took me to see a holy man or teacher wholived in a frugal way in the suburbs <strong>of</strong> Calcutta,Guru Bijay Krishna Chatter jee. TheGuru, who spoke idiomatic English, was amost direct, simple and impressive person.Mrs. Choudhuri, who was a handsome, energeticand vital elderly lady, was not only full<strong>of</strong> help for the schools in Calcutta, but alsoan accomplished musician.My information about Persian parallelscomes from Dr. Phyllis Ackerman, formerly<strong>of</strong> the Iranian Institute, New York.TibetDuring my stay in India I was able to obtainuseful information on Tibetan worship fromconversations with Air. David Macdonald <strong>of</strong>Kalimpong, near Darjeeling, who had beenBritish Trade Agent in Tibet from 1905 to1925, had written several books on his experiences,and had married a Tibetan. His familiaritywith Tibetan written sources is indicatedby an acknowledgment by Sir CharlesBell ( 193 1, pp. 199-200) for help in translatingportions <strong>of</strong> Tibetan histories to Mr. Macdonald,"who speaks and writes Tibetan moreeasily than English."Horses play an important role in Tibet.Sir Charles Bell (1924, p. 11) mentions theTibetan geographical notion that the TsangpoRiver rises from the mouth <strong>of</strong> a horse andflows through "Tibet, the land <strong>of</strong> horses." Hefurther observes: "The Tibetan pony is certainlyone <strong>of</strong> the characteristics <strong>of</strong> the country.Princes and peasants, men and women,ali ride; and children too, from an early age.And with the mule, the donkey, and the yak,the pony, agile and hardy beyond those <strong>of</strong>most countries, transports their merchandiseand household goods across the plateaux, andup the rough valley and high passes that connectthem."Emil Schlagintweit, in describing Tibetanceremonies for ensuring the assistance <strong>of</strong> thegods, includes (pp. 253-56) the invocation <strong>of</strong>Lungta, "the airy horse, the horse <strong>of</strong> wind,"who permits his rider "the king <strong>of</strong> the goldenwheel, the governor <strong>of</strong> the four continentsA STUDY OF NAVAJO SYMBOLISM(in Sanskrit Maha Chakravartin Raja)" totraverse the world between morning and nightwithout experiencing fatigue. Lungta is thesymbol <strong>of</strong> harmony, for it unites in harmonythe three conditions <strong>of</strong> human existence —Srog (the vital principle breath), Lus (body)and Vang (power or moral energy) — uponthe union <strong>of</strong> which happiness depends; itstrengthens these conditions so as to cause aunion salutary to man. As the efficacy <strong>of</strong> anyDharani, or mystical sentence, for happinessin this existence is made more certain by thepresence <strong>of</strong> Lungta, the likeness <strong>of</strong> the airyhorse appears on many such Tibetan blockprints, as well as on the Derchaks, or prayerflags (p. 199), that are met with in front <strong>of</strong>religious buildings along the roads. The invocation<strong>of</strong> Lungta ensures a safe and pleasantjourney. He also defends against maleficentplants, and deprives hostile constellations <strong>of</strong>the planets <strong>of</strong> their obnoxious influence.At Lhasa in the spring, during a ceremonydesigned to hasten the coming <strong>of</strong> the Buddha<strong>of</strong> the Future, known to Indians as Maitreyaand to Tibetans as Gye-wa. Cham-pa (ConqueringLove), there is a race <strong>of</strong> riderlesshorses, the emblem <strong>of</strong> speed, and wrestling,the emblem <strong>of</strong> strength. Bell describes thisfestival in The People <strong>of</strong> Tibet, pp. 272-84.The wild ass appears in Persia in the decorations<strong>of</strong> Susa I (3500 b.c.) before the horse,and in the <strong>Navajo</strong> creation story he was personallycreated by the great god Begochiddy,whose favorite he was.Sir Charles Bell ( 193 1, pp. 8-20) describesthe pre-Buddhist P6n religion <strong>of</strong> Tibet as aform <strong>of</strong> Shamanism or Nature worship, similarto that formerly followed by different tribes<strong>of</strong> Turkish stock, by the Finns, Lapps anddwellers in the north <strong>of</strong> Asia on the borders<strong>of</strong> the Arctic circle, as well as the Manchusand the Indians <strong>of</strong> North America. OfficialChinese histories <strong>of</strong> the fifth and sixth centuriesa.d., when the Ponist religion was in fullforce, mention sacrifices <strong>of</strong> men, horses, oxenand asses in Tibet. In spite <strong>of</strong> the introduction<strong>of</strong> Buddhism in Tibet, the Ponist faith still survivesamonor the Lepcha, Limbu, Lolo, Lissuand Moso tribes east and southeast <strong>of</strong> Lhasa,while the epic <strong>of</strong> Ke-sar is still recited ineastern Tibet. Bell mentions men and womenwho can recite this epic <strong>of</strong> Ponist Tibet forten days without repeating themselves. Mr.David Macdonald told me that <strong>of</strong>ferings <strong>of</strong>horses and fowl were given to the war godKe-sar in Lhasa, and that now two images <strong>of</strong>
NOTES ON CORRESPONDING SYMBOLS: WHEELWRIGHT 93horses stand near his shrine and many livefowl are kept there.Mr. Macdonald's Tibetan priest servant,when I showed him a picture <strong>of</strong> an Apache,said that years ago the Tibetans sent away alot <strong>of</strong> wicked men called Lii. On 15 March<strong>of</strong> each year this sending away is commemoratedby the Lii-tsang ceremony in whichthere is a scapegoat, and for which images <strong>of</strong>dough, similar to the Apache picture I showedhim, are made. He thought that the Lepchasand people <strong>of</strong> Sikkim were descendants <strong>of</strong>those sent away, but that others went further,such as the people <strong>of</strong> Hor in Turkestan, who(like the <strong>Navajo</strong>) wear big silver plaquesaround their waists. In Tibet today the Liiare powerful serpent deities, who have a chapelimmediately below the walls <strong>of</strong> the Potala aswell as others in other parts <strong>of</strong> Lhasa.In the bazaar at Kalimpong cranes' heads,which are used in <strong>Navajo</strong> medicine ceremonies,were on sale for medicinal use. Mr. Macdonaldtold me that Tibetans use conch shellspierced as bracelets, similar to prehistoricNavaho excavated bracelets, and that they alsouse coral and turquoise in ornaments and earrings,as the <strong>Navajo</strong>s do. The name Sipaho <strong>of</strong>the painting carried in front <strong>of</strong> Tibetan weddingsand funerals is curiously reminiscent <strong>of</strong>Sipapu, the name <strong>of</strong> the lower world in Pueblomythology.Schlagintweit (pp. 260-63) describes Tibetandivination ceremonies with arrows that aresimilar to <strong>Navajo</strong> uses.In the Thugdam Kantsaiceremony in Tibet, an arrow, to which fivesilken strips <strong>of</strong> the five sacred colors are fastened,as well as feathers and charms, is stuckperpendicularly into the ground. In anotherrite Nagpo Chenpo is invoked by the ceremony<strong>of</strong> "moving; the arrow" both as protectionfrom the hostility <strong>of</strong> mischievous spiritsin general and to detect thieves. An arrow,trimmed with feathers, strips <strong>of</strong> silk and invocationsto Nagpo Chenpo, is handed by thehead Lama <strong>of</strong> the monastery to a novice, who,after taking a seat on a carpet, holds the arrowwith one hand, the point resting perpendicularlyon the palm <strong>of</strong> his other hand. By aslight shaking and turning, he brings the pointinto motion, and gradually lets the arrow fallto the ground. He then seizes it with bothhands, and by convulsive shakings keeps itconstantly moving, although the spectatorsbelieve that the arrow is shaking him. He continuesuntil he is exhausted, when the halt <strong>of</strong>the arrow is taken as a sign that the evil spiritshave been driven away. If used for the detection<strong>of</strong> thieves, the culprit may be lookedfor in the direction that the arrow points whenit ceases to move. Ritual arrows are similarlyused by the <strong>Navajo</strong> in the Coyote Chant andan almost identical rite occurs in the Red AntChant <strong>of</strong> the <strong>Navajo</strong>.Each year the Tibetan government sendsout to the governors <strong>of</strong> districts a proclamationcalled Tsa-tsik. This root word for generalrules <strong>of</strong> conduct recalls the <strong>Navajo</strong> wordTsa-tlai, which appears in the Creation Story<strong>of</strong> the First World as one <strong>of</strong> the first lawsgiven there.Flame is honored as one <strong>of</strong> the indestructibleelements among both Tibetans and <strong>Navajo</strong>s.IndiaGeneral Kaisar thought the mythic birdGaruda — the "vehicle" <strong>of</strong> Vishnu, lord <strong>of</strong>the birds, the charioteer <strong>of</strong> Surya — is theorigin <strong>of</strong> the <strong>Navajo</strong> Thunderbird. The stepbrothers<strong>of</strong> the Garuda are Nagas, or snakepeople. The Garuda image is always put oppositean outside door <strong>of</strong> the temple <strong>of</strong> Jagernath,"Lord <strong>of</strong> the Universe," the sky type <strong>of</strong>Vishnu. Garuda is a sky symbol in Persia,and related to Nagas, as they represent thewater symbol on the world below the sky.General Kaisar thought that the referenceto the underworld as Nagaboka (abode <strong>of</strong>snakes) means the North American continent.He also believed that Aztec equals Astik, thesaviour and protector <strong>of</strong> snakes mentioned inthe Puranas. Ganesha, the Indian elephant god,figures in Mayan sulpture.The name <strong>of</strong> Surya, or Sun God, is masculinein India, America, Mexico and the MiddleEast. Savitr is also the Sun God, the Enlivener,and God <strong>of</strong> Morning, as well as Evening. Hischariot is drawn by seven horses (seven rays<strong>of</strong> light). Surya is <strong>of</strong>ten spoken <strong>of</strong> as a birdin the Vedas, and is also described as All-Seeing.The Sun God in Germany and Japan isfeminine.Pr<strong>of</strong>essor Chatterjee says that the originalform <strong>of</strong> Surya was represented with two arms,
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UNIVERSITYOF FLORIDALIBRARIES
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PAPERS OF THE PEABODY MUSEUMVOLUME
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PAPERSOF THEPEABODY MUSEUM OF ARCHA
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PART I: NAVAJO SYMBOLS IN SANDPAINT
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CONTENTSPLATE III. Antlered altar f
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PART I:NAVAJO SYMBOLS IN SAND PAINT
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TOTHE NAVAJO SAND PAINTINGBECOME ac
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GREAT POWERS OF EARTH, SKY, WATER,A
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SKY SYMBOLS, STARS AND COMETSA land
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48 A STUDY OF NAVAJO SYMBOLISMtrail
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INTRODUCTIONWHILE doing field work
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