9° A STUDY OF NAVAJO SYMBOLISMBEAR CONSTELLATION OF SEVEN STARSThe <strong>Navajo</strong> gourd and skin rattles are decoratedwith the Great Bear Constellation. Thehibernation <strong>of</strong> bears during the winter, andtheir survival through apparent death, hascaused the Bear Constellation keeping watchto become a universal symbol. The Greekshad November ceremonies when the sevenstars were highest, and all over North America,Indians believed the abode <strong>of</strong> bliss to be amongthe stars <strong>of</strong> the Great Bear.In the Taoist heaven the Bear Constellationthe throne <strong>of</strong> Shang Ti, the supreme deity.isThese stars are in China associated with longevityand wealth, and there is a ceremony inwhich a rice measure (rice being the staff <strong>of</strong>life, the rice measure is naturally the measure<strong>of</strong> life) is given to the Mother <strong>of</strong> the Measure,or Queen <strong>of</strong> Heaven, who dwells among thestars <strong>of</strong> the Bear Constellation. The Chinesewords for measure and constellation are muchalike. Goette (p. 149) describes the greenjade Kuei tablet, <strong>of</strong>fered by the Emperor <strong>of</strong>China at the Altar <strong>of</strong> the East outside Peipingon the morning <strong>of</strong> the Spring Equinox, whichwas incised with a conventional representation<strong>of</strong> the seven stars <strong>of</strong> the Great Bear constellation.Among the Ainu <strong>of</strong> Japan, the bear isthe particular intermediary between men andtheir God, who is equated with the NorthStar, and to whom they sacrifice the bear.RITUAL SIMILARITIES BETWEEN NAVAJO CONCEPTS AND OTHERSIn a <strong>Navajo</strong> ceremony, pebbles are takenfrom the nest <strong>of</strong> the Rock Wren, painted withsymbols, used in ritual, and then returned tothe birds' nest. MacCurdy (vol. II, p. 6) describespebbles <strong>of</strong> the Azilian culture, gatheredat Mas d'Azil in the Ariege, on whichdesigns, stylistically similar to Spanish petroglyphsfrom Estremadura and Andalusia, hadbeen painted in red ocher. Levy (pp. 46-48)mentions the relation <strong>of</strong> these prehistoric designson painted pebbles to the decoration <strong>of</strong>symbolic churingas among present day Australianaborigines.The Bull-Roarer, which is a special implement<strong>of</strong> the churinga type used in Australiatoday to produce the voice <strong>of</strong> divinity, is likewiseparalleled among prehistoric Magdalenianobjects. Bayley (vol. I, pp. 85-86) quotesPr<strong>of</strong>essor Haddon's opinion that it is perhaps"the most ancient, widely-spread, and sacredreligious symbol in the world. It is used inmany parts <strong>of</strong> the world, and the <strong>Navajo</strong> employit in many ceremonies to banish evil.A CIRCLE WITH A CENTRAL SPOT in it OCCUTSfrequently among the painted pebbles fromMas d'Azil (MacCurdy, vol. II, p. 218). Thisis the original symbol for the sun (great male).It is also used as a symbol for the universe inIndia; and similarly in Masonry.The <strong>symbolism</strong> <strong>of</strong> mandala, the Sanskritword for magic circle, according to Jung inthe Integration <strong>of</strong> Personality "embraces allconcentrically arranged figures, round orsquare, all having a centre; all radial or sphericalarrangements."The Incas and Aztecs took possession <strong>of</strong>land by hurling a stone or arrow to thecardinal points, according to Brinton (p. 69).In the <strong>Navajo</strong> Fire Dance in the MountainChant, the Medicine man throws a burningbrand in the four directions before the racing<strong>of</strong> the "whitened men" around the big fire.The sunwise swastika is in India sacred tothe male Ganesh, god <strong>of</strong> prosperity, while thecounter-sunwise female swastika, sacred toKali, typifying the course <strong>of</strong> the sun belowthe earth from west to east, symbolizes darkness,death, and destruction, according tod'Alviella (p. 68). Similarly the <strong>Navajo</strong> sunwiseswastika symbol is also beneficent, whilethe counter-sunwise swastika is used only inrites to banish evil.The crescent used in <strong>Navajo</strong> necklaces(fig. 5) is an ancient Mediterranean protectivesymbol against the "evil eye," brought tothe Southwest by the Spaniards. To the<strong>Navajo</strong>, the crescent is a fertility and protectivesymbol, and is similar to the Yoni, thefemale fertility symbol <strong>of</strong> India. The roundbeads <strong>of</strong> the <strong>Navajo</strong> necklace are seeds. Theflowers are representations <strong>of</strong> squash blossoms,considered to be another symbol <strong>of</strong> fertility.
NOTES ON CORRESPONDING SYMBOLS: WHEELWRIGHT 9'Fig. 5. Squash blossoms and fertility symbol <strong>of</strong><strong>Navajo</strong> necklaces.Perhaps the Yoni and the Mediterraneancharm had a common origin at some time inthe distant past (fig. 5).The divining by arrow and shaking handin the <strong>Navajo</strong> Coyote Chant is similar to adivining rite in India.Many examples <strong>of</strong> the baleful effects <strong>of</strong>tying knots are cited by Sir James Frazer, and<strong>of</strong> cures from disease achieved simply by findingand untying the knots in question. Therite <strong>of</strong> Wohltrahd in <strong>Navajo</strong> ceremonial,which includes the untying <strong>of</strong> slip-knots inwoolen cords which are pressed to the body<strong>of</strong> the patient while praying, is reputed to beefficacious in relieving tensions.The fox all over Europe, and particularlyin Japan, stands in much the same relation toman as the coyote does to the <strong>Navajo</strong> — as avery clever, mischievous magic creature. Elsewherehe is not usually as powerful, however,as the <strong>Navajo</strong> coyote, who (like Prometheus)is the bringer <strong>of</strong> fire to man, and is able toimpede the path <strong>of</strong> the hero, whom he <strong>of</strong>tenturns from human into coyote shape. Coyoteknows more about the process <strong>of</strong> creationthan the other animals, but as he is a thief whooverreaches himself by arrogance, he inevitablyfails in his efforts to upset the pattern <strong>of</strong>life. But all the world over the fox type isallied to sinister forces.The <strong>Navajo</strong> Thunderbird is quite similarto the Garuda <strong>of</strong> India, who is a god, andvery combative, particularly with snakes. Inthe <strong>Navajo</strong> Creation Myth a great white birdfound flying over this present earth when thepeople reached it from below is nearer to theGaruda: this great bird, the connection betweenearth and sky, is also found in Mexicanmyth.NOTES ON PARALLEL SYMBOLS AND RITES IN INDIA,TIBET AND ANCIENT PERSIAIn 1940 I went to India, partly to see if Icould find any connections there with the<strong>Navajo</strong> religion. I took with me several smallcolored drawings <strong>of</strong> sand paintings; one <strong>of</strong>the Thunderbirds, another <strong>of</strong> Earth and Sky,one <strong>of</strong> the Whirling Rainbows, one <strong>of</strong> theFire Gods in. the stars with the sun in thecenter and one <strong>of</strong> the Hozhonji or BlessingChant. This last painting showed the creation<strong>of</strong> man with the path <strong>of</strong> life ascending thecornstalk between the Ethkay-nah-ashi. I alsotook some <strong>Navajo</strong> sketches <strong>of</strong> Indian scenes,and some ceremonial stones such as are usedin prayer. I was on the lookout for paralleluses <strong>of</strong> symbols and rites, and have embodiedin the following notes the results <strong>of</strong> conversationsand personal observation during this trip.On the steamer out to India I had variousconversations with Commanding GeneralKaisar Shumshu <strong>of</strong> Nepal, the nephew <strong>of</strong> theformer Maharaja <strong>of</strong> Nepal. General Kaisar,who had represented his uncle at the coronation<strong>of</strong> King George VI, had been travelingin the United States. He was much interestedin the American Indian religion, and expressedthe conviction that it came from the samesource as the ancient religion <strong>of</strong> India.I had letters to the Vedanta Priests at Belur,near Calcutta, and found them not only mostinterested in my problem but very helpfulwith suggestions and information. They introducedme to the philologist Dr. Suniti KumarChatter jee, Pr<strong>of</strong>essor <strong>of</strong> Indian Linguistics atthe University <strong>of</strong> Calcutta, who was convinced,as were the others whom I consulted,that the Ethkay-nah-ashi and the Asvins, themystical twins <strong>of</strong> the Vedas, have the samemeaning, both being healers or transmitters <strong>of</strong>life. Pr<strong>of</strong>essor Chatter jee, after examining the<strong>Navajo</strong> material, expressed the opinion that itwas <strong>of</strong> a very ancient ritual, and thought thatit might go back to the cradle <strong>of</strong> the Aryanrace northwest <strong>of</strong> India.Mrs. Choudhuri, a niece <strong>of</strong> the poet Tagore,
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PART I: NAVAJO SYMBOLS IN SANDPAINT
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PART I:NAVAJO SYMBOLS IN SAND PAINT
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TOTHE NAVAJO SAND PAINTINGBECOME ac
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