New Aesthetic New Anxieties - Institute for the Unstable Media

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INTRODUCTION3. INTRODUCTION4. NEW ANXIETIES9
Page 2 and 3: NEW AESTHETIC NEW ANXIETIES
Page 4: TABLE OF CONTENTSNew Aesthetic New
Page 8 and 9: 1. AESTHETIC TURNSA month before th
Page 10 and 11: arguably animated all of these scen
Page 12 and 13: esource for curators. She has writt
Page 16 and 17: 3. INTRODUCTIONIt's 2011, and I hav
Page 18 and 19: In his original pitch, Bridle refle
Page 20 and 21: objects, the politics of their mana
Page 22 and 23: ones that in some way actually resp
Page 24 and 25: inevitably affected - maybe deraile
Page 26 and 27: But how satisfying is this familiar
Page 28 and 29: objects to point out that what was
Page 30 and 31: ook suggests, amidst an image revol
Page 33 and 34: 5. A BLOGPOST AS EXHIBITIONThe cont
Page 35 and 36: objects that keep a referent outsid
Page 37 and 38: 6. COLLECT, REMIX, CONTRIBUTE -> CU
Page 39 and 40: Can this job be done at all by a ma
Page 41 and 42: Similarly, performative projects th
Page 43 and 44: like Screenshots of Despair. Withou
Page 46 and 47: 8. THE NEW AESTHETIC AS REPRESENTAT
Page 48 and 49: design. In some ways, 8-bit images
Page 50 and 51: of reality, touches a growing sense
Page 52 and 53: Computation, understood within the
Page 54 and 55: 10. THE NEW AESTHETIC AS MEDIATIONL
Page 56 and 57: Internals of an Apple II computer (
Page 58 and 59: time streams and presenting to the
Page 60 and 61: eak the habits of judgment in favor
Page 62 and 63: things and communities. Experimenta
Page 64 and 65:
Indeed, there are huge difficulties
Page 66 and 67:
practices in relation to the New Ae
Page 68 and 69:
screens and surfaces. However, ther
Page 70 and 71:
Berry, D. M. (2008) Copy, Rip, Burn
Page 72 and 73:
Foucault, M. (2008) The Birth of Bi
Page 74 and 75:
New Encoded Discourse', Critical In
Page 76 and 77:
Weizenbaum, J. (1984) Computer Powe
Page 78:
MADE WIT H BOOKIVisit http://softwa
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New Aesthetic New Anxieties - Institute for the Unstable Media

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