epeatedly—and sometimes even asked aloud of no one in particular around me—“What the hell am I doing here, at a university, as this event unfolds?” I should berushing to help explain it to the world, I thought aloud, to cover the unfolding eventsand analyze them against the backdrop of previous terrorism for a television audience. Igenuinely and seriously questioned, for the first and only time since joining the UDfaculty, whether I had made a huge mistake forsaking my broadcast journalism careerfor an academic life.My first class of the day began at 11am. A faculty colleague wondered whether weshould go to class, but I had no doubt I would be there, my videotape in hand anddecades of reporting on terrorism in my head. I invited her class to join mine. Quite afew students arrived without knowing much of what had been happening since8:46am, when the first plane struck the World Trade Center. In class that day… andfor many weeks throughout the semester… I attempted to help students understandthe rich tapestry of terrorism, media issues and politics unfolding before them in realtime.And very quickly I realized that although I had questioned my decision to leavebroadcast news for the classrooms of UD, I had a new audience with whom to work tounderstand the seemingly incomprehensible acts which had occurred on September 11,2001. It was easy—and useful, I believe—to incorporate the lessons of 9/11 and the“War on Terrorism” into my “Politics and the Media” class for the rest of the semester.Front-line to ClassroomMy transition from the unpredictable, exhilarating and collaborative front-line world ofglobal broadcast news to a completely predictable, backwater and decidedly noncollaborativeenvironment of university life has been smooth and satisfying. Thequestion I’m asked most often is “Do you miss the excitement of CNN?” The answeris: occasionally, but not achingly.The concept of collaboration, virtually the backbone of television news, is almostcompletely absent in university life. The reward system of higher education is built onthe premise that solo accomplishments are highly prized, while rich collaborativeproducts are discouraged (because they are rarely supported). This is an importantconcept for broadcast professionals to understand before making the move to the ivytowers.Everyone in television news knows that the best programs are produced by a smallarmy of creative, talented people, each with different skills. From on-camera presentersto photographers and writers, to editors and producers, to studio and control roompersonnel—television news is a collective enterprise.In the college industry (it is, in fact, an industry, in my view), collectiveaccomplishments are rarely proposed or rewarded, and often detract from the career ofa faculty member. In my first year at the University of Delaware, I team-taught a threecoursesequence called “Road to the Presidency” with the chair of the Political Sciencedepartment. We brought to our classroom the combined perspectives of a scholar whohad been studying the presidency for 25 years and a journalist who had never studied itbut had covered every presidential election and many political conventions since 1968.We took students for a week of full-time work at the GOP convention in Philadelphiain 2000, where each student worked in an internship either with the media or with the2Feedback April 2003 (Vol. 44, No. 2)
party. It was a fabulous experience for both the students and for us.The university enjoyed the publicity the course received, but I learned that teamteaching is not encouraged, essentially because, administratively, it ties up two facultymembers for a single class of students.The same year, I was approached by a substantial Washington think tank aboutleading a scholarly analysis of journalism written about the Palestinian-Israeli conflict.It would be well funded. I envisioned using a few students from each of the academicdepartments in which I had been appointed: English (journalism students), PoliticalScience, and Communication (broadcast news students). Each of the department chairsmade it clear they would not support such an interdisciplinary project, but wouldencourage me to undertake it with students from a single department. Crossdisciplinarycollaboration simply is not a favored scenario on campus.The rarity of collaboration has another strange side effect: professors around me haveno idea what I’m teaching; nor do I know what others teach. This has had somehumorous results. A professor of Geography whose office is a few doors down the hallfrom me decided to use a video camera in her course to record interviews withcommunity members. Her students, none of them with any video or TV experience,had to learn whatever they could about videography and post-production. Meanwhile,in my class (and that of another Communication professor), students being trained invideography and TV production already had the skills the Geography class needed. Butthere was no collaboration. The Geography professor had to drum up money to buythe equipment and to pay an instructor in TV production, while my communicationstudents had no opportunity to use the editing equipment in the Geographydepartment just a few steps away in the same building. The Communicationdepartment lacked the equipment being used by the next-door Geography students.Entrepreneurship LackingA sidebar aspect of this phenomenon is that universities are apparently unaccustomedto faculty with entrepreneurial and management abilities. Most faculty devise and teachtheir classes and conduct scholarly research with little interest in extending thoseexperiences to university-wide audiences or beyond. A broadcaster with an appetite forbroad audiences seems an aberration on campus, and there is widespread wondermentabout how I’ve managed to attract audiences of up to 700 for a speaker series oninternational terrorism.Professional broadcasters considering sharing their experience on a college campusmay discover that students take a long time to appreciate the resource available in theirclassroom. In general, the students I teach are interested in doing whatever’s necessaryto achieve their desired grade in my class; most are not geared to milking their timewith me for whatever my hands-on experience might be worth.There are exceptions, of course, and they are what makes teaching so rewarding.For a journalist like me, accustomed to the fast-paced world of television news,academia is a dramatic downshift. Decisions needed and made “right away” in the TVnews business are almost unheard of at the university. “Soon” might mean in a year ortwo. “Right away” often means sometime during the current semester. And decisions inacademia seem always to be made by consensus. Scholars don’t like being told what todo; I think it’s part of the “tenure” system, a cradle-to-grave concept under whichBEA—Educating tomorrow’s electronic media professionals 3
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Participants were asked which one m
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These stations still archive script
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TABLE 12002 BEA News Division stude
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Eiles at WCHS-TV, Portland, Maine.
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ESSAYWHAT’S OLD IS NEW AGAIN:THE
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are. If the news agency editor or r
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said Sagan, just as broadcast chann
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“We’re perfectly positioned to
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John Miller, News Director of KTVT-
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CLASSROOMGUEST SPEAKERS IN BROADCAS
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students just starting out, their m
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professionals, often with varied jo
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District NewsTo the members of Dist
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several held on college campuses. I
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2ND PLACE: Jillian Oppegard, Colora
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Faculty News CompetitionC.A. Tuggle
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AWARD OF EXCELLENCE: Kevin Hager, W
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BEA PRESIDENT’S MESSAGEGOALS AND
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THANK YOU to the following individu