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Chicken Little: The Inside Story (A Jungian ... - Inner City Books

Chicken Little: The Inside Story (A Jungian ... - Inner City Books

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<strong>The</strong> Experiment 113<br />

“<strong>The</strong> major portion of light, the object beam, will pass directly<br />

through the beam-splitting glass, striking this mirror, which will<br />

deflect the light through this lens to illuminate the object—Ms.<br />

<strong>Little</strong>—which will go here. Some of the light hitting the stone will<br />

bounce off it onto the film plate, here, thus interfering with the<br />

waves of the reference beam.<br />

“Now, the light waves of the object beam and those making up<br />

the reference beam should travel the same distance from the beam<br />

splitter to the plate. It’s also important that no light from the object<br />

beam should hit the plate directly, and no light from the reference<br />

beam should hit the object. We’ll have to get it just right in order to<br />

record on the emulsion a coherent interference pattern—the visual<br />

information seen as a hologram.”<br />

When all the components were in place, Norman took Brillig’s<br />

stone and rested it in the sand so the glyph side would be illuminated<br />

by the object beam from the laser. Close by it he placed a<br />

holder for the holographic plate. <strong>The</strong>n he dipped into the trunk and<br />

came up with several packets.<br />

“In here,” he said, “are a dozen glass plates. <strong>The</strong> emulsion on the<br />

film has an ASA rating of less than 1.”<br />

“That’s incredible!” said Rachel. “<strong>The</strong> film I use in my camera<br />

is ASA 400.”<br />

“<strong>The</strong> lower the ASA,” explained Norman, “the less grain and the<br />

better the resolution, but then you need more light to record an image.<br />

That’s why we’ll need an exposure of several seconds, during<br />

which everything in the sandbox must remain absolutely still.”<br />

<strong>The</strong> other packages contained standard photographic solutions<br />

for developing, fixing and washing the film. <strong>The</strong>re was also a<br />

packet of bleach, with which Norman said we could get rid of the<br />

silver nitrate on the developed plate, if necessary, to improve the<br />

light transmission. That would brighten the hologram.<br />

“Holographic plates are developed in the same way as ordinary<br />

black and white photographic film,” said Norman. “<strong>The</strong> plate is exposed<br />

to the laser light in total darkness, developed for five minutes,<br />

placed in a stop bath for thirty seconds, then fixed. We’ll need<br />

some basins for these solutions and also for water to rinse the plate<br />

between each stage.”

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