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ford madox brown - eTheses Repository - University of Birmingham

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instructor to demonstrate the muscular bodies <strong>of</strong> the models. Working-class men were<br />

sought for these models as their strenuous jobs provided them with toned bodies<br />

resembling classical sculptures. Props were <strong>of</strong>ten used to aid poses and add interest. In<br />

cat. no. 98 the model holds a chisel and hammer,<br />

feigning the guise <strong>of</strong> an ancient<br />

sculptor, a witty device, as the man becomes both artist and model. The instruments he<br />

holds make a balanced composition; the chisel shows <strong>of</strong>f the model's arm muscles and the<br />

position <strong>of</strong> the hammer highlights his buttocks.<br />

hese<br />

ng place.<br />

omas came in & with Lucy we went to<br />

ickinson’s academy [sic], Madox [sic] Street. Saw Foley there & Paris & Saulter.' 153<br />

Several entries in Brown's diary relate to the time he spent at life drawing classes. T<br />

were attended by a large number <strong>of</strong> artists and must have become a social meeti<br />

On 11 January 1848 he recorded that ‘Th<br />

D<br />

Despite Brown's academic training he appears to have felt the need to attend such<br />

lessons. The following day he wrote a frustrated entry in his diary:<br />

drew all day at the canvas. Lucy came to go to Dickinson’s with me, found I<br />

was making my figures <strong>of</strong> Chaucer and Gower [for Wycliffe reading his<br />

Translation <strong>of</strong> the Bible] to [sic] short, quite took me aback. Went & began a<br />

pencil drawing at Dickinson’s walked home with Lucy, came back and<br />

bought a bottle <strong>of</strong> wiskey [sic] to drown care with. 154<br />

------------------------------------------------------------------------------------------------------------<br />

Cat.<br />

no. 100 Morris & Company revised Index: Catalogue <strong>of</strong> Stained Glass Cartoons by<br />

Edward Burne Jones, Ford Madox Brown,<br />

William Morris, Philip Webb, Simeon<br />

Solomon, Arthur<br />

Hughes etc, 1900 - 1940<br />

Pen and ink with pencil annotations, small photo inserts, and pen and ink drawings;<br />

325 x 215mm<br />

Insc.<br />

handwritten front cover: Revised/ Glass Cartoon Index,<br />

inside front cover: Morris<br />

and Company<br />

/ 449 Ox<strong>ford</strong> Street London W<br />

Lit.: Hidden Burne-Jones, exh. cat., BMAG, 2007, p. 76; Ford Madox Brown: The<br />

Un<strong>of</strong>ficial<br />

Pre-Raphaelite, p. 67<br />

Presented anonymously, 1940 (1940P604.4)<br />

153<br />

Op. cit. at note 2, p. 24. J. H. Foley (1818-1874) was a sculptor, E. T. Parris (1793-1873) was a painter<br />

who invented a fresco-like medium, and W. Saulter (1804-1875) was an historical painter.<br />

154<br />

Ibid., p. 25.<br />

260

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