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ford madox brown - eTheses Repository - University of Birmingham

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This is a detailed study <strong>of</strong> the face and right hand <strong>of</strong> the Bishop on the right in The Spirit<br />

<strong>of</strong> Justice. A drapery study for the same Bishop is on the reverse <strong>of</strong> a drawing for one <strong>of</strong><br />

the apostles from Brown’s cartoon <strong>of</strong> The Ascension (cat. no. 10). This reveals Brown’s<br />

economical working process <strong>of</strong> using both sides <strong>of</strong> the paper and suggests that he was<br />

working on the two competition entries at the same time. The drapery study depicts a<br />

figure in the same pose, holding a book and staff, and resting his chin on his right hand,<br />

but in a monk’s costume. Perhaps later on Brown thought this symbol <strong>of</strong> Catholicism<br />

would not be looked upon favourably in a design for the staunchly Protestant House <strong>of</strong><br />

Lords. Another drapery study for the bishop on the left <strong>of</strong> Justice is also on the reverse <strong>of</strong><br />

a study for an apostle (cat. no. 9).<br />

Cat. no. 138 The Spirit <strong>of</strong> Justice: Study for the uplifted left Arm <strong>of</strong> Justice, 1844 - 45<br />

Black<br />

chalk; 448 x 320 mm<br />

Lit.: Whitley, p. 27; Ford Madox Brown: The Un<strong>of</strong>ficial Pre-Raphaelite, p. 69<br />

Prov.: Harold Hartley<br />

Presented by Harold Hartley, 1905 (1905P17)<br />

This is an anatomical study for the bulging, uplifted left arm <strong>of</strong> the figure <strong>of</strong> Justice<br />

and<br />

reveals that Brown must<br />

have found this unsual pose particularly difficult to depict.<br />

Justice is blind and strains to listen cupping her<br />

ear to hear the case. Her left ear can be<br />

seen<br />

between the thumb and forefinger in this study.<br />

Cat. no. 139 The Spirit <strong>of</strong> Justice: Study for Head <strong>of</strong> Counsellor in a Coronet, 1844 - 45<br />

Black chalk with touches <strong>of</strong> blue chalk; 455 x 315 mm<br />

Lit.: Whitley, p 27; Ford Madox Brown: The Un<strong>of</strong>ficial Pre-Raphaelite, p. 69<br />

Exh.: Pre-Raphaelite Drawings, Midlands Federation Travelling Exhibition, 1961<br />

(no cat.); Visions (5)<br />

Prov.:<br />

Harold Hartley<br />

Presented by Harold Hartley, 1905 (1905P21)<br />

Cat. no. 140 The Spirit <strong>of</strong> Justice: Study for Head <strong>of</strong> Counsellor, 1844 - 45<br />

Black chalk; 424<br />

x 306 mm<br />

Lit.:<br />

Whitley,<br />

p. 27; Ford Madox Brown: The Un<strong>of</strong>ficial Pre-Raphaelite, p. 69<br />

Prov.: Harold Hartley<br />

Presented<br />

by Harold Hartley, 1905 (1905P20)<br />

Cat. no. 141 The Spirit <strong>of</strong> Justice: Drapery Study for central Bishop, 1844 - 45<br />

Verso: Part <strong>of</strong> a Drapery Study,<br />

1844 - 45<br />

Black chalk; 263 x 229 mm<br />

Insc.<br />

in pencil br.: FMB 1843<br />

Lit.: Whitley, p. 27; Ford Madox Brown: The Un<strong>of</strong>ficial Pre-Raphaelite, p. 69<br />

Prov.: Harold Hartley<br />

Presented by Harold Hartley, 1905 (1905P16)<br />

This is one <strong>of</strong> two studies in the collection for the bishop in the centre <strong>of</strong> the composition<br />

(see also cat. no. 136). It shares the same pose <strong>of</strong> the figure in the finished cartoon but in<br />

281

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