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Yes, although the genre is much more subdued today than it was when Wolfe and Capote were first<br />

writing. It has become much more commercially important. There’s just a lot more money in<br />

nonfiction than there ever was before. That may have had a smoothing effect on it; it might have made<br />

it a bit more commercial and self-conscious. A book like Jon Krakauer’s Into Thin Air is a very<br />

good, straightforward piece of writing that became a huge bestseller. Into Thin Air doesn’t contain<br />

much in the way of literary experiment, whereas The Right Stuff and In Cold Blood were enormous<br />

literary experiments.<br />

We’re in the post–New Journalism era. Truman Capote’s and Tom Wolfe’s achievements have been<br />

achieved. I think the real question is, “Where’s the literary experiment today? Who’s on the cutting<br />

edge of literary nonfiction? What’s next?” I don’t know.<br />

BY RICHARD PRESTON:<br />

The Boat of Dreams: A Christmas Story, Touchstone Books, 2003<br />

The Demon in the Freezer, Random House, 2003<br />

The Cobra Event, Random House, 1997<br />

The Hot Zone, Random House, 1994<br />

American Steel, Simon & Schuster, 1991<br />

First Light, Atlantic Monthly Press, 1987

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