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Architect 2016-01

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major office redesign for the Macquarie<br />

Group, an investment bank, where employees<br />

had previously worked at desks grouped<br />

by department. In the new Sydney headquarters,<br />

there are no assigned workstations and<br />

employees stow their laptops in lockers. Large<br />

staircases cut diagonally through the airy<br />

office, encouraging employees to move<br />

and cross paths with people from different<br />

divisions. The flexible workspaces abolish<br />

what Stanaway describes as “command and<br />

control silos,” where managers separated<br />

employees by department and oversaw them<br />

literally through sight lines.<br />

“It is vital because you need to get<br />

people moving between places and connecting<br />

with others,” Stanaway says. “I think<br />

ultimately connection is always an important<br />

part of any business and if you have a big<br />

business, connection is critical.”<br />

Strip away ingrained expectations and<br />

it becomes clear that sitting in one place<br />

for a certain number of hours each day isn’t<br />

helping—and may actually be hindering—<br />

people from doing their jobs. On the other<br />

hand, when design encourages movement<br />

through the workspace people bump into<br />

each other serendipitously, make connections,<br />

decide to collaborate, and perhaps<br />

even come up with the next big thing. Bright<br />

hallways, coffee bars, and walkways that<br />

cut through the heart of the office are all<br />

spaces that can maximize this “bump.”<br />

That said, empowering people to work<br />

anywhere, anytime can be a challenging<br />

shift for some managers. “You have to<br />

manage people by performance, because if<br />

you try to manage by presence or by visibility,<br />

you will fail,” Stanaway explains. This<br />

can often be a positive transition, because it<br />

encourages managers to set clear expectations<br />

and monitor progress through structured<br />

team meetings.<br />

Not all employees will accept change<br />

willingly, either. Stanaway likes to tell the<br />

story of an employee in a new office who<br />

didn’t like the idea of stowing his things in<br />

a locker. For three months, he refused to<br />

cooperate and would instead overnight mail<br />

his belongings to himself at the end of each<br />

workday.<br />

But ultimately, design can be an effective<br />

tool to change behavior and business culture.<br />

Stanaway worked on an office design for a<br />

company that was trying to become more<br />

people-focused, but the employees described<br />

themselves as “grumpy old men.” The new<br />

office was structured such that nearly everyone<br />

had to walk through a common area<br />

where they would come into contact with<br />

at least ten other employees to get to their<br />

individual workspace. Lockers were also<br />

clustered around a community gathering<br />

point to encourage interaction.<br />

“You would really struggle to go to that<br />

office and not talk to other people,” Stanaway<br />

recalls. “It was about trying to use design to<br />

change the culture.”<br />

Stanaway firmly believes that in order to<br />

best motivate workers, offices must recognize<br />

that diverse people with diverse functions<br />

need diverse spaces in which to work. The<br />

challenge for her, she says, is “the belief that<br />

a homogenous workplace is going to create<br />

a great outcome.”<br />

(left) Macquarie’s offices had previously<br />

grouped its employees by department.<br />

The move to the new space was predicated<br />

by a desire to break down silos<br />

within the organization and promote<br />

a client-based culture.<br />

PORTRAIT ILLUSTRATIONS MICHAEL GILLETTE

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