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(<br />

RTTY LOOP<br />

J<br />

Marc I. Leave y, M.D. WA3AJR<br />

4006 Win lee Road<br />

Randalls<strong>to</strong>wn MD 21133<br />

Okay, now, how many of you<br />

out there have heard of iRL?<br />

Come on, raise your hand s.<br />

Tha t's o ne , t wo, three . . .<br />

hmmm, not <strong>to</strong>o many. I guess<br />

this goes along wi th what one of<br />

the guys from the company <strong>to</strong>ld<br />

me. You see, they have a new<br />

RTTY demodula<strong>to</strong>r, the FSK<br />

1000, and, in his words, "Whi le<br />

we haven't expected the FSK<br />

1000 <strong>to</strong> stu n the free wo rld and<br />

enrich us overnight, we stil l<br />

can't quite see wh y people<br />

would want <strong>to</strong> spend almost two<br />

hundred bucks more for something<br />

else." We ll, after looking at<br />

the FSK 10Cl0, I don 't know what<br />

the problem is either.<br />

Over the past few months, we<br />

have covered many dem odul a­<br />

<strong>to</strong>r design s and considered<br />

what makes a good dem odul a­<br />

<strong>to</strong> r. A common desi gn point of<br />

many of these was the inc lusion<br />

of a limiter stage in the front<br />

end. What the limiter does is<br />

boost the sig nal inp ut <strong>to</strong> a<br />

c lipped or limited level so that ­<br />

in theory - all sig nals present<br />

are processed <strong>to</strong> the same arnpli<br />

tude . In practice, however,<br />

this only works for signals tha t<br />

are in the clear or reasonab ly<br />

noi se-tree . The ability <strong>to</strong> work<br />

without a limiter, in true limiterless<br />

(often called AM) mode , is a<br />

distinct advan tag e on our ofte n<br />

crowded ham band s.<br />

Unfortunately, most of the demodula<strong>to</strong>r<br />

s marketed <strong>to</strong> th e<br />

Any amat eur have not featured<br />

true limiterless operati on. While<br />

a fro nt-panel switc h may be<br />

marked " LIMITER ON/OFF" or<br />

"AMIFM", there is usua lly no<br />

way <strong>to</strong> vary the input level <strong>to</strong><br />

best take advantage of what sig ­<br />

nal the re is. Further, selective<br />

fading without adequate logi c <strong>to</strong><br />

allo w insta ntaneous reception<br />

on mark or space can be equally<br />

disastrous . The FSK 1000<br />

changes all that.<br />

A front-panel inp ut level contro<br />

l and an LED which lights<br />

upon clipping, th us exc eeding<br />

the li near range, make limit erless<br />

operation of the FSK 1000<br />

easy. By adjusting the imput so<br />

tha t th e LED is just extf n-<br />

guished, maximum capability is<br />

ensu red. By increasing the input<br />

level, any degree of clipping<br />

fro m co ntrolled <strong>to</strong> hard limiting<br />

may be achieved. Clearly, all sig ­<br />

nals are not alike. Now there is<br />

no reason that the demodula<strong>to</strong>r<br />

needs <strong>to</strong> sta y the same, eit her.<br />

Another bugaboo of demod u­<br />

la<strong>to</strong>r design has been the filters.<br />

Through the years, filters have<br />

ranged, as we have seen, from<br />

TV-width coils <strong>to</strong> <strong>to</strong>roids <strong>to</strong> coilless<br />

acti ve filte rs. The problem<br />

has alw ays been <strong>to</strong> maintain<br />

adequate selectivity, gain , and<br />

bandwidth at reasonable cos t<br />

vs. perf ormance trade- off. Well ,<br />

iRL has come through , again, by<br />

using modern, six th-order active<br />

filters in the FSK 1000. This permits<br />

selectable bandwidth and<br />

tunable peaks <strong>to</strong> cov er any shift<br />

fro m 50 <strong>to</strong> 1000 Hz, wi th switch<br />

selection of 850 Hz, 425 Hz, and<br />

170 Hz. The shift change is accomplis<br />

hed by tuning a multipole<br />

bandpass filter of consta nt<br />

bandwidth, rather tha n using<br />

audio frequency mixe rs in a heterodyning<br />

process. Thus, audio<br />

image probl ems, bird ies, and<br />

spurio us frequen cies are min i­<br />

mized.<br />

Now, as if the guts were not<br />

impressive enough, the boys at<br />

iRL have also wor ked hard <strong>to</strong><br />

provide a heck of a box. The circuit<br />

board is a hefty 3132·inch<br />

glass epo xy number, and the<br />

pots and other components are<br />

name brands. Full -sized, sta n­<br />

dard connect ors are used on the<br />

rear skirt; no scrounging for<br />

mole x plug s here. The who le<br />

thing is encl osed in an anodized<br />

aluminum bo x that unscrews for<br />

service but looks like it will support<br />

a TO on <strong>to</strong>p of it. (I said<br />

"looks li ke it will " - 1 have not<br />

do ne it !)<br />

There are even a bunch of options,<br />

as if the bas ic unit weren't<br />

enough . You can get a video<br />

board mount ed in side and make<br />

a full term inal. ASCII-<strong>to</strong>-Baudot<br />

conversions go wi th that One.<br />

Some of the standard feature s<br />

are even more imp ressive , how ­<br />

ever. A RS·232 keyboard can be<br />

hooked in<strong>to</strong> the back <strong>to</strong> key the<br />

loop, and RS-232 outputs are<br />

available also . That means the<br />

thing will work with our computer<br />

terminal, without a 50·mA<br />

loop at all. There is a keyboardacti<br />

vat ed sw itch (hitting any key<br />

turns on your transmitter) and a<br />

CW 10 key jack. Tuni ng meters ,<br />

scope outputs . . . 1even think it<br />

makes a pretty good cup of cottee.<br />

There are a few gripes, however.<br />

First off , look at the picture<br />

. I seriously co nsidered having<br />

a contest <strong>to</strong> see how many<br />

of you could tell which push-but ­<br />

<strong>to</strong>n on the front pane l was<br />

pushed . You see, even in real<br />

life, it is hard as the devil <strong>to</strong> tell<br />

what shi ft you are on, whet her<br />

au<strong>to</strong>st art is on or off, or whatever.<br />

Som e form of indica<strong>to</strong>r,<br />

LED, or whatever, or changing <strong>to</strong><br />

<strong>to</strong>g gle swi tches is needed <strong>to</strong><br />

clear up that front panel. Speaking<br />

of clarity, abou t mid way between<br />

th e delta-tune and input<br />

knobs is a small knob labeled<br />

"THRESHOLD." This knob was<br />

added <strong>to</strong> late produ cti on runs,<br />

and allows you <strong>to</strong> adjust the au<strong>to</strong>sta<br />

rt threshold (tha t is, the level<br />

at which the au<strong>to</strong>st art will<br />

start) from the front panel. Fine,<br />

but the re is no calibration ,<br />

sca le, or logging on the knob.<br />

No way <strong>to</strong> know where it is set<br />

nor return it <strong>to</strong> a previous setting.<br />

Bad news, fell as. And one<br />

last note: tne au<strong>to</strong>start. When I<br />

fir st sta rted playing with this<br />

thing, about a minute or two in<strong>to</strong><br />

the session, the front lights died<br />

and the printer went off . Now, if<br />

ju st the prin ter and loop had<br />

gone off, I would have known<br />

the au<strong>to</strong>start disengaged. But<br />

killing the front-panel li ghts<br />

made me think I'd blown a fuse.<br />

Only a fortui<strong>to</strong>us signal brought<br />

fife <strong>to</strong> the machine and saved<br />

the day. Really, now, why not<br />

leave the light s alon e? Other-<br />

The FSK 1000 from iRL.<br />

wi se, when ki lling equipment at<br />

the end of the day, there is no<br />

qui ck way <strong>to</strong> know the thing is<br />

on.<br />

All in all, howe ver, I have <strong>to</strong><br />

commend the fol ks at iRL. They<br />

have turned out a solid demodula<strong>to</strong>r<br />

that well sho uld stun the<br />

free world. The FSK 1000 currentl<br />

y sells for $449.00, and you<br />

can see their ads here in 73 or<br />

write <strong>to</strong> iRL, 700 Tayl or Road,<br />

Columbus, Ohio 43230.<br />

I received a lett er recently<br />

from Tom Waarvik of Indiana polis,<br />

Indiana, who related that he<br />

was a begi nner, with a Teletype<br />

Model KSR-35 and a modem,<br />

and that he wan ted <strong>to</strong> be able <strong>to</strong><br />

receive Morse, Baud ot, and<br />

ASCII on tha t setup. He notes<br />

tha t much of the commercial<br />

gear is over his budg et, and he is<br />

looking for cheap way s of code<br />

co nversion. Well, Tom, this is<br />

where the co mput er in the shack<br />

co mes in handy. There are<br />

reams of publ ished programs<br />

fo r receiving any or all of these<br />

modes with just about any of the<br />

popular computer chips. You<br />

might c heck back issues of 73<br />

and Microcomputing magazines.<br />

In September and December,<br />

1979, t listed many of these<br />

articles in this columm. See if<br />

you can scrounge a copy in your<br />

area, or chec k with 73's back<br />

issue department. Which computer?<br />

Well, I am partia l <strong>to</strong> the<br />

6800 and have written some fa irly<br />

sophisti cated progr ams <strong>to</strong><br />

work RTTY on one. But whic h­<br />

ever you can get within your<br />

budget , 6800 , 8080, Z·80, Apple,<br />

Pet, or TRS·BO, they can be made<br />

<strong>to</strong> work on RTTY and Morse.<br />

That is probably the best way <strong>to</strong><br />

go.<br />

18 73 Magazine. Oc<strong>to</strong>ber, 1980

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