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Chicken Little: The Inside Story (A Jungian ... - Inner City Books

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106 <strong>Chicken</strong> <strong>Little</strong>: <strong>The</strong> <strong>Inside</strong> <strong>Story</strong><br />

window. For the purposes of holography, one can think of the laser<br />

as simply a special kind of bulb emitting a single color of coherent<br />

light, which means light waves of the same wavelength moving in<br />

parallel at the same speed.”<br />

“To make a hologram, an unexposed photographic film, or glass<br />

plate, is set up facing the object in total darkness. Part of a laser<br />

beam illuminates the object, and the rest of the beam is deflected<br />

by mirrors to the film. <strong>The</strong> film receives the wave pattern of both<br />

the direct laser beam and the laser light reflected from the object.<br />

<strong>The</strong> result is an interference pattern which is recorded on the film.<br />

That’s a hologram.”<br />

D. nodded. “This sounds familiar.”<br />

“When the film is developed,” I continued, “it looks no more<br />

like a picture than a gramophone record or a cassette tape looks<br />

like music. But when it’s illuminated by a monochromatic light<br />

source, the interference pattern enables the original holographed<br />

object to become visible in three dimensions. When you move your<br />

head, you can see ‘around’ the object, just as if it were there, right<br />

in front of your eyes.<br />

“Early holograms were of the transmission type. To be viewed,<br />

they had to be illuminated with either laser light or a white light<br />

source which had been filtered to one particular wavelength. Most<br />

modern holograms—like those on credit cards—are of the reflection<br />

type; they can be viewed in ordinary light.<br />

“Now, a major difficulty from the beginning was to create a vibration-free<br />

environment for everything involved in the making of<br />

a hologram—the object, the laser, all the lenses and mirrors and so<br />

on—because the film has to be exposed for several seconds. As it<br />

happens, this problem was solved by an artist.”<br />

I pulled a slim booklet from my pocket and held it up.<br />

“You may recognize this,” I said to D., and read the title: “On<br />

Holography and a Way To Make Holograms.”<br />

“Holy smoke!” exclaimed D. “Pethick wrote that over twenty<br />

years ago! I used to have a copy.”<br />

“You may recall, then,” I said, “that it describes a simple set-up<br />

for making holograms in a sandbox. <strong>The</strong> box itself rests on an inflated<br />

inner tube, so nothing shakes.”

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