Chicken Little: The Inside Story (A Jungian ... - Inner City Books
Chicken Little: The Inside Story (A Jungian ... - Inner City Books
Chicken Little: The Inside Story (A Jungian ... - Inner City Books
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<strong>The</strong> Experiment 119<br />
From the Great Above she opened her ear to the Great Below.<br />
From the Great Above the goddess opened her ear to the Great Below.<br />
From the Great Above Inanna opened her ear to the Great Below. 113<br />
“All that is above, Also is below,” I recited. 114<br />
“Who’s Inanna?” asked Norman.<br />
“A celebrated moon goddess of the ancient world,” said Rachel,<br />
“two thousand years before Christ.”<br />
Brillig read:<br />
Female deities were worshipped and adored all through Sumerian<br />
history. . . . but the goddess who outweighed, overshadowed, and<br />
outlasted them all was a deity known to the Sumerians by the name<br />
of Inanna, “Queen of Heaven,” and to the Semites who lived in<br />
Sumer by the name of Ishtar. Inanna played a greater role in myth,<br />
epic, and hymn than any other deity, male or female. 115<br />
“<strong>The</strong> Great Below . . .” mused Rachel.<br />
“. . . might refer to the unconscious,” said Arnold.<br />
“And the Great Above could be a metaphor for ego-consciousness,”<br />
I suggested.<br />
Brillig pursed his lips and put his palms together, as if praying.<br />
“It’s as plain as the nose on Sunny’s face,” he said. “What is<br />
here is also there. What is up is down. That is the essence of the<br />
psyche. <strong>The</strong> alchemists knew it, and so, apparently, did the Sumerians.<br />
But that’s not the whole story. I should like to read you what<br />
René Daumal says about mountain climbing, which is his basic<br />
metaphor for the pursuit of self-knowledge. Norman?” He was<br />
right there. Brillig thanked him and read:<br />
What is above knows what is below, but what is below does not<br />
know what is above. . . . <strong>The</strong>re is an art of conducting oneself in the<br />
lower regions by the memory of what one saw higher up. When one<br />
can no longer see, one can at least still know. 116<br />
113 “<strong>The</strong> Descent of Inanna,” ibid., p. 52.<br />
114 See above, p. 9.<br />
115 Samuel Noah Kramer, From the Poetry of Sumer, p. 71 (cited in Wolkstein<br />
and Kramer, Inanna, Queen of Heaven and Earth, p. xv). For a psychological<br />
interpretation of the Inanna myth, see Sylvia Brinton Perera, Descent to the Goddess:<br />
A Process of Initiation for Women.<br />
116 Mount Analogue, p. 103.