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ford madox brown - eTheses Repository - University of Birmingham

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The sketch is to be 36 inches in height by 17 inches in width. The Subject<br />

is to be the ASCENSION OF OUR SAVIOUR. The painting to have a<br />

frame to be provided by the Trustees and with such frame to be <strong>of</strong> the<br />

following size - viz. 11 feet in width by 23 feet in height.<br />

The sketches to be sent without the name <strong>of</strong> the artist but with some motto<br />

or initials, for the inspection <strong>of</strong> the Trustees, at the Committee room <strong>of</strong> the<br />

Workhouse, in Russell Street, by Wednesday the 4th <strong>of</strong> December next. 66<br />

The Art Union kept its readers abreast <strong>of</strong> the progress <strong>of</strong> the competition lamenting in<br />

January 1845 that 'the trustees, unhappily, gave too little time for preparation -<br />

something less than three months. Nevertheless the bait was a tempting one; and on<br />

4 th <strong>of</strong> December … we understand no fewer than 72 sketches and 8 cartoons were<br />

received by the trustees.' 67 Brown was among those who entered but was<br />

unsuccessful and the commission went to the relatively unknown artist, John Wood<br />

(1801-1877). 68 Although the artists entered anonymously, 'after the decision was<br />

made, it was found that fifteen <strong>of</strong> the competitors had been Royal Academicians,<br />

including [William] Etty, … [John] Herbert, who painted the frescoes in the Houses<br />

<strong>of</strong> Parliament and [Frank] Howard, Pr<strong>of</strong>essor <strong>of</strong> Painting.' 69 It is possible to work out<br />

the identities <strong>of</strong> a number <strong>of</strong> the other competitors as many <strong>of</strong> them went on to exhibit<br />

their entries. In the years running up to 1845 the Ascension was not a popular subject<br />

66 The Art Union, vol. 6, no. 73, 1 October 1844, p. 297.<br />

67 The Art Union, vol. 7, no. 76, 1 January 1845, p. 20.<br />

68 The Art Union was not impressed with the choice <strong>of</strong> the judges, Charles Eastlake and Robert<br />

Haydon, both well respected artists: 'Although we highly respect Mr John Wood, and think he is a<br />

clever artist, we must say we have never seen any work <strong>of</strong> his that could lead to the belief that his altarpiece<br />

… will be anything else than a big failure' (The Art Union, vol. 7, no. 77, 1 February 1845, p. 54).<br />

69 Ruth Kendall, History <strong>of</strong> the Church <strong>of</strong> St James Bermondsey, written in 1979 and available on<br />

http://www.stjamesbermondsey.org.uk/4790/10303.html (accessed on 9.9.08).<br />

41

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