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A study of Navajo symbolism - Free History Ebooks

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NOTES ON CORRESPONDING SYMBOLS: WHEELWRIGHT 952JFig. 8. Design on wall with Perusha on top. Fig. 9.Idealized form <strong>of</strong> man.Fig. 7. Ethkay-nah-ashi figures at bottom.was initiated.on the earth. This painting, with the PurushaSuch paintings used to be madeat the top, is very much like the prehistoricPersian symbol <strong>of</strong> the conventionalized bird<strong>of</strong> the sky, and is identical with the <strong>Navajo</strong>representation <strong>of</strong> Dontso, the Messenger.The Guru Bijay Krishna Chatterjee, after<strong>study</strong>ing the <strong>Navajo</strong> sand painting <strong>of</strong> theCreation, found it absolutely correct and understandable,although he had different interpretationsfrom the <strong>Navajo</strong>. To him Dontsowas Purusha, the symbol <strong>of</strong> the spirit or soul(Logos), which was made under a sacred vessel<strong>of</strong> water during the Puja, or prayer ceremonial.The position with upraised hands <strong>of</strong>this figure is identical with that in Egypt <strong>of</strong>Ka, who is the spirit form <strong>of</strong> existing man or<strong>of</strong> any living substance. To him the rainbowand lightning were sensory and motor activities,the cornstalk equilibrium; the wholepainting; represented development <strong>of</strong> character.The Ethkay-nah-ashi or Asvins representedhealers and, beyond that, the feminineand masculine form <strong>of</strong> the breathing and outbreathing<strong>of</strong> God. By creating all forms <strong>of</strong>Shaktra, leading up to the gunas, or flowers<strong>of</strong> corn, which are the qualities <strong>of</strong> characterdesired, and then up to Hamsa (the swan <strong>of</strong>pure spirit level) at the top <strong>of</strong> the picture,through sensory and motor activities andthrough the corn stalk <strong>of</strong> direct growth orequilibrium, the whole form represented thebody <strong>of</strong> man (fig. 7), with matter passing upthrough form to spirit. He laughed with joyat it. He said that everything was done fourtimes in ceremonies; that from his point <strong>of</strong>view the colors used by the <strong>Navajo</strong> in thispainting were correct, except that they hadsubstituted black for blue.The Guru mentioned the legend in theVedas <strong>of</strong> King Bali to whom God manifestedhimself. God, when asked by King Bali whatHe wanted, said that He wished to put hisfoot (set his seal) on Creation. God put onefoot on the world, one on the spirit, and thenasked King Bali where else to put His foot."On me," said the King, showing his willingnessto be used by God, and was thereuponsent to Amors or Antipolis, to make it alwaysholy. The East Indians think this was America.Swami Nikhilananda <strong>of</strong> the Vedanta Center

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