: 101 min.Young photographer Janine is a woman with a troubled past who wants to give herlife a new start. The traditional car engine trouble on a deserted highway is theintroduction to this new beginning, but certainly not the one she would have wanted.A lift from a psychopathic trucker will take her on a trip straight to hell. The manthrows her in a dungeon <strong>and</strong> gives her thirty days to live. Janine now has to face thedemons from her past as well as the dangers of the present. Bodies are starting topile up, blood is flowing freely. The true nature of her precarious situation revealsitself. Janine is stuck in a grisly game with only one purpose staying alive !There was a time when scary movies gave you plenty of escapism, followed by aliberating catharsis. The (un)human monsters were defeated <strong>and</strong> the survivorswalked home, h<strong>and</strong> in h<strong>and</strong> towards the sunset. With the world around us becoming a very unpleasantplace, a new generation of genre directors genre has stood up to give the middle finger to this traditionalhappy end. One of them is Paul Moore. Keepsake spares us no detail of the brutal degradation of the maincharacter. The label torture porn is a perfect fit for this terror trip.REEF (THE) (Andrew Traucki/Australia)An Andrew Traucki filmScreenplay: Andrew TrauckiCast: Damian Walshe-Howling, Gyton Grantley,Running time: 87 min.Adrienne Pickering, Zoe Naylor, Kieran Darcy-Smith, Mark SimpsonA bunch of friends decide to sail along Queensl<strong>and</strong>’s tropical shores:turquoise water, white s<strong>and</strong>, palm trees, sun lotion with protection factor50… Paradise ! After their yacht hits a reef <strong>and</strong> overturns, our cheerfulfellows are a bit less enthusiastic as they find themselves adrift,heading towards the big blue. Luke, the brightest of the bunch,suggests swimming to the nearest isl<strong>and</strong> to avoid getting grilled by thehammering sun. According to him, sharks rarely attack humans. So,don’t panic! But what they don’t know is that an 18feet long great whiteshark wants to be the exception to this rule.You really need some cohones to make a shark movie after Jaws or themore recent Open Water. It certainly didn’t frighten Andrew Traucki. Thefact that he scared us into the trees three years ago with Black Water,starring a giant crocodile with an insatiable appetite, might have hadsomething to do with it. And it has to be said. Traucki has succeeded inscaring us out of the water. The Reef is beautifully shot, with effectiveediting <strong>and</strong> a haunting soundtrack boosting the tension meter into the red. By the way, the movie’s based onactual events. Party poopers who want to know who survived, may now surf to wikipedia, the others arewelcome to get their thrills at the Bifff.47