Chicken Little: The Inside Story (A Jungian ... - Inner City Books
Chicken Little: The Inside Story (A Jungian ... - Inner City Books
Chicken Little: The Inside Story (A Jungian ... - Inner City Books
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<strong>The</strong> Meeting 39<br />
tain-climbing goods store, a chemical laboratory, a photo-engraving<br />
shop. In each place I undertake the apparently impossible. I’m paid<br />
badly, of course, I’m too old to bargain, but I own the patents to<br />
whatever I invent. I must keep active, you see; it’s one way to<br />
know who I am.”<br />
“When I was about six,” I said, “I fell asleep in the bathroom<br />
and dreamed I woke up dead, wondering who I’d been.”<br />
“A case in point,” said Brillig.<br />
He went over to the pile on the floor and pulled out a book that<br />
had obviously been well-thumbed.<br />
“This is Mount Analogue, by the French writer René Daumal,<br />
whose untimely demise in 1944—gracious, he was only thirty-six,<br />
my own age at the time—was a tragic loss to literature.”<br />
Brillig read:<br />
I can admit to you that I fear death. Not what we imagine about<br />
death, for such fear is itself imaginary. And not my death as it will be<br />
set down with a date in the public records. But that death I suffer<br />
every moment, the death of that voice which, out of the depths of my<br />
childhood, keeps questioning me as it does you: “Who am I” Everything<br />
in and around us seems to conspire to strangle it once and for<br />
all. Whenever that voice is silent—and it doesn’t speak often—I’m<br />
an empty body, a perambulating carcass. I’m afraid that one day it<br />
will fall silent, or that it will speak too late. 44<br />
“We all wonder in the early years,” said Brillig, “but you know<br />
how it is; as we grow older we lose touch with the inner life. Overwhelmed<br />
by practical matters and the opinions of others, we forget<br />
the mystery. Just as in your dream, we might, any of us, wake up to<br />
find ourselves dead.”<br />
He gently closed the book and lowered his eyes.<br />
Rachel was quite moved. So was I.<br />
“Do you still do analysis?” asked Arnold.<br />
“No one since—.” Brillig nodded at Norman. “Not my greatest<br />
success, I’m afraid.” He laughed uproariously. “Ah well, I think we<br />
get along.”<br />
Norman smiled. I gathered this was a private joke.<br />
44 Mount Analogue, p. 35.