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THE TIME MOM MET HITLER . . .<br />
sinking. And now they hear . . . is that the falls? It is!<br />
And now the falls are closer. And no one knows where<br />
they are. Faster the river runs, and faster. <strong>The</strong> falls are a<br />
roar. <strong>The</strong> ice cake whirls. <strong>The</strong>n, just at the penultimate<br />
moment, the boys spy a tree branch hanging low across<br />
the stream. Can they make it? Frantic work with the<br />
useless oars. Closer. Closer. <strong>The</strong> falls are a death trap<br />
about to snap closed. <strong>The</strong> boys crouch. <strong>The</strong>y spring.<br />
<strong>The</strong>y clasp. <strong>The</strong>y sway. <strong>The</strong> ice cake disappears in a<br />
rumble <strong>of</strong> destruction. And there are the boys hanging<br />
by their armpits, shuffling sideways, immortal.<br />
Ah, the thrill! And it might have happened. One can never really<br />
be sure with poets.<br />
* * *<br />
My mother found an attractive, frontier, Tom Sawyer– ish quality<br />
in Dad’s tales <strong>of</strong> his Minnesota youth. Of course when Dad was<br />
young, the unfenced prairie no longer stretched from southern<br />
Minnesota all the way to the Rockies. But Mom, who grew up in<br />
cultured surroundings in Cambridge, Massachusetts, was nonetheless<br />
thrilled with Dad’s vicarious touches <strong>of</strong> the Wild West.<br />
My mother was a woman who loved to sing her way around<br />
the house as she swept and cooked, and a particular favorite<br />
was Bing Crosby’s hit “Don’t Fence Me In.” She and I would<br />
do the song together in the kitchen as she prepared onions, a<br />
slice emphasizing the end <strong>of</strong> each line—<br />
I want to ride to the ridge where the West commences [slice]<br />
And gaze at the moon till I lose my senses [slice]<br />
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