Architect 2016-01

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Where concrete and imagination meet. 88 interesting counterpoint to the west end of Glover Hall, while a large cantilevered canopy provides a sheltered drop-off and waiting area for students. In 2005, Thayer undertook a more ambitious project: an arts center with a 540-seat proscenium-stage theater that could function as a school meeting place, a performance space, and a venue for community gatherings. Eck | MacNeely, which specialized in residential work, had never designed a theater, nevertheless it got the job. Ted Koskores, who has been headmaster of Thayer since 2003, told me that he appreciated the on-going connection with the architects. “You can use specialists, but they are often simply applying a template instead of being sensitive Thayer’s Center for the Arts (left) and Frothingham Hall www.hanoverpavers.com Contact Hanover ® at 800.426.4242 to fi nd your local representative. to the local situation,” he said. “We placed a value on a long-term relationship with architects who had proven themselves to understand and appreciate our vision.” The arts center is attached to Frothingham Hall. While the larger addition does not mimic the Gothic Revival style, it echoes the older building’s gable front and its colonnade picks up the rhythm of the adjacent buttresses. The pitched roofs and dormers, and the brick and limestone exterior, create a sense of continuity, while introducing modern features such as generous glazing in the lobby. “One of the limitations of our Victorian buildings is that they are opaque—you can’t see into them,” Koskores observed. “We wanted our new buildings to have a greater sense of transparency.” As part of the addition, Eck | MacNeely transformed the now-redundant auditorium of Frothingham Hall into a studio for the visual arts: painting, drawing, graphic design, and architecture. When I visited, a lone student was carefully building a model of a space frame. Eck | MacNeely’s next commission at Thayer was to answer the nagging question: What to do with the awkward library? Rejecting demolition, the architects gutted the building, preserved the Miesian sense of an open interior and the exposed waffle slab—a charming reminder of the 1960s—and added a new façade modulated by bay windows. The lower level was warren jagger Hampshire Prest ® Brick - NEW!
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Architect 2016-01

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