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Chicken Little: The Inside Story (A Jungian ... - Inner City Books

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<strong>The</strong> Experiment 119<br />

From the Great Above she opened her ear to the Great Below.<br />

From the Great Above the goddess opened her ear to the Great Below.<br />

From the Great Above Inanna opened her ear to the Great Below. 113<br />

“All that is above, Also is below,” I recited. 114<br />

“Who’s Inanna?” asked Norman.<br />

“A celebrated moon goddess of the ancient world,” said Rachel,<br />

“two thousand years before Christ.”<br />

Brillig read:<br />

Female deities were worshipped and adored all through Sumerian<br />

history. . . . but the goddess who outweighed, overshadowed, and<br />

outlasted them all was a deity known to the Sumerians by the name<br />

of Inanna, “Queen of Heaven,” and to the Semites who lived in<br />

Sumer by the name of Ishtar. Inanna played a greater role in myth,<br />

epic, and hymn than any other deity, male or female. 115<br />

“<strong>The</strong> Great Below . . .” mused Rachel.<br />

“. . . might refer to the unconscious,” said Arnold.<br />

“And the Great Above could be a metaphor for ego-consciousness,”<br />

I suggested.<br />

Brillig pursed his lips and put his palms together, as if praying.<br />

“It’s as plain as the nose on Sunny’s face,” he said. “What is<br />

here is also there. What is up is down. That is the essence of the<br />

psyche. <strong>The</strong> alchemists knew it, and so, apparently, did the Sumerians.<br />

But that’s not the whole story. I should like to read you what<br />

René Daumal says about mountain climbing, which is his basic<br />

metaphor for the pursuit of self-knowledge. Norman?” He was<br />

right there. Brillig thanked him and read:<br />

What is above knows what is below, but what is below does not<br />

know what is above. . . . <strong>The</strong>re is an art of conducting oneself in the<br />

lower regions by the memory of what one saw higher up. When one<br />

can no longer see, one can at least still know. 116<br />

113 “<strong>The</strong> Descent of Inanna,” ibid., p. 52.<br />

114 See above, p. 9.<br />

115 Samuel Noah Kramer, From the Poetry of Sumer, p. 71 (cited in Wolkstein<br />

and Kramer, Inanna, Queen of Heaven and Earth, p. xv). For a psychological<br />

interpretation of the Inanna myth, see Sylvia Brinton Perera, Descent to the Goddess:<br />

A Process of Initiation for Women.<br />

116 Mount Analogue, p. 103.

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