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Chicken Little: The Inside Story (A Jungian ... - Inner City Books

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New Dimensions 105<br />

culine God-image—Yahweh’s neglected opposite. What happens<br />

next, of course, depends a good deal on how conscious we become<br />

individually. Make no mistake about it, what we do and are has an<br />

effect on the great Him. 110 And I dare say the same is true of Ms.<br />

<strong>Little</strong>.”<br />

Rachel seemed perplexed. Perhaps she would have pursued it,<br />

but D. spoke.<br />

“Look,” he said, “this is all very interesting, but aren’t we getting<br />

off track? <strong>The</strong> other tablets?”<br />

“Very well,” said Adam.<br />

He shook his fool’s cap, the one with bells. I’d begged him not<br />

to bring it, it makes him look ridiculous. Personally, I much prefer<br />

the miter, but it wasn’t my call.<br />

“Who knows something about holography?” asked Adam.<br />

<strong>The</strong>re, that was my signal. I readied myself.<br />

Arnold shook his head.<br />

D. shrugged, though I must say it was hard to imagine he didn’t<br />

know what was coming.<br />

“I’ve been to the Science Museum,” said Rachel. “<strong>The</strong>y have a<br />

laser show with flashing lights, and next to it there’s a booth with<br />

some holograms. Oh, and I have one on my credit card.”<br />

“Holography,” nodded Adam, “is a photographic technique for<br />

storing, or better say capturing, three-dimensional visual information<br />

on a two-dimensional plane. I cannot claim to understand how<br />

it is done, but fortunately we have an expert with us—my helpful<br />

frater mysticus.”<br />

He motioned to me and I took over, as planned.<br />

“Holography,” I said, “was conceived by the physicist Denis Gabor.<br />

Using a complicated white light source he made the first holograms<br />

in 1948 at the Imperial Institute in London. <strong>The</strong>y were<br />

merely a curiosity until the invention of the laser in 1960.<br />

“Most holograms are made with a laser—because it emits a continuous,<br />

monochromatic beam of light—using an inanimate object<br />

as the subject. <strong>The</strong>y are viewed as though one were looking<br />

through a window, with a transparent film or glass plate being the<br />

110 See Edward F. Edinger, Transformation of the God-Image: An Elucidation of<br />

Jung’s Answer to Job.

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