Srbija - nacionalna revija - broj 55 - engleski - niska rezolucija

More documents

Recommendations

Info

В И Д И Ц И / В З Г Л Я Д Ы / B E L V E D E R E S 64 SRBIJA • BROJ <strong>55</strong> • 2016.
Hungary, present Croatia, in a family of a royal forester, originally from Banija. Preserved biographies say that he finished elementary school in Glina, where he first saw the cinema, circus and traveling theater, and that those first impressions of his childhood, almost phantasmagoric, directed him towards his later creative work. Curiosity and searching for his own self made him, high school student at the time, one of the founders of the Serbian Middle School Society in Zagreb (1913- 14) and accompanying theater, staging works of Serbian playwrights. He, Micić, was the manager, dramaturge, director, production designer and actor. He was a freshman at the Faculty of Philosophy when World War I began. He was mobilized and, after a brief nursing course, sent to the Galician front. Traveling to the first lines of combat, he saw the sights of war horrors. There is a story that he entertained his comrades with acting, and that he saved himself from further army service, even execution, by faking madness. He ended up imprisoned in a military hospital (previous convent) in Samobor. An important moment, crucial in some aspects, happened in the spring of 1918, during his participation in the big historical meeting of Slavic nations in Prague, where he accepted, with great enthusiasm, a common conviction about a “new and better Europe”. As a “graduated student” of the University of Zagreb, he began publishing his verses in magazines, as well as reviews about theater, literature and fine arts. His first book of poems Ritmi moje slutnje (Rhythms of my Premonition) was published in 1919, and caught the attention of Miloš Crnjanski, especially because of the new free verse and reduced poetic form. The following spring, the book Spas duše (Salvation of the Soul) was published, and Micić’s verses soon found their place in the anthologies of modern Croatian, Southern-Slavic (in German) and Yugoslav lyrics. The rest of Ljubomir Micić’s life and work was determined by his magazine Zenit, herald of the Zenitism art movement. In many ways and in many directions. WITHOUT CENTRAL-EUROPEAN DROPPINGS February 1921 and publishing of the first issue of Zenit was a turning point in the life and creative work of Ljubomir Micić, but also, we may as well say, something completely new in Europe of that time. From its form, highly unusual, and very liberal graphic design for that time, to a multitude of collaborators, already known and acknowledged artists, whose contributions were printed in their mother tongues (French, German, English, Russian, Dutch, Czech, Esperanto, Hungarian and, of course, Serbian and Croatian), as well as those whose “otherness”, avant-garde, was already seriously doubtful in terms of art. Already from that first issue (of a total of 43 published), the pages were filled with literary and fine arts works of European artists, as well as texts about literature, art, theater, film… Their list is too long for a magazine article, but we will mention names such as: Kazimir Malevich, Wassily Kandinsky, Alexander Blok, Alexander Archipenko, Lazar El Lissitzki, Ilya Ehrenburg, Lunacharsky, Yesenin, Mayakovski, Tommaso Marinetti, Ruggero Vasari, Delaunay, Lajos Kassak… There were also, of course, artists from the country, then Kingdom of Serbs, Croats and Slovenians or Yugoslavia: Boško Tokin, Stanislav Vinaver, Miloš Branko Ve Poljanski Branko Ve Polјanski, brother of Ljubomir Micić, 1921 Photo: From the collection of the Film Archive in Belgrade Ljubomir Micić’s two years younger brother appears in literature under pseudonyms Virgil, Valerij and Vij Poljanski. His name first appeared when he was expelled from all schools in Croatia and Slavonia in 1915, because of publicly mocking their anthem by paraphrasing it “Our beautiful land full of bottles”. He was first mentioned in literature when he signed his name as editor in chief and only collaborator in “Svetokret. Magazine for transporting the human spirit to the North Pole”, published in Ljubljana in January 1921. He later published a novel “77 Suicides” and a book of poems “Panic under the Sun”, both presented at the Exhibition of Revolutionary Art of the West, in 1926 in Moscow, within Yugoslav Zenitism, whose participation was organized by Ljubomir Micić. In Paris, Branko presented his brother’s art movement in reputable magazines. He established good relations with the Russian avant-garde as well. He fiercely confronted the poetics of futurists, especially Alfred Kerr, author of pogrom verses “Serbia must die”, so convincingly that Kerr had to leave Paris the next day. SERBIA • N O <strong>55</strong> • 2016 65
Page 1 and 2:
Year X • N o 55, 2016 • price 3
Page 3 and 4:
New! Purchase old issues at the pri
Page 5 and 6:
CONTENTS Panorama 04 PROLOGUE 06 CH
Page 7 and 8:
cussed, and the use of new technolo
Page 9 and 10:
Banjani and Rudine The first issue
Page 11 and 12:
SERBIA • N O 55 • 2016 11
Page 13 and 14: SERBIA • N O 55 • 2016 13
Page 17 and 18: This is that grain of Serbia from w
Page 19 and 20: ern times. Between is an ancient li
Page 21 and 22: maining two hundred and fifty, as t
Page 25 and 26: SLANCI MONASTERY NEAR BELGRADE, A M
Page 29 and 30: Despot Stefan Lazarević, it was de
Page 31 and 32: Kakovo monastery is located on that
Page 33 and 34: SEVENTH “ŠTRAPARIJADA” IN RUMA
Page 37 and 38: HOW SERBIAN TV SHOW “FISHING WORL
Page 39 and 40: and Fishing”, which broadcasts it
Page 43 and 44: Immediately after the coronation, I
Page 47 and 48: (the boyar histories will represent
Page 49 and 50: sian rulers. They are frescoes of B
Page 51 and 52: The first heraldic insignia of Belg
Page 53 and 54: the Serbian capital. All previous o
Page 55 and 56: y the Belgrade City Council. The co
Page 57 and 58: tion Mark” kafana. It belongs to
Page 61 and 62: under the condition that the collec
Page 63: SERBIA • N O 55 • 2016 63
Page 69 and 70: ing his lecture at the Kolarac Univ
Page 71 and 72: PROFESSOR ŽARKO VIDOVIĆ, PHD (192
Page 75 and 76: AT THE EDGE OF ANOTHER WORLD They m
Page 79 and 80: JOVAN ZIVLAK, POET, ABOUT THE VORTE
Page 83 and 84: to Zubac, a few official and confus
Page 85 and 86: Ours is the social world, it touche
Page 89 and 90: of the country. He later formed a u
Page 93 and 94: succumbed to it. Great writer and t
Page 97 and 98: MARINA MALJKOVIĆ, COACH OF THE SER
Page 99 and 100: professional able to cope with such
Page 103 and 104: 160 th ANNIVERSARY OF THE BIRTH OF
Page 105 and 106: ty to enjoy the multimedia spectacl
Page 107 and 108: THE SIXTH “DAYS OF SLAVIC LITERAC
Page 109 and 110: INSTITUTION STUDENTS’ RESORT “B
Page 111 and 112: NEW AMENITIES IN “MERKUR’S” S
Page 113 and 114: Youth camps throughout Serbia were
Page 115 and 116:
J U B I L E E SIXTIETH ANNIVERSARY
Page 117:
teaching-educational process, exten
show all

Srbija - nacionalna revija - broj 55 - engleski - niska rezolucija

Create successful ePaper yourself

Delete template?

Save as template?