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(<br />
RTTY LOOP<br />
J<br />
Marc I. Leave y, M.D. WA3AJR<br />
4006 Win lee Road<br />
Randalls<strong>to</strong>wn MD 21133<br />
Okay, now, how many of you<br />
out there have heard of iRL?<br />
Come on, raise your hand s.<br />
Tha t's o ne , t wo, three . . .<br />
hmmm, not <strong>to</strong>o many. I guess<br />
this goes along wi th what one of<br />
the guys from the company <strong>to</strong>ld<br />
me. You see, they have a new<br />
RTTY demodula<strong>to</strong>r, the FSK<br />
1000, and, in his words, "Whi le<br />
we haven't expected the FSK<br />
1000 <strong>to</strong> stu n the free wo rld and<br />
enrich us overnight, we stil l<br />
can't quite see wh y people<br />
would want <strong>to</strong> spend almost two<br />
hundred bucks more for something<br />
else." We ll, after looking at<br />
the FSK 10Cl0, I don 't know what<br />
the problem is either.<br />
Over the past few months, we<br />
have covered many dem odul a<br />
<strong>to</strong>r design s and considered<br />
what makes a good dem odul a<br />
<strong>to</strong> r. A common desi gn point of<br />
many of these was the inc lusion<br />
of a limiter stage in the front<br />
end. What the limiter does is<br />
boost the sig nal inp ut <strong>to</strong> a<br />
c lipped or limited level so that <br />
in theory - all sig nals present<br />
are processed <strong>to</strong> the same arnpli<br />
tude . In practice, however,<br />
this only works for signals tha t<br />
are in the clear or reasonab ly<br />
noi se-tree . The ability <strong>to</strong> work<br />
without a limiter, in true limiterless<br />
(often called AM) mode , is a<br />
distinct advan tag e on our ofte n<br />
crowded ham band s.<br />
Unfortunately, most of the demodula<strong>to</strong>r<br />
s marketed <strong>to</strong> th e<br />
Any amat eur have not featured<br />
true limiterless operati on. While<br />
a fro nt-panel switc h may be<br />
marked " LIMITER ON/OFF" or<br />
"AMIFM", there is usua lly no<br />
way <strong>to</strong> vary the input level <strong>to</strong><br />
best take advantage of what sig <br />
nal the re is. Further, selective<br />
fading without adequate logi c <strong>to</strong><br />
allo w insta ntaneous reception<br />
on mark or space can be equally<br />
disastrous . The FSK 1000<br />
changes all that.<br />
A front-panel inp ut level contro<br />
l and an LED which lights<br />
upon clipping, th us exc eeding<br />
the li near range, make limit erless<br />
operation of the FSK 1000<br />
easy. By adjusting the imput so<br />
tha t th e LED is just extf n-<br />
guished, maximum capability is<br />
ensu red. By increasing the input<br />
level, any degree of clipping<br />
fro m co ntrolled <strong>to</strong> hard limiting<br />
may be achieved. Clearly, all sig <br />
nals are not alike. Now there is<br />
no reason that the demodula<strong>to</strong>r<br />
needs <strong>to</strong> sta y the same, eit her.<br />
Another bugaboo of demod u<br />
la<strong>to</strong>r design has been the filters.<br />
Through the years, filters have<br />
ranged, as we have seen, from<br />
TV-width coils <strong>to</strong> <strong>to</strong>roids <strong>to</strong> coilless<br />
acti ve filte rs. The problem<br />
has alw ays been <strong>to</strong> maintain<br />
adequate selectivity, gain , and<br />
bandwidth at reasonable cos t<br />
vs. perf ormance trade- off. Well ,<br />
iRL has come through , again, by<br />
using modern, six th-order active<br />
filters in the FSK 1000. This permits<br />
selectable bandwidth and<br />
tunable peaks <strong>to</strong> cov er any shift<br />
fro m 50 <strong>to</strong> 1000 Hz, wi th switch<br />
selection of 850 Hz, 425 Hz, and<br />
170 Hz. The shift change is accomplis<br />
hed by tuning a multipole<br />
bandpass filter of consta nt<br />
bandwidth, rather tha n using<br />
audio frequency mixe rs in a heterodyning<br />
process. Thus, audio<br />
image probl ems, bird ies, and<br />
spurio us frequen cies are min i<br />
mized.<br />
Now, as if the guts were not<br />
impressive enough, the boys at<br />
iRL have also wor ked hard <strong>to</strong><br />
provide a heck of a box. The circuit<br />
board is a hefty 3132·inch<br />
glass epo xy number, and the<br />
pots and other components are<br />
name brands. Full -sized, sta n<br />
dard connect ors are used on the<br />
rear skirt; no scrounging for<br />
mole x plug s here. The who le<br />
thing is encl osed in an anodized<br />
aluminum bo x that unscrews for<br />
service but looks like it will support<br />
a TO on <strong>to</strong>p of it. (I said<br />
"looks li ke it will " - 1 have not<br />
do ne it !)<br />
There are even a bunch of options,<br />
as if the bas ic unit weren't<br />
enough . You can get a video<br />
board mount ed in side and make<br />
a full term inal. ASCII-<strong>to</strong>-Baudot<br />
conversions go wi th that One.<br />
Some of the standard feature s<br />
are even more imp ressive , how <br />
ever. A RS·232 keyboard can be<br />
hooked in<strong>to</strong> the back <strong>to</strong> key the<br />
loop, and RS-232 outputs are<br />
available also . That means the<br />
thing will work with our computer<br />
terminal, without a 50·mA<br />
loop at all. There is a keyboardacti<br />
vat ed sw itch (hitting any key<br />
turns on your transmitter) and a<br />
CW 10 key jack. Tuni ng meters ,<br />
scope outputs . . . 1even think it<br />
makes a pretty good cup of cottee.<br />
There are a few gripes, however.<br />
First off , look at the picture<br />
. I seriously co nsidered having<br />
a contest <strong>to</strong> see how many<br />
of you could tell which push-but <br />
<strong>to</strong>n on the front pane l was<br />
pushed . You see, even in real<br />
life, it is hard as the devil <strong>to</strong> tell<br />
what shi ft you are on, whet her<br />
au<strong>to</strong>st art is on or off, or whatever.<br />
Som e form of indica<strong>to</strong>r,<br />
LED, or whatever, or changing <strong>to</strong><br />
<strong>to</strong>g gle swi tches is needed <strong>to</strong><br />
clear up that front panel. Speaking<br />
of clarity, abou t mid way between<br />
th e delta-tune and input<br />
knobs is a small knob labeled<br />
"THRESHOLD." This knob was<br />
added <strong>to</strong> late produ cti on runs,<br />
and allows you <strong>to</strong> adjust the au<strong>to</strong>sta<br />
rt threshold (tha t is, the level<br />
at which the au<strong>to</strong>st art will<br />
start) from the front panel. Fine,<br />
but the re is no calibration ,<br />
sca le, or logging on the knob.<br />
No way <strong>to</strong> know where it is set<br />
nor return it <strong>to</strong> a previous setting.<br />
Bad news, fell as. And one<br />
last note: tne au<strong>to</strong>start. When I<br />
fir st sta rted playing with this<br />
thing, about a minute or two in<strong>to</strong><br />
the session, the front lights died<br />
and the printer went off . Now, if<br />
ju st the prin ter and loop had<br />
gone off, I would have known<br />
the au<strong>to</strong>start disengaged. But<br />
killing the front-panel li ghts<br />
made me think I'd blown a fuse.<br />
Only a fortui<strong>to</strong>us signal brought<br />
fife <strong>to</strong> the machine and saved<br />
the day. Really, now, why not<br />
leave the light s alon e? Other-<br />
The FSK 1000 from iRL.<br />
wi se, when ki lling equipment at<br />
the end of the day, there is no<br />
qui ck way <strong>to</strong> know the thing is<br />
on.<br />
All in all, howe ver, I have <strong>to</strong><br />
commend the fol ks at iRL. They<br />
have turned out a solid demodula<strong>to</strong>r<br />
that well sho uld stun the<br />
free world. The FSK 1000 currentl<br />
y sells for $449.00, and you<br />
can see their ads here in 73 or<br />
write <strong>to</strong> iRL, 700 Tayl or Road,<br />
Columbus, Ohio 43230.<br />
I received a lett er recently<br />
from Tom Waarvik of Indiana polis,<br />
Indiana, who related that he<br />
was a begi nner, with a Teletype<br />
Model KSR-35 and a modem,<br />
and that he wan ted <strong>to</strong> be able <strong>to</strong><br />
receive Morse, Baud ot, and<br />
ASCII on tha t setup. He notes<br />
tha t much of the commercial<br />
gear is over his budg et, and he is<br />
looking for cheap way s of code<br />
co nversion. Well, Tom, this is<br />
where the co mput er in the shack<br />
co mes in handy. There are<br />
reams of publ ished programs<br />
fo r receiving any or all of these<br />
modes with just about any of the<br />
popular computer chips. You<br />
might c heck back issues of 73<br />
and Microcomputing magazines.<br />
In September and December,<br />
1979, t listed many of these<br />
articles in this columm. See if<br />
you can scrounge a copy in your<br />
area, or chec k with 73's back<br />
issue department. Which computer?<br />
Well, I am partia l <strong>to</strong> the<br />
6800 and have written some fa irly<br />
sophisti cated progr ams <strong>to</strong><br />
work RTTY on one. But whic h<br />
ever you can get within your<br />
budget , 6800 , 8080, Z·80, Apple,<br />
Pet, or TRS·BO, they can be made<br />
<strong>to</strong> work on RTTY and Morse.<br />
That is probably the best way <strong>to</strong><br />
go.<br />
18 73 Magazine. Oc<strong>to</strong>ber, 1980