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ford madox brown - eTheses Repository - University of Birmingham

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December 1847. 239 On 28 January 1848 her husband posed for the head <strong>of</strong> Chaucer and<br />

240<br />

on 29 January Brown 'made a drawing <strong>of</strong> her hand & her child.'<br />

Cat. no. 169 Wycliffe reading his Translation<br />

<strong>of</strong> the Bible: Unfinished Study for Head <strong>of</strong><br />

Constance, 1847-48<br />

Pencil; 105 x 117 mm<br />

Lit.: Whitley, p. 39; Ford Madox Brown: The Un<strong>of</strong>ficial Pre-Raphaelite, p. 70<br />

Presented<br />

by Subscribers, 1906 (1906P701)<br />

The model for this study may have been Julia Wild who made money through sitting for<br />

artists and prostitution. She was known for her black eyes.<br />

nfinished state <strong>of</strong> this drawing.<br />

241 Brown’s diary entry for 8<br />

January 1848 notes that he ‘dined & went out for Miss Wild … came back and set to<br />

work by 7 till 10 on the head <strong>of</strong> the female, made a wretched drawing <strong>of</strong> it.’ 242 His<br />

displeasure with the study may explain the u<br />

Cat. no. 170 Wycliffe reading his Translation <strong>of</strong> the Bible: Portrait <strong>of</strong> Elizabeth Bam<strong>ford</strong><br />

modelling<br />

for Constance, 1848<br />

Pencil; 97 x 125 mm<br />

Insc. bl.: Miss Elizabeth Bam<strong>ford</strong>,<br />

br.: London / Ford M.Brown 1848<br />

Lit.: Whitley, p. 39; Ford Madox Brown: The Un<strong>of</strong>ficial Pre-Raphaelite, p. 70<br />

Prov.: Charles Fairfax Murray<br />

Presented by Subscribers, 1906 (1906P693)<br />

Elizabeth Bam<strong>ford</strong> was the daughter <strong>of</strong> a family with whom Brown socialised frequently<br />

in the first few years after the death <strong>of</strong> his first wife, Elisabeth. They were perhaps<br />

connected with Elisabeth's family, the Bromleys. Brown <strong>of</strong>ten referred to 'Mr Bam<strong>ford</strong>'<br />

in his diary; he is likely to have been 'James Bam<strong>ford</strong>, silk manufacturer <strong>of</strong> Milk<br />

Street,<br />

243<br />

Cheapside,<br />

whose portrait Brown had painted' in 1846. On 2 February 1848 Brown<br />

went to stay with the Bam<strong>ford</strong>s and according to his diary ‘dansed till 3 in the<br />

morning.' d Watkinson have surmised that Brown danced with Elizabeth<br />

'<br />

Free Exhibition to which he submitted Wycliffe<br />

r Sam and<br />

ting as a model.<br />

244 Newman an<br />

on that night although there is no evidence <strong>of</strong> this. 245 Brown also stayed at the Bam<strong>ford</strong>s<br />

on the night <strong>of</strong> the Private View at the<br />

reading his Translation <strong>of</strong> the Bible. 246 His diary records Elizabeth's brothe<br />

another relative, William, visiting him several times at his studio but does not mention<br />

247<br />

Elizabeth ac<br />

239<br />

Op. cit. at note 2, p. 21.<br />

240<br />

Ibid., pp. 27, 41-43.<br />

241<br />

Ibid., p. 24.<br />

242<br />

Ibid., p. 26.<br />

243<br />

Ibid., p. 9.<br />

244<br />

Ibid., p. 28.<br />

245<br />

Op. cit. at note 19, p. 37.<br />

246<br />

Op. cit. at note 2, p. 40.<br />

247<br />

Ibid., pp. 32, 34,<br />

45, 56.<br />

297

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