New Aesthetic New Anxieties - Institute for the Unstable Media

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screens and surfaces. However, there is still important critical and creative work to bedone to fully confront this reality of 21st century visual culture, one that iscomputationally mediated and saturated with consumerism and markets. Indeed, wewould argue that the question remains not one of finding the representational NewAesthetic, but the conscious and active cultivation of new aesthetics (plural).63
12. BIBLIOGRAPHYADILKNO (The Foundation for the Advancement of Illegal Knowledge) (1998) TheMedia Archive – World Edition, trans. Laura Martz and Sakhra –l’Assal / ZiekendZoeltjes Produkties, Los Angeles: Semiotext(e);http://thing.desk.nl/bilwet/adilkno/TheMediaArchive/Agre, P. (1997) 'Toward a Critical Technical Practice: Lessons Learned in Trying toReform AI', in G. Bowker, L. Gasser, L. Star and B. Turner (eds) Bridging the GreatDivide: Social Science, Technical Systems, and Cooperative Work, Mahwah, N.J.:Erlbaum, pp. 131-157.Aime, R. (2012a) 'Desiring Machines', The New Inquiry,http://thenewinquiry.com/essays/desiring-machines/_____. (2012b) 'Curation, Gender, and the New Aesthetic', TheState,http://www.thestate.ae/curation-gender-the-new-aesthetic/Alberro, A. Conceptual Art and the Politics of Publicity, Cambridge, MA: MIT Press.Andreessen, M. (2011) 'Why Software Is Eating The World', Wall Street Journal,August 20, 2011,http://online.wsj.com/article/SB10001424053111903480904576512250915629460.html# articleTabs%3DarticleArvidsson, A. (2005) 'Brands: A Critical Perspective', Journal of Consumer Culture 5.2:235-258.Ashbery, M. (2012) 'The New Aesthetics of the Male Gaze', Madeline Ashby,http://madelineashby.com/?p=1198Badiou, A. (2009) The Logics of Worlds: Being and Event, 2, trans. Alberto Toscano,London: Continuum.Bartholl, A. (2006) 'Maps', http://datenform.de/mapeng.html_____. (2010) 'Dead Drops', http://deaddrops.com/_____. (2012) The Speed Book, Berlin: Gestalten-Verlag.Beaulieu, A. and de Rijcke, S. (2012) Network Realism,http://networkrealism.wordpress.com/Beniger, J. R. (1986) The Control Revolution: Technological and Economic Origins ofthe Information Society, Cambridge, MA: Harvard University Press.Bergemann, O. (2012) 'Progress', http://oleb.net/blog/2012/06/progress/Berlant, L. (2011) Cruel Optimism, Durham NC: Duke University Press.64
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NEW AESTHETIC NEW ANXIETIES
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TABLE OF CONTENTSNew Aesthetic New
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1. AESTHETIC TURNSA month before th
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arguably animated all of these scen
Page 12 and 13:
esource for curators. She has writt
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INTRODUCTION3. INTRODUCTION4. NEW A
Page 17 and 18: This is followed by a series of ref
Page 19 and 20: Jumping from the medium of the scre
Page 21 and 22: Aesthetic seems to evoke what alrea
Page 23 and 24: 4. NEW ANXIETIESThe # tumblresque i
Page 25 and 26: worked to propane-fuel this intelle
Page 27 and 28: “pigeon language” that takes pl
Page 29 and 30: NET EFFECTSThe new aesthetic episod
Page 31: CURATORIAL READINGS5. A BLOGPOST AS
Page 34 and 35: the image are those that can be dis
Page 36 and 37: which radiate a lightness of form,
Page 38 and 39: intends to produce connections betw
Page 40 and 41: 7. ERROR 404: NO AESTHETIC FOUNDAt
Page 42 and 43: privacy, or lack thereof, in the di
Page 44: IRRUPTIONS8. THE NEW AESTHETIC AS R
Page 47 and 48: are in danger of further 'screen es
Page 49 and 50: 9. WHAT ARE THE CONDITIONS OF POSSI
Page 51 and 52: at-hand/ ready-to-hand) - this is a
Page 53 and 54: the difference between aesthetic fo
Page 55 and 56: engaged which computationally inter
Page 57 and 58: Kant argues that ‘mere reason’
Page 59 and 60: 11. THE POLITICS OF EMERGENT AESTHE
Page 61 and 62: We now find ourselves in a situatio
Page 63 and 64: crisis-ridden economic condition, i
Page 65 and 66: ultimately responses that together
Page 67: ‘informational societies’? How
Page 71 and 72: Bridle, J. (2011a) 'The New Aesthet
Page 73 and 74: Heidegger, M. (1977) The Question C
Page 75 and 76: Globally', empyre, http://www.maila
Page 77 and 78: 13. ACKNOWLEDGEMENTSBy its very nat
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